Bollywood
26 years of Baadshah EXCLUSIVE: “Shah Rukh Khan did a somersault over Amrish Puri without telling him,” recalls action director Moses Fernandes; also reveals how the film unintentionally ended Puneet Issar’s TV show Hindustani
Abbas-Mustan’s Shah Rukh Khan starrer Baadshah completes 26 years today. The action-comedy continues to entertain even after over a quarter century. The movie was known for some memorable stunts performed by Khan. It was the film’s action director Moses Fernandes who made them look more exciting. In an exclusive chat with Bollywood Hungama, he went down memory lane and recalled some interesting and funny moments from the shoot of Baadshah.
Shah Rukh Khan’s daring slide stunt from 80 meters high
The ending portions of Baadshah saw SRK carry out a scene where he is hanged at 80 meters, from where he jumps on a large cloth and slides down. “It was a very risky shot,” recalled Fernandes. “If the cloth turned, anything could have happened. I did a few rehearsals. We wanted to make sure that the cloth shouldn’t come off. That was the biggest challenge. But it all happened well.”
Fernandes said that Khan was sure that nothing untoward would happen as he had worked with the actor before in Deewana and Josh. Yet he had a few questions. “He asked me, ‘Masterji, yeh parda ghoomega?’ I assured him, ‘Nahin ghoomega’. He asked if I am sure. I said yes I am sure. I made my boys do that stunt a few times. So, Shah Rukh bhai felt this is safe. But as I am a fight master, I need to make sure that the actor shouldn’t get hurt in any way.”
Amrish Puri was kept in the dark about a stunt scene involving him
There was a scene in the film where SRK snatches the gun from Amrish Puri’s hand and does a somersault over him. Speaking about the scene, Fernandes said, “Before the shot, Amrish Puri asked me, ‘Masterji, how will he (SRK) jump? My hand might break’. But Shah Rukh bhai told me, ‘Masterji, don’t tell him anything and just take the shot (laughs). Otherwise, the shot won’t happen. Don’t tell Amrish Puri ji what I am going to do.’ So, Amrish Puri didn’t know what Shah Rukh was going to do. He just did the somersault and we took the shot. It turned out to be very well. It was a bit risky.”
One stunt featuring SRK involved more than 30 retakes
Fernandes also recalled a scene where Sharat Saxena and Khan come face-to-face and the latter had to do a stunt. It took over 30 retakes. “Shah Rukh bhai had to jump and take out the gun attached on his leg while being in the air,” recalled Fernandes. “We hadn’t put cables. Shah Rukh bhai said that he will do it himself. That shot must have had at least 32 retakes. I suggested we can shoot it in a different way. But Shah Rukh bhai said that he will do it himself. That guy is so hardworking that I can’t tell you. He did it, although it took 2-3 hours. He was like, ‘Main kar ke rahoonga’.”
SRK almost climbed a building horizontally
Another famous scene from the film is the one where SRK, with the use of special shoes whose soles stick to anything, climbs a building horizontally. “Shah Rukh bhai said he would like to do it himself. He said, ‘Mujhe directly building pe chadhao’. I had all the system with me. I was ready to do it. But then the directors said let it be, we will do it with CGI. But at that time the CGI wasn’t so advanced. We could make out that it’s not real,” said Fernandes.
The action director is all praise for SRK’s energy level. “I haven’t seen a hero like him,” he said. “He has the same level of energy at night, like he has in the morning. During a shot where an actor is speaking to Shah Rukh (who is standing on the opposite side), we used to make someone else stand in place of him. But Shah Rukh used to insist that he will only do. He said the other person will give a better reaction if he is standing in front of him. Some other actor might say, let the assistant give that shot.”
Shoot of Baadshah unintentionally ended the run of Puneet Issar’s TV show Hindustani
At one point of time, Moses Fernandes was doing Puneet Issar’s television show Hindustani. He was reluctant to join initially. “I told Puneet Issar that I don’t want to be a fight master in a TV serial, else I will be stuck there only. But I did that show for four and a half years; 20-25 days a month. But then I realized I came here to do something but I am doing something else altogether,” said Fernandes.
After working on the show for a long time, he got a call for Baadshah from Venus Films. “I told Ratan Jain (of Venus) that I am currently involved in a TV serial,” said Fernandes. “He suggested that I speak to them. I told Puneet Issar that I have got a call from Venus. He straightaway asked, ‘For Baadshah?’. He already knew (laughs). I said yes but my dates are with him. But he said, ‘Maa ki aankh! Tu kar le’. He told me that I should do it as this is what I always wanted to do.”
He continued, “I asked Puneet how will he continue the serial without me. He said he will see. But he stopped the serial right then. I asked him why he did that. He said they are unable to do various kinds of fights like martial arts, taekwondo, samurai fights, etc, without me.”
Bond with Abbas-Mustan
Apart from Baadshah, Fernandes has worked with Abbas-Mustan in quite a few films like Soldier, Chori Chori Chupke Chupke, Humraaz, etc. When asked about his relation with the director duo, he said, “They love me lot. They used to involve me in various matters, be it story or songs. Many a times they used to take my opinion on a song. I used to give my opinion as an audience. We have family relations. I am there in all their parties. They also attended by son’s wedding.”
Also Read: Shah Rukh Khan turns Zero’s failure into laughter at The Ba***ds of Bollywood preview launch; says, “Gadha bana lena, mamu bana lena lekin bhagwan ke liye meri tarah Zero mat banana”
read moreAnurag Kashyap reveals the hilarious story behind Nishaanchi’s title: “Initially the title was Babloo Nishaanchi…”
Amazon MGM Studios India’s Nishaanchi is shaping up to be one of the most talked-about films of the year, with audiences eagerly waiting for its grand theatrical release on September 19. Helmed by acclaimed filmmaker Anurag Kashyap, known for his gritty storytelling and cult hits, the film promises an intense mix of action, drama, and romance.
A fresh pairing of Aaishvary Thackeray and Vedika Pinto takes centre stage, with Aaishvary playing a powerful double role as twin brothers Babloo and Dabloo. The story explores Babloo’s passionate love for Rinku, played by Vedika, which turns chaotic with Dabloo’s entry, igniting conflict, tension, and drama. Supporting cast members include Monika Panwar, Mohammed Zeeshan Ayyub, and Kumud Mishra, adding further depth to the narrative.
While the teaser has already generated excitement, the film’s title itself has become a talking point. Speaking about it, Anurag Kashyap revealed, “Initially, the title was Babloo Nishaanchi, Rangilee Rinku, and Dabloo — everyone said it was too long. The story of how Nishaanchi was coined and the film was finally named.”
The initial title reflected the central characters’ names, with Babloo and Dabloo representing Aaishvary’s twin roles, and Rinku signifying Vedika’s character. Kashyap’s anecdote highlights the creative journey behind naming the film, blending humor with insight into his filmmaking process.
Anurag also shared that working on Nishaanchi felt like a return to his original storytelling roots, rekindling the raw essence of his signature filmmaking style. The film has been backed by Ajay Rai and Ranjan Singh under the Jar Pictures banner, in association with Flip Films, and penned by Prasoon Mishra, Ranjan Chandel, and Kashyap himself.
With its combination of action, betrayal, brotherhood, and romance, Nishaanchi is poised to deliver an edge-of-the-seat cinematic experience, cementing Anurag Kashyap’s reputation for gripping, high-voltage storytelling.
Also Read: Guneet Monga Kapoor and Anurag Kashyap to present Manoj Bajpayee’s Jugnuma (The Fable), Raam Reddy directorial locks September 12 theatrical release
read moreEXCLUSIVE: Sudhanshu Pandey reveals how he bagged his debut film, Khiladi 420: "Akshay Kumar saw me in a CONTROVERSIAL beer ad and recommended my name; on the sets, we used to sing together; he used to talk to me in Punjabi"
2025 is a landmark year for actor Sudhanshu Pandey. For the first time ever, he appeared in a reality show, The Traitors. This is also the year when he would complete 25 years as a film actor; his debut film, Khiladi 420, was released on December 29, 2000. The dashing and talented actor spoke exclusively with Bollywood Hungama in June this year on this film and a lot more.
When asked if he remembered that he’ll soon celebrate his 25th anniversary, Sudhanshu Pandey replied, “Yes, of course. I remember every step of my life (laughs)! I especially remember Khiladi 420 as it was my first film. I was the parallel lead along with Akshay Kumar.”
How did he bag the role? Sudhanshu Pandey revealed, “I was simultaneously doing TV shows around that time. In those days, there were limited television series. I had done something for B R Chopra and the show was called Beta. Khiladi 420 came to me through Akshay Kumar. Akshay’s cousin, Sachin, who’s no more, was a very dear friend of mine. One of the ads I had done was extremely popular at that time. It was for a beer brand, San Miguel India. It was directed by Kunal Kapoor, Shashi Kapoor’s son. I did some of my best work with Kunal. This was one of them. It was so popular that everybody only spoke about that ad. It was slightly controversial in terms of the concept! Because I was the hero of the ad, everyone knew me in Mumbai by that time.”
Sudhanshu continued, “Akshay saw me in that ad. This is when he told Sachin ‘Apne ko ek aur actor chahiye. Why don’t we ask him to come? I’ll make him meet Neeraj Vora’. I met Neeraj bhai. He finalized me. That is how I bagged my debut film!”
He added, “Sachin was also an actor as well as a photographer. A lot of my earlier photographs were shot by him. He was a lovely guy.” Sudhanshu Pandey also praised his first-ever director, “Neeraj Vora was incredible and one of the geniuses that I got to work with in the beginning of my career.”
Is he still in touch with Akshay Kumar? Sudhanshu Pandey said, “Of late, I haven’t been in touch. But we have had a very great bond. He’s a Punjabi-speaking person and he loves talking in Punjabi. Although his Punjabi is very limited, he still likes to talk in Punjabi all the time (smiles). I can speak Punjabi as my mother is a Sikh. We used to always have that bond. He loves cracking jokes and so do I. I worked with him later in Singh Is Kinng (2008). My third and last film with him was 2.0 (2018). I met him just once after that.”
He added, “On the sets of Khiladi 420, we connected immediately as my brother knew him. Akshay also loves singing. We used to sing together as well (laughs). We have had some great times together.”
When asked about life after his debut movie, Sudhanshu Pandey explained, “After Khiladi 420, I got into Band Of Boys. I couldn’t take any other film offers as I was bound by a contract. Then for the next three years, I was singing, dancing and performing. We became a big entity. Around 2005, I resumed working on films. My comeback happened with a film called Yakeen (2005). It was a great concept and very well made. It was one of the best films in the careers of me, Arjun Rampal and Priyanka Chopra until then.”
The film had an unpredictable suspense and made for a decent watch for that time. Sudhanshu agreed, “True, it was a total surprise in the end.”
Also Read: Vidya Balan breaks silence on whether it was a conscious choice to do female centric roles; says, “I never intended to preach, i just told stories that moved me”
read moreHollywood icon Hugo Weaving lends his voice to Anand Gandhi’s epic sci-fi fantasy universe - MAYA
Filmmaker Anand Gandhi, known for Ship of Theseus and Tumbbad, along with game designer Zain Memon (SHASN), is all set to take audiences on an extraordinary journey with their ambitious project, MAYA, a mythology designed for the algorithm age. Spanning films, novels, games, graphic novels, toys, and more, MAYA promises to redefine the concept of a narrative universe.
The first taste of this epic universe comes in the form of their sci-fi fantasy novel, MAYA: Seed Takes Root, whose opening chapter has been narrated by none other than Hollywood legend Hugo Weaving, famed for his iconic roles in The Matrix and The Lord of the Rings. The creators shared a sneak peek video of the narration on social media, calling the experience “a dream come true.”
“MAYA: Seed Takes Root. When dreams come true, Hugo Weaving reads the first chapter of our epic sci-fi fantasy novel Maya. @maya_lore_ is a narrative universe unfolding through films, games, graphic novels, toys, and other media. MAYA: Seed Takes Root is the first novel from this ever-expanding world of stories,” Anand Gandhi and Zain Memon wrote alongside the Instagram release.
Fans and followers have been thrilled by the sneak peek, praising both the cinematic quality of the narration and the intriguing premise of the universe itself. Combining the visionary storytelling of Gandhi with Memon’s experience in game design, MAYA is poised to become a multi-platform entertainment phenomenon, blending mythology, science fiction, and fantasy into a single cohesive narrative.
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Adding to the excitement, the creators announced that MAYA: Seed Takes Root will be launching on Kickstarter on September 9, giving audiences an early opportunity to engage with this immersive universe. With Hugo Weaving’s distinctive voice bringing the first chapter to life, expectations are sky-high, signalling a new benchmark for storytelling in Indian sci-fi.
As anticipation builds, the MAYA universe stands as a bold experiment in multi-platform narrative, promising a fusion of literature, cinema, gaming, and collectible worlds that could set a precedent for global storytelling.
Also Read: Anand Gandhi announces follow up to Zain Memon’s super hit game with new cinematic teaser
read moreVidya Balan reveals her next phase in films: “I just want to do something fun, light-hearted and goofy”
Bollywood veteran Vidya Balan, celebrated for her powerful performances in films like The Dirty Picture, Kahaani, and Tumhari Sulu, has shared candid thoughts about the kind of roles she wants to pursue in her next phase as the cover girl of Peacock Magazine.
Speaking to the publication, Vidya revealed that her focus has shifted toward exploring freshness and fun in cinema. “For me today, a ‘good role’ is something I haven’t done before—something fresh, something that feels new to me. At this point, I just want to have fun with the films I do. I keep telling people, ‘I want to do a comedy! Something light-hearted, something goofy!’ I genuinely want to entertain,” she said.
Vidya elaborated on the evolution of her career, reflecting on the diversity of roles she has portrayed over the past two decades. “Over the past two decades, I’ve done all kinds of roles and stories, and I’m deeply grateful for that. But the phase I’m in right now—I want to do roles and films that I’ve not done before. Even if it’s a female-led film, I want to approach it with a sense of fun,” she added.
The actress also touched upon her current preferences as a moviegoer. She explained that she gravitates toward films that are light-hearted and entertaining, avoiding anything overly heavy or mentally taxing. “Honestly, that’s also what I’m gravitating towards as a movie watcher. I don’t enjoy watching anything that feels too heavy or intense or makes me think too much. So yes—Priyadarshan, Anees Bazmee… more of that energy,” Vidya shared.
This marks an intriguing turn for the actress, who has long been associated with strong, socially resonant performances. While she will continue to command attention with her nuanced portrayals, Vidya’s comments suggest an upcoming wave of comedy and light-hearted entertainment in her filmography—a departure that fans are eagerly anticipating. Her last outing, Bhool Bhulaiyaa 3, a horror-comedy, already hinted at this shift, showcasing her flair for humor while balancing entertaining elements with her signature depth.
Also Read: Vidya Balan breaks silence on whether it was a conscious choice to do female centric roles; says, “I never intended to preach, i just told stories that moved me”
read moreSonam Bajwa sets the screen on fire with ‘Akeli Laila’ from Baaghi 4, watch
The wait is over! Punjabi Queen Sonam Bajwa is here to raise the mercury with the dance number ‘Akeli Laila’ from Sajid Nadiadwala’s action entertainer Baaghi 4.
After winning hearts in her Bollywood launch by Sajid Nadiadwala in Housefull 5, Sonam now enters the Baaghi universe and this time she goes all-out glam in ‘Akeli Laila’, flaunting her killer moves and oozing desi swag. Styled to perfection and choreographed by dance maverick Ganesh Acharya, this track promises to be a full paisa-vasool dance dhamaka!
With thumping beats, catchy lyrics, and Sonam’s sizzling screen presence, ‘Akeli Laila’ aims to become the next dance anthem of the nation. The song is sung by Payal Dev, with music composed by Payal Dev and Aditya Dev. The rap has been performed by Paradox, while the lyrics have been penned by Danish Sabri and Paradox. The music of Baaghi 4 is presented by T-Series.
With story and screenplay penned by Sajid Nadiadwala, and helmed by director A. Harsha, Baaghi 4 comprises bone-breaking action, explosive drama, and a showdown soaked in blood, fury, and chaos. Baaghi 4 is set to release in cinemas on September 5.
Also Read: Tiger Shroff’s emotional side takes centre stage in Baaghi 4’s love song ‘Guzaara’
read moreVaani Kapoor opens up about one of her ‘favourite’ people - Hrithik Roshan; says, “He’s one of those people you wish existed more”
Bollywood actress Vaani Kapoor, who starred alongside Hrithik Roshan in the 2019 blockbuster War, recently shared a candid and heartwarming insight into her experience on the film’s sets in an interview with Khush Wedding Magazine.
Reflecting on her journey, Vaani described Hrithik as a rare talent and an even rarer human being. “He's my favourite too. I love the person that he is. I feel like he's one of those people who you wish existed more in number because I think he's become more of a rarity,” she revealed.
She recounted a particularly memorable moment while shooting an emotional scene in the film. In the sequence, the characters sit on a bench as Hrithik’s character discloses his motives for befriending hers. At the conclusion of their conversation, Vaani’s character steps away and wipes away a tear - a moment that turned into an unexpected lesson in authenticity. “I wiped it off like a child, almost with all my fingers on my cheek, and my director Sid (Siddharth Anand) was like ‘Vaani just use one finger’. And I just couldn't do that as it felt so unnatural and fake,” she explained.
It was Hrithik who stepped in to reassure her, highlighting his supportive nature and understanding of performance. “He said, ‘She's giving a phenomenal scene, and one doesn't have to be stuck on her finger and how many fingers’, Hrithik had told Siddharth.” Vaani shared. This small yet significant gesture underscores the camaraderie and mentorship Hrithik fosters on set - a quality that many co-stars have admired over the years.
War, directed by Siddharth Anand, was a high-octane action thriller that featured Vaani Kapoor alongside Hrithik Roshan and Tiger Shroff, blending adrenaline-pumping stunts with emotional beats. The film became one of the highest-grossing Bollywood releases of 2019, praised for its action choreography and sleek cinematography.
Vaani’s recollection not only sheds light on Hrithik’s professionalism but also highlights the collaborative energy on the sets of War. As one of Bollywood’s most successful action films, the movie allowed actors to push their boundaries while maintaining an environment of encouragement and respect.
For fans, this anecdote serves as a reminder that behind the explosive action sequences and box-office glory, War also created moments of genuine human connection—moments that Vaani Kapoor remembers fondly to this day.
Also Read: Vaani Kapoor gets candid about her love for food and healthy indulgences; says, “I’ve switched to sugar-free ice creams and sugar-free desserts”
read moreFarida Jalal praises Shantanu Maheshwari at Love in Vietnam trailer launch: “Shantanu dhasu actor, dhasu dancer hai”
The trailer of Love in Vietnam, India’s first Indo-Vietnamese cinematic collaboration, has created quite a buzz with its fresh pairing of Shantanu Maheshwari and Avneet Kaur. Shot amidst the breathtaking landscapes of Vietnam, the film tells a tender story of love that bridges cultures and emotions, offering audiences a glimpse into a unique cinematic experience.
Adding veteran gravitas to the project, the film also stars Bollywood icons Farida Jalal, Raj Babbar, and Gulshan Grover. At the trailer launch, Farida Jalal took a moment to express her admiration for Shantanu’s craft, praising both his acting and dance skills. “Shantanu dhasu actor, dhasu dancer hai. Aisa combination bahut kam milta hai. Bahut pyaara hai Shantanu. Aur kya nachta hai (Shantanu is a brilliant actor, brilliant dancer. This kind of combination is very rare. He is so sweet and Shantanu, he dances so well). Shantanu has proved himself,” she remarked. Her words underline her confidence in his promising future and position him as an actor to watch in the coming years.
For Shantanu, Love in Vietnam is a step into international cinema, allowing him to embrace a cross-border narrative that highlights cultural exchange through storytelling. His pairing with Avneet Kaur brings freshness to the film, while the scenic Vietnamese backdrop provides a visually stunning canvas for the romance. Audiences are already intrigued by the story, which promises to combine emotional depth with Shantanu’s signature charm and relatability.
Farida Jalal’s involvement in the film is especially noteworthy given her decades-long experience in cinema and her reputation for recognizing emerging talent. Her praise cements Shantanu’s standing not just as a skilled performer but also as an actor with longevity in an evolving industry.
As the release of Love in Vietnam draws closer, all eyes are on Shantanu Maheshwari—a performer who seamlessly blends talent, charisma, and sincerity. With this Indo-Vietnamese venture, he appears ready to leave a lasting mark in the realm of global cinema, proving that his versatility extends far beyond national boundaries.
Also Read: Avneet Kaur on working with veteran actress Farida Jalal in Love in Vietnam: “I got emotional seeing Farida ji on set”
read moreYRF Spyverse at an Inflection point: Long gaps, aging stars and repetitive plots worry trade experts; reboot urged to avoid becoming dated
The YRF Spy Universe was envisioned as Bollywood’s answer to Hollywood’s Marvel and DC franchises- a shared world of larger-than-life heroes, crossover spectacles, and box office dominance. Beginning with Ek Tha Tiger over a decade ago, it has delivered massive blockbusters like Tiger Zinda Hai and Pathaan. For a franchise built on scale, spectacle, and superstar muscle, the YRF Spyverse suddenly finds itself at a crossroads. War 2, touted as the next big tentpole after Pathaan and Tiger 3, was expected to push the universe into a new orbit. Instead, its stumbling box office performance has sparked uncomfortable questions: has the spy template gone stale, has the long-gap release strategy diluted momentum, and is the franchise struggling to stay in step with a new generation of audiences raised on global OTT content? Trade voices are nearly unanimous - what once felt like an unstoppable juggernaut now needs a hard reset, from tighter scripts to fresher faces.
Film trade analyst Atul Mohan believes audiences have started to see through the sameness of the stories, “I think it is getting repetitive - somebody will need to be saved or there will be an enemy, or they will fight amongst themselves, etc. The people have also started feeling the same with the Spy Universe films.”
That sentiment reflects a growing concern that while scale and star power remain intact, the narratives no longer surprise.
Exhibitor and distributor Akshaye Rathi places the Spyverse’s situation in a global context, “Any universe or franchise now and then needs that reboot. Look at what’s happening with Marvel; they are going through a reboot. What happened with DC for its revival was a kind of a reboot. If you look back, this whole Spyverse retrospectively speaking started with Ek Tha Tiger, which was over a decade ago. Technically, it’s had quite a run. The people who grew on Ek Tha Tiger are a slightly older than the people who frequent cinemas today.”
Rathi also points out that irregular scheduling has weakened the brand, “You can’t have a gap of multiple years between two films of the same universe. To develop and nurture a universe, you need to have at least one or two films coming out every year, like Marvel and DC does. Here the gaps between the Spyverse films have been so long - in some cases, 2, 3 or 4 years. Then it becomes tough to nurture the fan following for that universe.”
Looking forward, he stresses the need for fresh blood, “For a universe, you need reigning superstars but also upcoming stars. Both Shah Rukh Khan and Salman Khan are humongous superstars. But for a universe to have its legs, there needs to be a vision for the next 10 years. Shah Rukh Khan and Salman Khan 10 years from now are going to be 70-year-old gentlemen. So, it’s necessary to include fresher and younger talent; stars who are on their rise rather than those who are at their peak.”
Girish Johar, Zee Studios, agrees that the creative template must evolve, “I do believe that. Something new has to be presented to the audiences. We need to understand that our target audience is the youth, who are catching up global content on OTT platforms and cinemas and watching complex and far-sighted storytelling, especially spy and undercover movies. This is the same target audience that a metro city has for a film like War 2. So you probably need to give them more, which they don’t find in other content. The storytelling, narrative and ideas have to be reworked, so that the new young age audience finds some resonance with them and they don’t find it dated.”
From the exhibitor’s side, Satadeep Saha, CEO of SSR Cinemas Pvt Ltd echoes the demand for tighter writing, “Definitely. It definitely needs a better screenplay. I feel a tighter screenplay would have been better. I am sure from next time onwards, they (makers) will keep this in their minds and then they will plan accordingly.”
Vishek Chauhan, owner of Roopbani Cinema in Bihar, makes a cultural distinction that cuts to the heart of the issue, “War franchise is not desi cinema. This is like a playbook from Hollywood studios. This is how a Hollywood film is made. A desi film is made very differently. There are emotions. There is a different kind of filmmaking; the sensibilities are different. Indian cinema is multi-genre filmmaking.”
He also underlines why replicating Marvel’s model is difficult, “Marvel has around 2000 books and comics for story arcs and characters. But you don’t have this for the Spy Universe. You are creating things out of thin air. There is no relatability. For example, you made NTR Jr. enter the film. Then you are explaining how and from where did he come from. But in Marvel universe, people already know who is who.”
The trade consensus is clear: the Spyverse cannot survive on repetition, sporadic releases, or aging stars alone. To remain relevant, it must recalibrate its storytelling, sharpen its screenplays, and inject fresh talent. Otherwise, the fatigue evident in War 2 could deepen into franchise burnout.
Also Read: War 2 end credits hide 2 game-changing YRF Spy Universe secrets
read moreAdvance bookings now open for the love story of the year Param Sundari, in cinemas this Friday August 29!
The wait is finally over! Param Sundari, the much-awaited love story of the year from the house of Dinesh Vijan’s Maddock Films, has officially opened advance bookings. Fans and moviegoers can now book their tickets to witness this celebration of love on the big screen.
Starring Sidharth Malhotra and Janhvi Kapoor in a fresh, magical pairing, Param Sundari promises to be an unforgettable romantic journey filled with emotions, charm, and heartwarming moments. After creating waves with its trailer, chart-topping music, and nationwide buzz, the film is all set to light up cinemas this Friday, August 29, 2025.
Directed by Tushar Jalota, Param Sundari is not just a film but an experience of love that transcends borders, cultures, and hearts. Book your tickets now and celebrate love this August with Param Sundari!
Also Read: Param Sundari producer Dinesh Vijan on casting Sidharth Malhotra and Janhvi Kapoor, “Sid hasn’t done a rom-com in 6 years, Janhvi has never played a character like this”
read moreYami Gautam gets mesmerized after visiting Thiksey Monastery in Leh: “Our strength is in our unity from diversity”
Yami Gautam is an actress known for her natural beauty and elegance. While she has always impressed fans with her incredible performances on screen, she has recently treated them to a breathtaking glimpse of her peaceful getaway in the majestic landscapes of Leh. From spending quality time with her parents to relishing the joy of the mountains, the actress is truly having a wonderful time.
Her journey has now brought her to one of the oldest monasteries, Thiksey Monastery, where she expressed her immense gratitude for experiencing the chants and prayers.
Taking to social media, Yami shared some beautiful glimpses of Thiksey Monastery during her visit. Capturing the scenic beauty of Leh, she wrote: “Our strength is in our unity from diversity. #beautifulLeh #beautifulBharat.”
Expressing her experience, she jotted down the caption: “Visited the beautiful & one of the oldest monasteries- Thiksey Monastery! The experience of listening to the chants & prayers shall forever echo in my heart. #Grateful #Leh.”
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Yami has carved a unique niche in the industry and undergone a remarkable transformation in her career, stepping in what can aptly be described as Yami 2.0. In this new era, she has proven her mettle with a string of successful films where she takes centre stage and drives the narrative.
On the work front, Yami Gautam, who is known for her roles in films like Uri: The Surgical Strike, A Thursday, Dasvi and Article 370, is rumored to be starring in Shah Bano biopic playing the titular role. Her latest travel diary not only showcases her love for India’s hills but also reminds her fans of the simple joys of life, a warm cup of chai and the embrace of nature.
Also Read: Yami Gautam captures hearts with stunning Leh travel photos; calls Bharat a ‘blessing of nature’
read moreInside Rakesh Roshan’s Khandala Mansion: A 22,400 sq. ft. hillside paradise worth Rs 120 crores
Bollywood actor and filmmaker Rakesh Roshan, known for iconic hits like Koi… Mil Gaya and Krrish, recently gave fans a glimpse into his spectacular Khandala mansion during Farah Khan’s YouTube vlog. Nestled atop the hills and sprawled across 22,400 square feet, the property sits on five acres of lush greenery, offering panoramic views of the Rajmachi Hills. Reflecting on the home, Roshan said, “I was born in a garage, so I always dreamed of building a big house.”
Designed by architect Grigoria Oikonomou of Sibha Grigoria Private Limited, the all-white mansion resembles a private resort more than a traditional residence. Aerial drone shots reveal landscaped gardens, dramatic hilltop positioning, and wide balconies that seamlessly merge indoor and outdoor spaces. Farah Khan herself joked, “It feels like both a private resort and a stadium.”
The estate’s centrepiece is a massive swimming pool, large enough for a joke about hosting an Olympic race. Surrounding the pool, quirky seating areas—tree-trunk chairs and boat loungers—bring a touch of nature to the property. Luxury car enthusiasts will appreciate the expansive garage, perfect for housing the family’s collection.
Inside, the mansion continues to impress. Multiple living rooms, a TV lounge, and an open dining area host guests amid chandeliers, Indian artwork, and floor-to-ceiling glass walls framing the lush hillside views. Every space exudes character, and wide balconies extend living areas outdoors, blending comfort with nature.
Attention to detail is evident throughout, from the grand staircase sparkling with ceiling lights to artefacts and paintings sourced from across India. For recreation, the house boasts a home theatre with recliners, a gym, sauna, steam and massage rooms, and even a basketball court.
The bedrooms, each with floor-to-ceiling windows and unique decor themes, impressed Farah Khan, but it was the luxurious bathrooms that stole the show. Walking into one, she quipped, “This could actually be someone’s bedroom; bedrooms in Bombay are smaller than this.” Rakesh explained that each bathroom was uniquely designed to avoid repetition.
Valued at around Rs. 120 crores, the Khandala mansion isn’t just a home—it’s Rakesh Roshan’s dream estate, combining space, style, and ultimate comfort in a hillside paradise.
Also Read: Rakesh Roshan takes the internet by storm with his ‘Aavan Jaavan’ dance performance, son Hrithik Roshan stunned, watch
read moreVidya Balan breaks silence on whether it was a conscious choice to do female centric roles; says, “I never intended to preach, i just told stories that moved me”
Bollywood veteran Vidya Balan, the queen of female-led cinema, recently graced the cover of Peacock Magazine, where she shared candid thoughts on her choice of roles and the perception that her characters carry social or emotional messages.
“I’m actually against any kind of messaging,” Vidya revealed. “I believe that films are meant to entertain. If something in the film touches you and you take something away from it, that’s a bonus—but preaching or pushing a message? That’s never been my intention. Now, it just so happened that I was at the forefront of what is now called ‘female-led’ or ‘female-centric’ cinema. Many of those films had a recurring narrative—a woman finding her voice. So I understand why people feel like those characters carried a message. But that wasn’t the point. I was just telling stories that moved me. And the truth is—life is full of such stories.”
Reflecting on her inspirations, Vidya spoke about her early college days at Xavier’s, commuting from Chembur by train. She said, “In the first-class compartments, I’d see working women discussing families in the mornings and cutting vegetables on their way home in the evenings. They’d go home after a full day’s work and still cook dinner. Their stories—full of fire, grit and resilience—inspired me more than anything else. When our first-class passes expired, we’d sometimes travel second class. The energy there was completely different—women were louder, more street-smart, more uninhibited. There was a raw fierceness, an edge. Different flames, but fire nonetheless. And I think that’s what many of these films tapped into—not by design, but by the very nature of the stories themselves. These women were always around us. Their stories were just waiting to be told. That’s why I say timing is everything. Maybe we were just ready, collectively, to celebrate these women.”
Vidya also shared her selective approach to scripts, saying, “I’m actually very wary of scripts that wear their messaging on their sleeve. That kind of cinema doesn’t interest me. But give me a character like in Mission Mangal, where the woman is a scientist, a homemaker, and a mother who was helping her son who was a bit lost. Because those are the women I know. And they’re inspiring without even trying.”
Over the years, Vidya Balan has impressed audiences with a string of memorable performances in films such as The Dirty Picture, Kahaani, Tumhari Sulu, and Mission Mangal, solidifying her reputation as a trailblazer who brings authenticity, depth, and relatability to every character she portrays.
Also Read: Vidhu Vinod Chopra on Parineeta: “Casting Vidya Balan was one of my best decisions”
read moreCollege Romance Returns! Trailer of Vyom and Saachi’s romantic musical Mannu Kya Karegga? out now
Forget heartbreak anthems — Bollywood’s romance game just got a major upgrade! The trailer of Mannu Kya Karegga? is finally here, and it’s got everything we crave in a classic Bollywood romance: sparkling chemistry, heartfelt emotions, and music that stays with you long after the trailer ends.
Backed by Sharad Mehra under Curious Eyes Cinema and directed by Ssanjay Tripaathy, the film introduces fresh faces Vyom and Saachi Bindra. Add to that a powerhouse supporting cast featuring Vinay Pathak, Kumud Mishra, and Charu Shankar, and you’ve got a film that feels fresh yet loaded with all the quintessential desi emotions we love.
From the very first frame, the vibe is breezy, vibrant, and instantly refreshing. Vyom and Saachi’s sparkling chemistry makes you root for them right away — they’re effortless, endearing, and have that old-school charm with a fresh twist. But beyond the laughs and fun, the trailer dives into the whirlwind of romance layered with family drama, emotional highs, and the bittersweet pangs of first love.
The soul-stirring track ‘Humnava’, which is played in the trailer, steals the show, hinting at a soundtrack that’s all set to shake up India’s romantic music scene in 2025.
The trailer teases a ride through all shades of romance, from the fun and drama to the heartbreak and joy of discovering yourself when life throws you curveballs.
Mannu Kya Karegga? hits cinemas nationwide on September 12, 2025.
Also Read: Legendary Lalit Pandit, who gave us gems like ‘Tujhe Dekha Toh Yeh Jaana Sanam’, is back with ‘Humnava’ — a soulful romantic track from Mannu Kya Karegga?
read moreAvneet Kaur on working with veteran actress Farida Jalal in Love in Vietnam: “I got emotional seeing Farida ji on set”
The much-awaited trailer of Love in Vietnam was launched today. The film, starring Avneet Kaur and Shantanu Maheshwari, has already started receiving a warm response, with fans eagerly waiting to see their fresh on-screen pairing unfold.
At the trailer launch, Avneet Kaur took a heartfelt moment to talk about working with veteran actress Farida Jalal, who plays an important role in the film. The young actress, visibly moved, shared her admiration for the senior star.
“Since childhood, I have seen ma’am (Farida Jalal) on screen, and when I saw her for the first time during the shoot, I got a little emotional as I have cried watching most of her films. But we have done some great scenes together. I want to thank Raj sir for giving me the chance to work with her. She is very sweet, and I am lucky to share the screen space with her. I am hoping to work with her again in the near future,” Avneet said.
Directed by Rajesh Mapuskar, Love in Vietnam promises to be a unique cinematic experience, blending cross-cultural storytelling with an emotional journey. Along with the lead pair’s chemistry, audiences are equally looking forward to Farida Jalal’s presence, which adds depth and nostalgia to the film.
Love in Vietnam is all set to hit theatres on September 12.
Also Read: Avneet Kaur aces style game at Wimbledon 2025 in a chic blue co-ord set; watch
read morePrerna Arora agrees with Karan Johar on podcasts that disrespect cinema's legends: "These legends are not with us anymore. They can't defend themselves"
Recently, Karan Johar created a flutter when he lashed out against podcasts which disrespect cinema’s denizens.
Now, producer Prerna Arora, speaking exclusively to this writer, agrees with Karan. “Karan Johar is absolutely right. Some of these podcasts make me squirm in embarrassment. The tone and language used to describe the people who made our film industry what it is…. I can’t believe people are allowed to speak like this about anyone publicly, let alone the legends.”
Prerna feels the vilification is a cheap click bait. “See, who would invite these unknown people for podcasts to discuss their own achievements? They don’t have any! So, the idea is to bring these losers on to talk about the winners. Aap ek baar Amitabh Bachchan ya Shah Rukh Khan ka naam le lo, people will listen,” she said.
According to Prerna Arora, these podcasts must stop. “These legends are not with us anymore. They can’t defend themselves. Don’t disrespect them. When you talk about Parveen Babi’s mental health or Rajesh Khanna’s moods you are going into forbidden territory. Let them be. Their iconic status is non-negotiable. Find some other way to get noticed.”
Also Read: Producer Prerna Arora on Jatadhara, “It’s going to be one of the most expensive Telugu films ever”
read moreHas Salman Khan lowered his fee for Bigg Boss?
Has Salman Khan brought down his exorbitant fee? At least for Bigg Boss, the show he has been hosting for the last fifteen years?
There are reports that the Khan has lowered his price from Rs 250 crores to Rs. 150 crores.
However, when this writer touched base with a source very close to the development, the truth appeared to be somewhat different. “Where do they get these figures from? The price cut which the Bigg Boss producers Endemol requested for reasons of falling ratings was for around Rs 50 crores. Salman obliged them. Where is the question of a Rs 100 crore cut being forced on him (Salman) when, in fact, he is most reluctant to host Bigg Boss anymore? For some years now, Salman has been asking to be relieved from his hosting duties on Bigg Boss. Unfortunately, Bigg Boss without Salman is as inconceivable as KBC (Kaun Banega Crorepati) without Mr (Amitabh) Bachchan,” said the source.
But here is the thing: Salman Khan made it clear that he won’t host Bigg Boss from the next season onwards. Karan Johar is likely to take over.
Also Read: Bigg Boss 19 Contestants Revealed: From Amaal Malik to Gaurav Khanna, here’s who entered the house this season
read moreJasmine Bhasin strikes gold again with hits Ardaas Sarbat De Bhale Di and Warning
Jasmine Bhasin has delivered several successful films in Punjab while balancing work between Mumbai and the Punjabi film industry. She has gained a reputation for bringing success to her Punjabi projects, with her films performing well commercially and receiving recognition and awards.
This weekend, one of the major Punjabi industry awards took place, where Jasmine Bhasin's films won multiple honours in categories like screenplay and direction. Her film Ardaas Sarbat De Bhale Di was awarded Best Film of the Year, while Warning 2 received recognition for Best Direction.
We reached out to Jasmine and asked her how she feels to which she said, “I am excited. You know when your project does well, it's only happened because of the energies and hard work of each and every individual who was a part of the project. Also it's only a hit project that will get an actor recognition and so I'm very proud that films I have been a part of have been recognized. My other film Warning 2 has also done very well.”
Jasmine was recently seen in Traitors on Amazon, where her portrayal of innocence and positivity drew widespread attention. Critics and audiences alike praised her for bringing a refreshing charm to the show, with her performance standing out amidst a strong ensemble cast. Her natural screen presence and ability to convey emotion subtly made her character memorable and added a distinct layer to the series.
Also Read : Jasmine Bhasin plays from the heart, defying deception on The Traitors
read moreDivya Khossla and Neil Nitin Mukesh spark chaos and comedy in Ek Chatur Naar trailer, watch
The trailer for the comedy-thriller Ek Chatur Naar, starring Divya Khossla and Neil Nitin Mukesh, is out, offering a lively mix of chaos, humor, and clever twists. Following the initial teaser, the trailer delves deeper into the story, revealing that every character has secrets they are keen to hide.
Blending elements of mystery, manipulation, and mind games, the film balances humour with suspense, making cleverness the ultimate weapon in a story full of unexpected turns. The trailer hints at a plot that keeps audiences guessing, while delivering moments of comedy and wit, setting the tone for an engaging cinematic experience.
Featuring an ensemble cast, the trailer offers the glimpse of Chhaya Kadam, Sushant Singh, Rajniesh Duggal, Zakir Hussain, Yashpal Sharma, Heli Daruwala, Rose Sardana, and Geeta Agarwal Sharma.
With laughter, twists, and a web of secrets, Ek Chatur Naar promises an entertaining ride that keeps you guessing till the very end.
T-Series presents, A Merry Go Round Studios Production, Directed by Umesh Shukla, Produced by Umesh Shukla, Ashish Wagh and Zeeshan Ahmad. Ek Chatur Naar starring Divya Khossla and Neil Nitin Mukesh releases in cinemas on 12th September 2025.
Also Read : Divya Khossla shares her experience preparing for Ek Chatur Naar: “I lived in a slum in Lucknow to understand the life of slum dwellers”
read moreFarhan Akhtar on the inspiration behind 120 Bahadur, "It was very motivating in terms of realising how much you can do for your people, for society, if you are determined!"
Excel Entertainment and Trigger Happy Studios have released the teaser of 120 Bahadur, featuring Farhan Akhtar as Major Shaitan Singh Bhati, PVC. The teaser highlights moments of courage and sacrifice, backed by strong visuals and a compelling background score. The film, set against the backdrop of war, reflects themes of patriotism and resilience. Farhan Akhtar also shared that the story has deeply impacted him in many ways.
Talking about the film, Farhan said, “The story is the battle that he fought. It’s become the stuff of legends… when I heard the story, not just of Shaitan Singh Ji but even of the soldiers who fought alongside him, it really inspired me. It was very motivating in terms of realising how much you can do for your people, for society, if you are determined. That spirit really moved me.”
He further added, “There’s a very wonderful sense of patriotism that you feel when you do this. It just somehow brings front and centre what being an Indian is about. It awakens something inside you.”
Further reflecting on the artist's perception, he said, “All of us as artists have only our instinct to go on. But it’s a story that has already stood the test of time. The fact that it has reached me, and there’s excitement about making it close to 64 years later, that in itself says a lot.”
120 Bahadur is based on the true story of 120 Indian soldiers who defended their position during the 1962 Battle of Rezang La, remembered as one of the bravest last stands in Indian military history.
And at the heart of it all one unwavering line echoes through the film: “Hum Peechhe Nahin Hatenge.”
Directed by Razneesh ‘Razy’ Ghai and produced by Ritesh Sidhwani, Farhan Akhtar (Excel Entertainment), and Amit Chandrra (Trigger Happy Studios), 120 Bahadur is an Excel Entertainment production. The film is scheduled to release in cinemas on 21st November 2025.
Also Read : Farhan Akhtar donates 50 phones to Uttarakhand flood survivors
read moreFrom Ethnic to Chic: Elli AvrRam serves 8 must-have outfits for every fashion lover
From ethnic looks to modern chic, Elli AvrRam’s style is versatile and refreshing. Here are 8 standout outfits from her wardrobe that can inspire your own.
Classic black saree
Nothing beats the timeless charm of a black saree, and Elli carries it with ease. Draped in a simple black saree with a strappy blouse, she brings a touch of effortless elegance—just right for evening parties.
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Red bodycon gown
In a striking full-sleeved bodycon gown with a cowl neckline, Elli exudes confidence and allure. A must-have for cocktail nights.
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Fur coat
Wrapped in a chic faux fur long coat, she lets her toned legs do the talking. This look balances warmth and glamour, proving that cold-weather dressing doesn’t have to be boring.
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Leather statement
Leather never goes out of style, and Elli’s maroon leather dress is a total head-turner.
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Red riding hood
Elli loves experimenting, and this look is proof! Pairing a classic brown trench coat with striking red stockings and black heels, she creates a quirky yet high-fashion vibe.
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Hourglass sequin glam
Glitter and sequins are wardrobe essentials, and Elli nails it in an off-white bodycon embellished dress.
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Monochrome chic with smoky eyes
Elli’s black-and-white shirt paired with flowy navy pants is all about power dressing with a twist. Her bold smoky eye makeup elevates the look further, making it chic yet effortless.
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Off-shoulder black gown
For a touch of elegance and dream, Elli’s all-black off-shoulder outfit is pure perfection, making it look a timeless classic one every wardrobe deserves.
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Also Read : Independence Day Special: Indian celebs light up social media with patriotic, heartfelt messages
read moreVijay Varma, Fatima Sana Shaikh bring love and passion to life in Manish Malhotra's Gustaakh Ishq Teaser
Renowned fashion designer Manish Malhotra is all set to make his debut as a film producer with Gustaakh Ishq, a theatrical production scheduled for release in November 2025. Produced under his banner, Stage5 Production, the film promises a daring and emotionally layered love story, featuring an ensemble cast including Naseeruddin Shah, Vijay Varma, Fatima Sana Shaikh, and Sharib Hashmi.
Set against the atmospheric by lanes of Purani Dilli and the fading kothis of Punjab, Gustaakh Ishq explores passion, longing, and unspoken desire, weaving together the textures of architecture and music to tell a story that resonates with both nostalgia and contemporary sensibilities.
Directed by Vibhu Puri, the film brings together some of Bollywood’s most creative talents. Music is composed by Vishal Bhardwaj, with lyrics by Gulzar, sound design by Resul Pookutty, and cinematography by Manush Nandan. The combination of these visionary artists, along with Malhotra’s cinematic sensibilities, promises a visually stunning and emotionally evocative experience.
Speaking about his entry into film production, Manish Malhotra said, “My love for cinema began in childhood. The silver screen was my doorway to the world… watching colours, clothes, music, and lifestyles unfold in cinema halls shaped my imagination and inspired me to become a designer. Today, stepping into film production feels like my way of giving back to the medium that has given me everything. With Stage5 Production, the journey ahead is about embracing the unexpected; through stories, genres, and films that continue to surprise and inspire.”
Produced alongside his brother Dinesh Malhotra, Gustaakh Ishq marks a new chapter in Malhotra’s creative journey. While the designer has long been celebrated for bringing cinematic grandeur to fashion, this venture allows him to directly contribute to storytelling on the big screen.
With its evocative setting, star-studded cast, and a team of acclaimed filmmakers and technicians, Gustaakh Ishq is already generating excitement among audiences eager for a love story that blends passion, elegance, and cinematic artistry. The film will hit theatres in November 2025, offering a cinematic experience that celebrates the magic of classic storytelling while exploring modern emotional landscapes.
Also Read: Vicky Kaushal to Ranbir Kapoor to Vijay Varma: B-Town men setting ethnic fashion goals this Ganesh Chaturthi
read moreRevealed! Rohit Saraf and Sanya Malhotra’s first glimpse as fresh on-screen pair in Dharma Productions’ Sunny Sanskari Ki Tulsi Kumari
Dharma Productions is all set to bring audiences a brand-new pairing to root for! The much-awaited film Sunny Sanskari Ki Tulsi Kumari has dropped its motion poster, and fans cannot keep calm. The glimpse promises a roller-coaster entertainer filled with drama, fun, and unforgettable chemistry.
Featuring alongside with Varun Dhawan and Janhvi Kapoor, actors Rohit Saraf and Sanya Malhotra step into fresh roles, paired opposite each other for the very first time. Known for his endearing screen presence, Rohit aims to charm audiences in a new avatar and his performance, while Sanya, brings her unmatched versatility to the big screen.
The buzz is already sky-high, with fans excited to see Rohit and Sanya’s chemistry unfold on the silver screen. With Sunny Sanskari Ki Tulsi Kumari, Rohit adds yet another exciting project to his growing repertoire, raising anticipation levels among his ever-growing fanbase.
A blend of star power, fresh energy, and Dharma’s signature storytelling, this film stands as one of the most awaited releases and watching Rohit Saraf and Sanya Malhotra for the first time together has added to the curiosity.
Also Read: Sunny Sanskari Ki Tulsi Kumari Poster: Varun Dhawan, Janhvi Kapoor, Sanya Malhotra, and Rohit Saraf pique interest about the twisted romance
read moreVijay Deverakonda and Sandeep Reddy Vanga celebrate 8 years of Arjun Reddy; share an unseen throwback video
Actor Vijay Deverakonda on Monday took to Instagram to celebrate eight years of his cult film Arjun Reddy, a project that not only catapulted him to superstardom but also redefined modern Telugu cinema.
On his Instagram Stories, Vijay shared a throwback video where he can be seen in a deep discussion with the film’s director, Sandeep Reddy Vanga, aboard a ship. Alongside the clip, he wrote: “8 years of Arjun Reddy”, tagging Vanga as well as the film’s female lead, Shalini Pandey.
Sandeep Reddy Vanga, who later went on to direct Bollywood blockbusters Kabir Singh and Animal, also marked the milestone with an emotional post. Sharing the same video, the filmmaker reflected on how the film had transformed his life.
“8 years ago, Arjun Reddy changed my life forever. What started as a story close to my heart became a movement, only because of your love and relentless support. Every frame, every dialogue, every emotion in this film found meaning because you embraced it with such honesty and passion. I remain forever grateful to my actors, my team, and most importantly to all of you who continue to celebrate Arjun Reddy even after all these years. Here’s to 8 years of a journey that still feels fresh, raw, and alive. Thank you for making it eternal,” Vanga wrote.
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Released on August 25, 2017, Arjun Reddy became a cult classic for its raw storytelling, bold themes, and Deverakonda’s fiery performance in the titular role. The film continues to enjoy a loyal fan base and is often credited with shaping the new wave of Telugu cinema.
Also Read: Vijay Deverakonda joins Kartik Aaryan as face of McDowell’s Soda
read moreEXCLUSIVE: 12 Years of The Conjuring: Patrick Wilson on doing four films in the series; "I didn't think we'd even do four"
When The Conjuring first released on July 19, 2013, few could have predicted that it would spark one of the most enduring horror franchises in modern cinema. At the heart of its success has been Patrick Wilson, who has lived with the role of Ed Warren for more than a decade. Sitting down to reflect on the journey ahead of the final instalment, The Conjuring: Last Rites, Wilson admits the scale of what followed still surprises him.
“James [Wan] and I knew that if we got the first one right, we'd at least be back for a second one,” Wilson recalls. “But four? With Annabelles and Nuns spinning off, and a whole Conjuring Universe? I did not see that.”
The key, Wilson believes, lies in the series’ unusual structure. “Usually horror films either follow a victim or a killer. Here, we followed a family. That gave us triumphs, tragedies, and a new case every time. It was innovative, and in James’ hands, it became a producer’s dream.”
That approach allowed the Conjuring Universe to expand while keeping Ed and Lorraine Warren at its emotional core. Wilson says their relatability grounded the supernatural chaos around them. “Audiences didn’t just come back for the scares—they came back to see Ed and Lorraine. They came back for the family.”
Twelve years later, Wilson acknowledges how deeply Ed has become part of his identity. “My Ed Warren is me. I don’t look at him as the real Ed, but I can’t separate myself from him either. When people see me with sideburns, they know I’m about to shoot a Conjuring movie. That’s how ingrained it is.”
As the franchise prepares for its final chapter, Wilson calls the experience “a blessing.” He reflects with gratitude not only on the global success but also on the long-standing collaboration with Vera Farmiga and James Wan. “This franchise gave me relationships, memories, and a character who’ll always stay with me. That’s rare.”
As Wilson looks back, the numbers speak as loudly as the scares. Since 2013, the Conjuring Universe has grossed more than $2.1 billion worldwide, making it the highest-grossing horror franchise in history. For comparison, it has outpaced The Exorcist series and even eclipsed A Nightmare on Elm Street and Halloween in terms of lifetime box office.
In India too, the films have developed a loyal fan base, with each new installment opening strongly across metros. With Last Rites, Wilson knows the franchise is bowing out at the peak of its legacy. “We’ve had an incredible run,” he says. “To know audiences kept showing up for over a decade—that’s the real blessing.”
Also Read: EXCLUSIVE: Peter Safran and David Leslie Johnson-McGoldrick of The Conjuring and Aquaman fame to make their Bollywood debut with a horror series; written by Pathaan and Tiger 3 writer Shridhar Raghavan
read moreSoha Ali Khan shine light on motherhood alternatives; says, “There is taboo when it comes to IVF, surrogacy, and adoption”
In a candid and empowering conversation on Soha Ali Khan’s podcast All About Her, Sunny Leone opened up about the often-overlooked routes to parenthood—sparking a much-needed dialogue around adoption, surrogacy, and IVF. Leone, who adopted her daughter Nisha Kaur Weber in 2017 and welcomed twins Asher and Noah via IVF and surrogacy in 2018, confronted the societal stigma that surrounds non-traditional family paths.
The heart of the episode was encapsulated by Khan’s incisive reflection, “The episode is centred on IVF, surrogacy, and adoption. Besides Sunny, we had Dr Kiran Coelho. Women put so much pressure on themselves to become pregnant because they want to have children. There are options, but we don’t talk about or celebrate those options. There is taboo when it comes to IVF, surrogacy, and adoption.”
As the podcast gears up for release in the coming weeks, Soha expressed hope that the discussion will serve as a beacon for couples wrestling with conventional expectations. “It was nice to have somebody talk about the other ways [to embrace parenthood] in such a positive and empowering way. The conversation will open doors for many people to think, ‘I have tried naturally for a while. Maybe I can start thinking about [options].’ At the end of the day, do you want to be a parent? Or do you want to be pregnant? They are two very different experiences,” she remarked.
This episode comes at a time when Bollywood figures, including Sunny Leone, continue to reshape public perceptions of motherhood. Leone's openness contributes to a broader movement among public personalities who are helping normalize alternative paths to building a family.
By speaking out with such clarity, both Leone and Khan may well inspire a shift toward greater acceptance and celebration of diverse parenthood journeys—encouraging individuals and couples to prioritize the desire to parent, rather than the traditional route of pregnancy.
Also Read : Malaika Arora shares her 3 rules for wellness ahead of 50 on Soha Ali Khan’s podcast: “Ghee is my superfood”
read moreAneet Padda sings Saiyaara poem by Vaani Batra; video goes viral overnight
Last night, actress Aneet Padda treated fans to a special surprise as she sang Saiyaara, the heartfelt poem her character, Vaani Batra, had written for Krish Kapoor in the 2025 musical romantic drama Saiyaara. The unplugged rendition quickly took the internet by storm, racking up over a million views, likes, comments, and shares within hours.
Aneet Padda, who plays Vaani Batra in the blockbuster film, has already won audiences over with her compelling performance. Now, she has shown yet another facet of her talent by giving fans a glimpse into her singing abilities. Her soulful rendition of Saiyaara struck a chord with viewers, many of whom took to social media to express their excitement and admiration for the actress. She dropped the video on her Instagram page with the caption, “The singing may be rusty but the love isn’t”.
Directed by Mohit Suri and produced by Yash Raj Films, Saiyaara is a musical romantic drama loosely based on the 2004 Korean film A Moment To Remember. The film stars debutant Ahaan Panday as Krish Kapoor, a troubled musician who forms a deep and meaningful bond with Vaani, a shy poet portrayed by Aneet Padda. The narrative blends music, emotion, and romance, making it one of the most talked-about films of the year, with a major box office collection.
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The poem-turned-song, Saiyaara, has become an instant fan favorite not only for its lyrical depth but also for the authenticity Aneet brings to it. By performing the song herself, she has deepened the emotional connection between Vaani and Krish, allowing audiences to experience the character’s feelings in a more intimate and personal way.
Fans have flooded Instagram, Twitter, and YouTube with reactions praising both the performance and the emotional weight of the poem. The viral moment demonstrates how a single creative act—like bringing a character’s poem to life—can resonate with viewers worldwide.
With Aneet Padda continuing to charm audiences through both her acting and now singing, Saiyaara proves to be more than just a cinematic experience; it’s a cultural phenomenon that blends heartfelt storytelling with music that lingers long after the credits roll.
Also Read: Karan Johar opens up about Saiyaara defying industry expectations; says, “Suddenly, every logic, academia, information you have to trade goes out of the window”
read moreAamer Bijli on how PVR is redefining movie-going for Gen Z, "We're creating versatile spaces, not just cinemas"
On a Saturday afternoon in Bengaluru, teenagers spill out of a VR gaming zone, parents linger over artisanal coffees, and a young couple settles into a plush dine-in cinema hall — all under the same roof. This isn’t a mall. It’s PVR INOX’s Mahindra Millenia multiplex, one of the company’s first experiments in what it calls “youthification.”
India’s largest cinema exhibitor is no longer just in the business of screening films. It is redefining movie-going as an all-day cultural and lifestyle experience, designed to appeal to a generation that values Instagram-worthy moments as much as blockbuster storytelling. As Aamer Bijli, Lead Specialist – Innovation, Film Marketing & Digital Programming, puts it, “We’re creating versatile spaces that appeal to every consumer. The idea is not to discard traditional cinema but to design experiences that blend movies, gaming, dining, and immersive tech for a digital-first, young audience.”
India’s largest exhibitor, PVR INOX, is no longer just a movie chain — it’s reinventing itself as a lifestyle and cultural hub. At the heart of this evolution is what Aamer Bijli calls “youthification.”
Cinemas like Mahindra Millenia in Bengaluru and Sky City Mall in Borivali, Mumbai are the first testbeds. They feature dine-in concepts, gaming zones, tech-enabled F&B, and design-forward spaces.
From OTT Competition to Cultural Coexistence The pandemic cemented OTT as a powerful rival, but Bijli argues the narrative has shifted, “We’re at a stage of coexistence now. Less than 10% of Netflix’s content slate is films. The appetite for theatrical cinema is still strong. People want Nolan in IMAX, Rajamouli in IMAX. Our immersive formats and F&B expansion are about giving audiences something they can’t get at home.”
To that end, PVR is building in-house F&B brands, expanding dine-in formats, and experimenting with LED and immersive projection technologies.
The Next Five Years Looking ahead, PVR INOX is betting on two big fronts, namely expanding into under-penetrated markets — Tier 2, Tier 3, even Tier 4 towns, and blending entertainment verticals — cinema, food, live events, and immersive tech.
“We want to create spaces that accommodate film, food, and live entertainment. It’s about being more than a movie hall — becoming a hub for culture, community, and leisure.”
Business Takeaway By rebranding itself as a day-long entertainment destination, PVR is future-proofing against OTT disruption. If successful, youthification could redefine the cinema industry’s economics in India.
Also Read: Param Sundari producer Dinesh Vijan on casting Sidharth Malhotra and Janhvi Kapoor, “Sid hasn’t done a rom-com in 6 years, Janhvi has never played a character like this”
read moreEXCLUSIVE: Anees Bazmee on son Faizan A. Bazmee’s film Postman, “I am proud of the amazing work you’ve done”
Director Anees Bazmee’s son, Faizan A. Bazmee, has unveiled the trailer of his much-anticipated directorial debut short film Postman, headlined by veteran actor Sanjay Mishra.
The gripping trailer presents Mishra in a deeply moving and striking avatar as a postman, who finds himself in danger while protecting the most important letter of his life, amidst the Indo-Pak tension during the Kargil war. The short film, which has already been nominated and is making its way through several prestigious film festivals, has begun to generate strong buzz with its powerful storytelling and heartfelt performances.
Speaking about the trailer, Faizan A. Bazmee expressed his gratitude and excitement stating, “Cinema, for me, is about truth and emotion. With this trailer, I hope people feel the honesty with which this story has been told.”
In an exclusive quote, Anees Bazmee spoke about his son and his film saying, “I have always been proud of your simplicity, sincerity, dedication and athletic discipline and now, after watching your movie, I’m even more proud of the amazing work you’ve done. Hard work pays off; this is just the start betu.”
Earlier, Faizan had shared his experience of collaborating with Sanjay Mishra: “Working with Mr. Sanjay Mishra has been an experience every director dreams of. The whole world knows he is an amazing actor, and he’s truly spoilt me. I now find myself expecting that same level of commitment, dedication and sheer mastery of the craft from every actor I work with. Beyond his incredible talent, he’s a generous and humble human being who deeply loves his work.”
Co-written by Faizan and Shwet Parekh, Postman brings alive the poignant idea of a man whose professional duty unexpectedly turns personal. Faizan added, “We wanted to explore the idea of a postman who receives the most important letter of his own life. So, when you watch Postman, don’t expect performances. Expect truth.”
Produced by Parth Savalia, the film also features Tanishq Chaudhary and Samarth Shandilya in pivotal roles. With its emotional depth and compelling narrative, Postman promises to leave a lasting impact on audiences worldwide.
Also Read: Anees Bazmee reacts to rumours about the exit of Diljit Dosanjh from No Entry 2; says, “I’m just happy that the film is getting made”
read moreFarah Khan visits Rishikesh for the first time with cook Dilip, Calls ganga aarti a ‘magical experience’
Filmmaker Farah Khan, known for her witty personality and lively social media presence, recently visited Rishikesh for the very first time. After exploring the Maldives with her cook Dilip for their maiden travel vlog, the duo’s next stop turned spiritual as they attended the Ganga Aarti in the holy city.
Farah’s manager, Kalpesh Sharma, shared a series of pictures on Instagram capturing moments from their visit. In the first photo, Farah is seen sitting with her head covered with a dupatta, hands folded in prayer, deeply absorbed in the soulful evening Aarti. Behind her, Dilip and Kalpesh were also seated, taking in the spiritual ambience. Another photo showed Farah performing the ritual of the Aarti herself, a moment that reflected her engagement with the sacred tradition.
Sharing the pictures online, Kalpesh captioned the post, “In the roar of Ganga and the silence of Shiva, the universe finds its balance. #gangaarti Blessed. Thank you @farahkhankunder for everything you do. Thank you @swaamiramdev @parmarthniketan @deepakparmarth for your warm welcome.”
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Reacting to his post, Farah expressed her feelings about the trip in the comments section. She wrote, “It was truly a magical experience… may all your prayers be answered, Kalp… n more.” The filmmaker also gave her followers a glimpse of the moment through her Instagram Stories, where she posted a short clip of the Ganga Aarti and added, “First time Rishikesh and what an experience.”
Farah’s visit to Rishikesh highlighted her lighter, more spiritual side, away from the world of films and glamour. The experience, shared with her trusted companion Dilip, struck a chord with fans who appreciated the simplicity and authenticity of the journey.
Her post drew warm reactions from followers, with many praising how grounded and genuine she appeared. Friends from the industry also left heartwarming messages, acknowledging her simple yet fulfilling travel experience.
While Farah is often seen sharing glimpses from film sets or glamorous events, this trip revealed a different side—one deeply connected with spirituality and serenity. For her, Rishikesh became not just a destination but also a moment of reflection and peace.
With her heartfelt note, Farah Khan reminded fans that sometimes the simplest journeys bring the greatest joy.
Also Read : 13 Years of Shirin Farhad Ki Toh Nikal Padi: Boman Irani on Farah Khan, “She was the perfect fit”
read moreKatrina Kaif and Hrithik Roshan reunite in romantic Rado ad, fans says ‘clearly shot separately’
Bollywood fan-favourites Hrithik Roshan and Katrina Kaif, best remembered for their electrifying chemistry in Zindagi Na Milegi Dobara and Bang Bang, are back—this time, in a stylish new advertisement. The two reunite for a romantic campaign promoting a luxury watch brand, delighting fans with glimpses of their on-screen magic.
Shared simultaneously on their Instagram accounts, the ad features Hrithik presenting a surprise gift to Katrina. She opens it to reveal the watch, smiling, as he says, “Something special, to celebrate us!” She responds, “It is perfect!” The ad wraps with Hrithik whispering, “This feeling, this moment. The time is now.”
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Though the two stars appear together in the final shot, viewers were quick to call out what felt off. One comment read, “Clearly the video is shot separately and bad editing.” Another fan added, “I think they shot this video separately….look again.” Others chimed in: “They haven’t even shared the screen space together I feel! They both shot separately.” Someone else lamented, “They shot the ad separately with both Katrina and Hrithik.....why would you do that? It's evident in the last shot...spoils it.”
Zoom TV also reported that netizens believed the ad was “edited and filmed separately,” citing that the final scene intended to portray eye contact between the two felt mismatched and disjointed.
Despite the criticism, the excitement over seeing the duo together again was palpable. As Times of India noted, the reunion stirred a wave of nostalgia, even as speculations about separate shooting swirled online.
On the work front, Hrithik’s latest release is War 2, a high-octane spy thriller released on August 14, which has crossed Rs. 200 crore in India, even as reviews and audience responses were mixed. Katrina, meanwhile, was last seen in Merry Christmas alongside Vijay Sethupathi in early 2024, and prior to that, she reprised her role as Zoya in Tiger 3 (2023) opposite Salman Khan.
Also Read : “I wanted Priyanka Chopra & Katrina Kaif together in Raajneeti,” reveals Prakash Jha
read moreDaisy Shah calls out objectification in Kannada films; says, “A fruit salad or a vegetable salad was being made on the heroine’s navel”
Actress Daisy Shah, who has worked in both Bollywood and Sandalwood, recently spoke candidly about what she described as the Kannada film industry's unusual fixation on female actors’ navels. In an interview with Hauterrfly, Shah criticized the lack of depth in direction for women, noting that male actors often received more nuanced guidance.
She recalled, “When I was doing a Kannada film, during my off days I watched TV, and in all the Kannada songs I saw… there was a particular actor, and in all his songs, either a fruit salad or a vegetable salad was being made on the heroine’s navel with close-up shots. Sometimes ice or water was being poured on the navel too.”
Shah contrasted the superficial treatment of female roles with the richer direction afforded to male counterparts, suggesting the disparity stemmed partly from her limited fluency in Kannada.
Her reflection has ignited discussion across social media, drawing parallels to earlier observations by actress Malavika Mohanan about South Indian cinema’s celebrated or controversial, “navel obsession.” Some netizens even speculated that Shah’s remarks were indirectly alluding to veteran actor-filmmaker V. Ravichandran, known for similarly stylized song sequences featuring women’s midriffs.
Beginning her journey as a background dancer under Ganesh Acharya, Daisy later transitioned to acting with lead roles in Kannada films such as Bhadra and Bodyguard. She later gained wider recognition through her Bollywood debut in Jai Ho opposite Salman Khan (2014). Her filmography also includes Hate Story 3 (2015), along with appearances on reality TV. Most recently, she featured in the web series Red Room, which also featured Amit Gaur, Anuj Sachdeva, Reena Aggarwal and Reeva Chaudhary in key roles. She continues to engage her audience through daily vlogs on YouTube. She currently enjoys a following of around 40,000 subscribers.
Also Read : Daisy Shah applauds German Circus for replacing animals with holograms; calls it “Tech with heart”
read moreAnil Kapoor recounts how he and Satish Kaushik convinced Aishwarya Rai to stay on board in Hamara Dil Aapke Paas Hai; says, “We went to her home, had a heartfelt conversation, and thankfully, she decided to stay on board”
Bollywood luminary Anil Kapoor recently commemorated the 25th anniversary of the romantic-action drama Hamara Dil Aapke Paas Hai, highlighting a pivotal, behind-the-scenes moment that nearly altered the course of the film’s casting. Released on August 24, 2000, the film marked a significant milestone this year, prompting Kapoor to share a deeply personal recollection on Instagram.
Anil Kapoor revealed, “Looking back at Hamara Dil Aapke Paas Hai as it completes 25 years, my heart is filled with memories of my dearest friend Satish Kaushik. I still remember how Aishwarya became a part of this special journey. While we were shooting Taal, I was struck by her incredible talent and suggested her name to Naidu Saab and Satish ji. At first, there were some reservations, but once Satish saw her on set, he was convinced. The rest, as they say, is history.”
However, Kapoor also admitted that just before filming commenced, Aishwarya Rai Bachchan had second thoughts. He recalled how both he and Kaushik personally went to her home to persuade her to reconsider. “Ironically, just before shooting began, Aishwarya had some concerns and almost stepped away. Satish and I went to her home, had a heartfelt conversation, and thankfully, she decided to stay on board. And I’m so glad she did, because her performance was phenomenal and the film went on to become a superhit, loved by both the trade and the audience. Grateful for the memories, the magic we created, and for my friend Satish, whom I miss dearly every day. #HamaraDilAapkePaasHai.”
The film, directed by the late Satish Kaushik and produced by Boney Kapoor, featured Anil Kapoor, Aishwarya Rai, Sonali Bendre, along with an ensemble cast including Puru Raaj Kumar, Mukesh Rishi, Anupam Kher, and Johnny Lever. It addressed sensitive themes—Preeti (Aishwarya Rai) is ostracised after being sexually assaulted, but finds support from Avinash (Anil Kapoor), who protects her against societal ostracism. Audiences appreciated the film’s emotional depth and the chemistry of its leads, establishing it as a commercial success and a heartfelt family drama.
Looking ahead, Aishwarya was last seen in Mani Ratnam’s epic Ponniyin Selvan II, which performed well at the box office, amassing over Rs. 344. crore worldwide. As of now, she is yet to announce her next venture. Meanwhile, Anil Kapoor is gearing up for his next release: Alpha, part of the YRF Spy Universe, starring alongside Alia Bhatt, Sharvari, and Bobby Deol; the film is slated for a December 25 release.
Kapoor’s Instagram tribute not only marks a nostalgic nod to a beloved film but also serves as a touching tribute to his enduring bond with Satish Kaushik and a reminder of how close the project came to being very different. His recollections reaffirm just how critical personal conviction and heartfelt persuasion were in shaping one of Bollywood’s memorable family dramas.
Also Read : Anil Kapoor and Sidharth Malhotra applaud Kiara Advani’s performance in War 2: “You shine brighter every time”
read moreSaiee Manjrekar on father Mahesh Manjrekar, “He has always been my biggest inspiration, but never my shortcut”
Actress Saiee Manjrekar recently reflected on the invaluable life lessons she’s learned from her father, veteran actor, director, and writer Mahesh Manjrekar. Growing up in a home where cinema was an everyday conversation, Saiee revealed that it wasn’t fame or connections that her father handed her, but resilience, self-belief, and the ability to stand on her own feet.
Saiee shared, “My father has always been my biggest inspiration, but never my shortcut. I remember a very straightforward chat we had when I first spoke about acting. He told me, ‘If you want to be an actor, it has to be your decision. I will never put you in a room with any friend of mine or make a call on your behalf.’ At first, it felt daunting. But today, I see how important that lesson was. I learnt to face rejection, to audition with strangers, to stand in lines like everyone else, and to earn every opportunity on my own merit. It made me value every role so much more.”
For Saiee, the real gift of growing up around a legend like Mahesh Manjrekar wasn’t just watching him on set, but observing the discipline, humility, and passion he carried into every project. “On screen, my father taught me how to respect the craft. Off screen, he taught me how to respect myself, my co-workers, and the journey, even when it’s hard. He’s shown me that being an artist is not about arriving at a destination, it’s about constantly learning, evolving, and staying true to your voice,” she adds.
With her grounded approach and a deep understanding of the industry’s realities, Saiee continues to navigate her career with the same determination and grace her father instilled in her, proving that tough love often leaves the most lasting impact.
Also Read: Saiee Manjrekar opens up on her career approach; says, “Choosing the right project is far more important”
read moreParam Sundari producer Dinesh Vijan on casting Sidharth Malhotra and Janhvi Kapoor, “Sid hasn’t done a rom-com in 6 years, Janhvi has never played a character like this”
Producer Dinesh Vijan opened up about the thought behind Param Sundari, calling it a story rooted in culture yet strikingly relevant to the youth of today.
“Other than the fact that it’s cross-cultural, Param Sundari deals with a very relevant theme affecting young people right now,” Vijan shared. “Param comes from a place deeply influenced by technology, he’s somebody who really believes in apps.”
He further adds, “While our girl - Sundari belongs to a world where tech hasn’t made much of an impact. There are still pockets in India where life is very simple. This dynamic is what excited me to make the film.”
At the heart of Param Sundari lies a very current dilemma - how today’s youth, often over-reliant on apps for everything from ordering food to finding love, may overlook the beauty of more organic, simpler connections. Through Param and Sundari’s contrasting worlds, the film highlights that one must trust their own instincts over everything else.
Vijan also spoke about the casting of Sidharth Malhotra and Janhvi Kapoor in this romantic comedy. “Sid is such a good-looking boy, but he hasn’t done a rom-com in six years. And Janhvi, while she’s very much like Sundari in spirit, has never played a character like this. It’s very interesting to see these two come together.”
He went on to explain how the film reflects Maddock Films’ larger vision of telling cross-cultural stories that resonate with contemporary audiences.
Also Read: Sidharth Malhotra on teaming up with Janhvi Kapoor in Param Sundari, “More than just relying on the script, she brings instinct to her performance”
read moreIshaan Khatter, Vishal Jethwa starrer Homebound closes Indian Film Festival of Melbourne 2025 with standing ovation
The Indian Film Festival of Melbourne (IFFM) 2025 concluded on a high note with the official screening of Homebound, directed by National Award-winning filmmaker Neeraj Ghaywan. Produced by Dharma Productions, the film features Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor in lead roles and was chosen as the festival’s Closing Night film.
Recently, it was being said that the screening of the film drew a packed house, with two back-to-back shows arranged due to overwhelming demand from the Australian audience. It has been learnt that the emotional narrative and strong performances resonated deeply with viewers, who responded with a standing ovation as the credits rolled.
Adding to its reception, Homebound went on to secure two major honours at the festival’s awards ceremony—Best Film and Best Director.
Expressing his gratitude, director Neeraj Ghaywan said, “To bring Homebound to Melbourne, and to win these two awards is extremely special. To be in a room full of such diverse people feels truly incredible. One feels so special to see the Australian government and ministers doing so much for this festival, I have never seen such kind of support anywhere else in the world.”
Festival Director Mitu Bhowmik Lange reflected on the choice of Homebound as the festival’s closing film, stating, “We could not have imagined a more powerful and fitting way to close IFFM 2025 than with Neeraj Ghaywan’s Homebound. The film embodies everything we celebrate at this festival—fearless storytelling, stellar performances, and narratives that are both deeply personal and universally relatable. Watching the audience rise to their feet in applause was a moment of pride not just for the team of Homebound, but for Indian cinema as a whole.”
The film’s screening marked the finale of yet another successful edition of IFFM, which continues to be one of the most significant international platforms for Indian cinema. With Homebound closing the festival, this year’s event reinforced the power of Indian stories to connect with audiences across cultures.
Also Read: Ishaan Khatter, Janhvi Kapoor starrer Homebound to close Indian Film Festival of Melbourne 2025 after Cannes premiere
read more13 Years of Shirin Farhad Ki Toh Nikal Padi: Boman Irani on Farah Khan, "She was the perfect fit"
Boman, it’s been thirteen years since you and Farah became the Parsi community’s Dharmendra and Hema Malini? I can’t believe it’s been thirteen years. The film was as much fun to make as it was to watch. We had some lovely old Parsi friends join in, and they gave it so much flavour. Many of them had never acted before, but I think they did superbly well. And of course, there was our director Bela Sehgal, who gave Farah and me the space to just let go and enjoy ourselves.
Farah Khan made her belated acting debut in this one? Yes. Initially, Farah was one of the probables. When I told my wife Zenobia about the film, she immediately said there was no question about it—Farah had to do it. Zenobia has always been a big fan of Farah. She told me, “You should please push for Farah to do this role, she’ll be fantastic.” So Zenobia and I went to Bela and said, “What do you think?” Bela hesitated, saying she thought I wanted a more experienced actor. But I insisted Farah would be perfect.
And she turned out to be the right fit? Absolutely. Farah’s got the madness, the sense of humour. Even though she was at the top of her game as a choreographer, she knew this was her first film as an actress. She was such a willing learner—she would happily do take after take until she got the right tone and pitch. I truly enjoyed working with her. She’s a complete sport, she can laugh at herself, she’s hilarious, and she has such a good understanding of cinema. Her knowledge of classic musicals and all our favourite films really matched mine.
Did you both become close friends while shooting Shirin Farhad Ki Toh Nikal Padi? We were already friends before that, since Main Hoon Na. But yes, during this film we grew even closer, and to this day we remain very, very good friends. Zenobia is an even bigger fan now. We’re extremely close and very grateful that we got the opportunity at the right time to do Shirin Farhad—a real romp, a warm and light-hearted Parsi rom-com. I have such vivid, happy memories of those days. Thank you for asking, Subhash, that’s very sweet of you.
read moreEXCLUSIVE: Maharaj director Siddharth P Malhotra confesses, "I DIDN'T like Loveyapa…Junaid Khan is like my kid; protective about him…confident about his next film"; recalls hilarious incident: "YRF guards refused him entry as he came in an auto"
In June 2025, talented director Siddharth P Malhotra spoke exclusively with Bollywood Hungama on the first anniversary of the controversial and highly acclaimed 2024 film Maharaj. The film marked the debut of Junaid Khan. During the same interaction, the filmmaker spoke about his bond with the young actor and a lot more.
When asked if he’s in touch with Junaid Khan and if he got a chance to watch his second film, Loveyapa (2025), co-starring Khushi Kapoor, Siddharth P Malhotra said, “I saw Loveyapa and I didn’t like the film. I had issues with it.”
He continued, “And yes, I am in touch with Junaid. We speak every 4-5 days. I launched him. He’s like my own kid and I am protective about him. And I told him that I didn’t like Loveyapa for various reasons, which I don’t want to speak about. But the film didn’t work for me.”
Siddharth P Malhotra further said, “I am sure that people will appreciate his next film. I have seen it and I am confident about it.” Junaid Khan’s next is titled Ek Din and co-stars popular South actress Sai Pallavi. It is scheduled to release on November 7, 2025.
Siddharth P Malhotra then shared a hilarious episode that took place during the industry screening of Maharaj at Yash Raj Films (YRF) Studios, “The security guard didn’t recognize Junaid as he had come in an auto rickshaw. He called me and said, ‘They are not taking me inside’. I said, ‘Bolunko ki tu hero hai’! He explained that since he was in the auto, they were not convinced. We had to come down to take him inside (laughs)!”
Siddharth shared more on this screening, “It was attended by a lot of people of the industry like Javed Akhtar, Shabana Azmi etc. We were excited. At 11 pm, we were informed that the film was not coming the next day (due to legal issues). Hence, after the screening, we had to tell everyone, ‘Even if you guys have liked the film, you cannot write anything about it’. You make films for appreciation and validation. At that screening, I got the validation, that too from the greats, but you have to tell them, ‘Please don’t tell the world about it’! The trial then ran for 5 more days. It was heartbreaking.”
Also Read: 1 Year of Maharaj EXCLUSIVE: Siddharth P Malhotra shares NEVER-BEFORE-SEEN BTS images; reveals, “We had so many plans for Aamir Khan’s son’s debut and NOTHING happened…We PANICKED and self-censored 15 minutes…magnanimous of Jaideep Ahlawat who understood reason behind it”
read moreWar 2’s pan-India gamble: A missed opportunity or overestimated factor?
When War 2 was announced, the formula looked bulletproof: Hrithik Roshan, the Hindi film industry’s most bankable action star, joining forces with Jr. NTR, riding high on his post-RRR pan-India aura, under the banner of Yash Raj Films’ Spy Universe. On paper, it was a masterstroke designed to unite markets and shatter records. In reality, the film’s box office trajectory has been sobering. Despite a strong pre-release buzz, the opening day collections faltered, raising questions not only about the Hindi market’s appetite but also about whether the Telugu version - expected to thrive on Jr. NTR’s stardom - delivered at all.
Telugu version: Missed opportunity or overestimated factor?
Much of the post-release chatter has focused on the Telugu version’s underperformance. Taran Adarsh, Film Trade Analyst and Critic, voiced his surprise, “I am shocked at the underperformance of the Telugu version because everyone expected it to rock. Over there, the stardom is very big for NTR Jr. In this case, it just didn’t work. On the first day, the curiosity levels were there. But on the second day, it just went down. I don’t know, but the Telugu audience also must have felt, where’s the content?”
Girish Johar of Zee Studios, however, believes the problem lies deeper than regional reception: “When a film fails, it is a failure at the content level. It’s not that the film is doing well in Telugu and Tamil and not doing well in Hindi or vice versa. I believe dubbing the film was a calculated decision because it had Jr. NTR, and they got decent numbers in encashing the Telugu market as well. So, that being a reason for faltering, I doubt.”
Satadeep Saha, CEO of SSR Cinemas Pvt Ltd, echoed that view, “Overall, if the film isn’t good, it will not work in any of the versions. So, that is the case in this scenario also.”
The consensus is clear - the Telugu version didn’t underperform in isolation; it faltered because the content didn’t connect, regardless of language.
Hrithik vs. NTR: Who Drove the Opening?
One of the key questions around War 2 is whether the initial numbers were fuelled more by Hrithik Roshan’s proven action legacy or Jr. NTR’s rising pan-India appeal. Taran Adarsh sees it as a combination of multiple forces, “It’s a combined effort. There is Hrithik and NTR, and the YRF banner also played a major role. It’s a premium production house, and they have just delivered Saiyaara. All these factors contributed to the curiosity for the film. But unfortunately, the content has misfired.”
Exhibitor and distributor Akshaye Rathi also highlighted the strategic logic behind the casting, “Both have significant appeal. Jr. NTR also after RRR, has become a bit of a household name and a star whom people even in North India identify with. Theoretically, this casting is supposed to be a masterpiece because one is a superstar in the Hindi-speaking market and the other in Telugu Telugu-speaking market. The idea was to have two complementing and not cannibalizing markets. Unfortunately, the kind of impact that was expected, in terms of what Taarak could draw in Andhra-Telangana like he did with Devara, or other films of the past, didn’t happen.”
Vishek Chauhan, owner of Roopbani Cinema in Bihar, added a broader industry perspective, “To score in this genre, you need to make extraordinary films now. This was also another negative for War 2. Even Tiger 3 underperformed. Even the Cop Universe underperformed. Even the Marvel and DC films are underperforming. Even the Mission Impossible films are underperforming. Even Fighter saw diminishing returns.”
Chauhan also contrasted War 2’s struggle with the unexpected success of Saiyaara, “Saiyaara came as a breath of fresh air. People hadn’t seen such a film for a long time. Genres rise and die, and they again rise theatrically. I think people are looking more towards personal stories now, where the angst and agony are more personal. Although Animal was an action film, it was a very personal story. Similarly, John Wick’s story is also very personal. Also, a fresh genre like horror comedy will show good returns.”
The verdict emerging from the trade is unambiguous: War 2’s star-studded casting and multilingual strategy couldn’t override weak content. Hrithik Roshan’s track record and Jr. NTR’s stardom gave the film an opening, but the lack of emotional resonance and freshness in storytelling prevented it from sustaining.
Also Read: Trade Experts unite on Coolie vs War 2 clash: Coolie may have nibbled, but War 2 ate itself
read moreKaran Johar stunned by son Yash’s ‘nepo baby’ comment: “I don’t want to be launched”
Karan Johar often takes to his Instagram account to share updates about his films and personal life. On Saturday, the filmmaker posted a hilarious video of his son Yash on Instagram, in which Yash flaunted a ‘nepo baby’ shirt. Who gave Yash the shirt? Karan said that it was given by a female, who made him promise not to reveal her name.
In the clip, Karan pointed his phone camera toward Yash as he proudly displayed his blue T-shirt with the words, ‘Nepo baby’ written on it. Karan said, “Oh my god, do you know what this t-shirt says, that you are nepo baby?” In response, Yash quips, “Yeah, but I don’t want to be launched!” He then dashes off in typical toddler fashion, while Karan, in mock surprise, adds, “What! Who is launching you anyway?”
In the caption accompanying the post, Karan wrote: “He has a mind of his own. I am HAPPY!!! Ps..T shirts gifted to the twins by •••••• ( oops she made me promise I won’t tell).”
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The video captures a light-hearted and endearing moment, showcasing Yash’s budding personality and early signs of independence. Despite playfully accepting his status as a “nepo baby,” the young starlet firmly expresses that he wants no part in a typical Bollywood industry "launch."
For context, Karan Johar welcomed twins Yash and Roohi via surrogacy in February 2017. He chose to name his son Yash after his late father, Yash Johar, while Roohi’s name is an anagram of his mother’s name, Hiroo.
This playful moment not only brought a smile to viewers but also reflected Karan Johar’s self-aware and humorous approach to the ongoing nepotism debate within Bollywood. It's a refreshing snapshot of a famous filmmaker allowing his son to craft his own attitude, on his own terms—and perhaps, to choose his own path.
Also Read : Karan Johar teases big comeback in 2026: “It almost feels like the onset of the 2.0 version of my life”
read moreSonnalli Seygall on embracing motherhood: “New moms don’t have to bounce back”
Actor Sonnalli Seygall, who welcomed her first child, a baby girl, in November last year. She shared a heartfelt video on Instagram, reflecting on her pregnancy journey and the profound changes that motherhood has brought into her life.
Posting the candid clip, the Pyaar Ka Punchnama actor wrote, “So I’ve been wanting to talk about this since a while. It’s important that we do, because far too much emphasis is being put on new mothers ‘Bouncing Back’”
Seygall spoke about her deep connection with fitness before pregnancy, describing it as an integral part of her identity. “Before pregnancy, I was so connected to my body, fit, active, and proud of the way I looked and felt. Fitness was not just something I did, it was part of who I was,” she shared.
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However, she admitted that postpartum life brought significant changes. “The toned thighs I once had now carry cellulite, my abs softened into a little mommy pooch, and my hips feel different, almost as if they’ve permanently widened to carry the weight of motherhood,” she revealed in the post.
Instead of resisting these changes, Seygall expressed gratitude and acceptance. “And yet, instead of resisting these changes, I’ve learned to embrace and love my body even more, with deep gratitude for everything it has carried me through, especially giving birth. Maybe I don’t know if I’ll ever go back to my old body, and that’s okay, because this one tells a far more powerful story,” she wrote.
Concluding with a message of solidarity, she encouraged other mothers: “To every new mom reading this, you’re not alone.”
Also Read : Sonnalli Seygall just revealed her Postpartum diet, and it is wholesome for the soul – from jeera water to rasgullas and cake
read moreShoojit Sircar on 12 years of Madras Café, “Rajiv Gandhi’s assassination completely shook me”
Filmmaker Shoojit Sircar’s Madras Café completed 12 years yesterday. Starring John Abraham and Nargis Fakhri, the movie was inspired from the assassination of former Indian Prime Minister Rajiv Gandhi. On the film’s anniversary, Sircar looked back at it in an interview with us.
Madras Café is your most political film?
Madras Cafe was a very personal film, as it was very shocking for me when that incident happened where Rajiv Gandhi was assassinated. I was in Delhi and it shook me. Before Rajiv Gandhi, even Indira Gandhi was also assassinated. So, you know, I was in Delhi during both the tragic events. This happened and, you know, it completely shook me, especially Rajiv Gandhi's assassination. Since then, I was always reading newspapers and articles about and following what was happening in this South Asian part of the world between Sri Lanka, Tamil Nadu and the central government here in India and who all were interested in this particular politics, geopolitics, you can say.
Madras Café still feels urgent and unrehearsed?
It's a film where I didn't know where I was heading. One, because it was a very, very difficult subject and it involved real people, real names, which was difficult at that time because I didn't have a backing of any book or something because it was purely based on newspaper articles that I have read. And basically political essays from that time.
So, how did you solve this crisis of substantiation?
So, me and Somnath Dey and Shubhendu Bhattacharya and two of my dear friends again from Chennai, Sadapathy and Mahesh, we all sat together and started working on this script for a long time. Because it was in my head and I could just pour to them whatever I had in my head. And then the script actually, the politics of it actually came from Somnath Dey and Shubhendu. Of course, then came Juhi also to write the dialogues of the film because we had to crack the dialogues in Hindi and somewhere felt not to feel like, you know, feel very natural how R & AW operated at that time and on field.
R & AW was not part of our cinematic universe back then
Madras Cafe is one of those first films which involved RAW, you know, and also the special forces and how they played the world politics. I mean, it was a path-breaking film 12 years back, but when I still watch it, it still feels quite pioneering. The reason being, when the assassination happened and then we started researching about it, we found there were many, many loopholes. Who all were involved? There were loopholes in that. Was there a foreign hand? Was there, you know, the Tamil, the revolutionary force, the LTTE? So, there were many articles written, many kinds of things happened, many which were unexplained. So, being a filmmaker, taking a very central line and not get opinionated about it and present it with as much authenticity as possible, that's what I tried. That was a huge challenge.
At one point, you decided to shelve Madras Café?
Yes, at some point, I thought of not making it, you know. While we were almost halfway through the film, I said, no, it's a very difficult film. I won't be able to pull it through. But then, it was an everyday affair. We had to recreate the entire Sri Lankan Jaffna in Kerala, in Tamil Nadu and the RAW part of it we shot it in Delhi.
This remains one of John Abraham’s most understated performances
I still think that it was John's best. John Abraham was all there; he was also aware of this scenario because he was also growing up at that time when he heard this.
A tough film to make?
The most important also fact was Ronnie coming in and backing me, Ronnie Lahiri, my producer friend. It really takes guts to produce this kind of film at that time. But we both wish we could have named real people but we had to take a lot of clearances and, you know, what you call the rights and all that was too much of a headache. So, we had to, use fake names. So, yeah, I just regret that sometimes. I wish I had used real names.
Also Read: Shoojit Sircar on Abhishek Bachchan’s Melbourne win: “He melted into the character completely”
read moreLalit Pandit on Kalyanji’s 25th death anniversary, “Kalyanji-Anandji worked successfully at a time when there were many brilliant composers existing”; also reveals that the duo did not compose ‘Khaike Pan Banaras Wala’ from Don
Kalyanji and Anandji are considered a legendary duo when it comes to Hindi film music. On the 25th death anniversary of Kalyanji, whose full name was Kalyanji Virji Shah, Lalit Pandit got talking about him and Anandji’s remarkable work.
Where would you place Kalyanji-Anandji in Hindi film music? Kalyanji and Anandji were extremely talented brothers, who worked together successfully for more than three decades in the Indian film industry. They had multiple qualities along with being brilliant composers and that is the reason they worked and survived so long in the industry.
What made the duo so durable? Their greatest achievement I feel is how they did their transition in music from one generation to the other. Not many composers from their generation did that successfully, except R D burman. Right from the music of Saraswatichandra to Don and Muqaddar Ka Sikandar and many more, they were able to adapt and change their music to the next decade and that was indeed amazing.
How did they create their never-ending repertoire of hit songs? Both Kalyanji and Anand ji had an everyday jamming music room where recordings would be planned and their favourite lyricists like Indivar, Anjaan and Gulshan Bawra would be there every day from morning to night. They were together a very formidable team which was indeed one of the reasons why they worked successfully for so long. But there was someone else.
The two brothers had a third lesser known younger brother Babla. An extremely talented rhythm composer and a rhythm player himself. He assisted his elder brothers Kalyanji and Anandji and did some brilliant arrangements in their songs. It is a known fact that Babla composed the super hit song of Don, ‘Khaike paan Banaraswala’, which was written by Anjaan Sahab and so brilliantly sung by Kishore Kumar.
The most remarkable aspect of K-A’s career was it longevity I agree. Kalyanji-Anandji started their musical journey from the onset of the 1960s and went on to work till the 90s. One of the most amazing part and a quality they possessed was they were always signed repeatedly by their producers and directors to do music. Producers like Manoj Kumar, Feroz Khan, Prakash Mehra and many more loved working with Kalyanji-Anandji.
Why? This was perhaps not only because of their beautiful music but also because of the wonderful nature of K-A. Both were extremely humorous and people enjoyed their music sessions which would generally go on all day. They were a full package. Masti and music and extreme knowledge of music, of course. These combinations of qualities made them survive successfully in the music industry for so long.
They were also very adaptive That’s right. Their style also changed with times. What with the most modern songs of its time – ‘Aap jaisa koi’ and ‘Laila main Laila’ for Qurbani … Would you believe that these were the same composers who composed ‘Chandan sa badan’ and ‘Main to ek khwaab hoon’! It’s hard to believe this but this is what KA were.
Which are your favourite K-A soundtracks? Personally, I have loved their entire sureela music of many films. Their combination with Anand Bakshi and Mukeshji was unbelievable. Songs of Himalay Ki God Mein, Saraswatichandra, Blackmail, Don, and hundreds more. It was Kalyanji-Anandji who gave Anand Bakshi the very first chance to write for their film Jab Jab Phool Khile. The songs were extremely memorable and so well-written by Bakshi Saab – ‘Ek tha gul aur ek thi bul bul’, ‘Yahan main ajnabi hoon’ are so beautifully written.
They indeed have given a treasure of music to their audience and this treasure will be cherished for ever. There was a particular song in which Shashi Kapoor was challenged by KA to shoot the entire song with his hand behind his back. Shashi Kapoor had done this song accepting the challenge.
Tell me about your personal connection with the duo? My sister Sulakshana and my father used to regularly visit Kalyanji and Anandji in their music room in the late 60s and 70s. Sulakshana Didi was a trained singer and both Kalyanji and Anandji loved her singing. In later years when Sulakshana Didi became a very successful heroine, she would sing many songs of Kalyanji and Anand ji. I remember their recordings of her song from a film called Sankoch with Jeetendraji and Sulakshanaji sang a beautiful song composed by Anandji Bandhi – ‘Re kahe preet’. The song was a huge hit at the time.
Then in her very first film Uljhan with Sanjeev Kumar, she sang her songs in the film for Kalyanji Anandji. The film had amazing music by the brothers. She went on to sing many songs and I had the wonderful opportunity as a child to witness these wonderful recordings and see they great composers at their work. Later in their career, Kalyanji’s son Viju Shah joined the team and he added a lot in changing the sound of the composers. Viju later went on to become an independent composer, but always even back then he was the backbone of the aging duo. In films like Himalay Ki God Mein we notice in the credits the names of Laxmikant Pyarelal ji as assistants in arranging the music for K-A.
They promoted a lot of new talent They had the knack of looking for young talent and recognising genuine talent. It was K-A, who gave the first chance to Alka Yagnik and Sadhana Sargam and many others. Their home and music room always welcomed struggling singers and writers. A quality not many composers had. Their music will live on and so will their name. They worked successfully at a time when there were many brilliant composers existing and who were doing amazing work, like Shankar-Jaikishan, Laxmikant Pyarelal, SD and RD Burman. All were at their best! And so were Kalyanji Anandji.
read morePulkit Samrat and Varun Sharma bring Fukrey style fun to JSW MG Motor India’s ‘EV Sahi Hai’ campaign
Building on the success of its consumer-led EV Sahi Hai campaign, JSW MG Motor India has announced the second phase of its public awareness initiative featuring Pulkit Samrat and Varun Sharma. This phase uses creative storytelling with humour at its core to highlight the expanding charging infrastructure in the country, aiming to further build public confidence in electric mobility across India.
The campaign features Pulkit Samrat and Varun Sharma, whose on-screen camaraderie in Fukrey has made them audience favourites, to reinforce the tagline EV Sahi Hai. This phase will be launched across television, digital platforms, and radio. Conceptualized by CheilX, directed by Vikalp Chhabra, and produced by Red Comet Films, the film was shot in the scenic locations of Dehradun and Rishikesh.
The carmaker has also launched a new website www.evsahihai.com, to provide customers with information about electric vehicles. The platform is designed to educate and raise awareness, particularly among consumers who are new to EVs.
Commenting on the occasion, Udit Malhotra, Head of Marketing, JSW MG Motor India, said, “Our journey with the ‘EV Sahi Hai’ campaign so far has been truly remarkable, marking a significant milestone in promoting electric mobility across India. As we enter the second phase, we are excited to take this message to an even wider audience by collaborating with renowned celebrities whose voices and stories will resonate deeply with people from all walks of life. Using humour as the underlying theme, this phase focuses on highlighting the growing charging infrastructure in the country.”
Pulkit Samrat shared, “I strongly feel EVs are the future and that piqued my interest in the project. The concept was refreshing and insightful, and it showcases that India already has a robust charging infrastructure.”
Varun Sharma added, “I’ve often wondered about EV range and charging. When I learnt about the expanse of charging infrastructure, I was surprised. That alone made me say yes to this campaign, because I feel everyone should know this - it will help more people switch to EVs.”
Amit Nandwani, National Creative Director, Cheil X, said: “While the promise of electric vehicles is well acknowledged, many still hesitate due to lingering myths and uncertainties. With the second phase of our EV Sahi Hai campaign, we’re committed to going beyond just presenting facts; we strive to forge a meaningful emotional connection through powerful and authentic storytelling. By harnessing the genuine charm and relatable appeal of our celebrity protagonists, we bring to life the real benefits of EV ownership in a way that resonates deeply with viewers. This approach will help break down barriers, build trust, and inspire more Indians to embrace the future of sustainable mobility with confidence.”
JSW MG Motor India continues to focus on its goal of becoming the leading OEM in the NEV segment, with plans to roll out a range of clean mobility solutions in the future. The company currently holds around 35% market share in the EV segment, supported by a strong and diverse product lineup. MG EVs are recognized for their reliable range, performance, and value, making them a popular choice in the Indian market. Collectively, MG EVs have covered nearly 1,464 million kilometers, helping avoid an estimated 233,704 tons of CO₂ emissions.
Also Read : Kriti Kharbanda reveals details of her magical wedding with Pulkit Samrat: “It was the happiest four to six days of my life”
read more‘Badli Si Hawa Hai’ drops: First track from Aryan Khan’s The Ba***ds of Bollywood sets party mood
The track sets the vibe for Aryan Khan’s directorial debut series, with Lakshya and Sahher Bambba bringing it alive on screen. The first song from Netflix’s The Ba***ds of Bollywood dropped today. Titled ‘Badli Si Hawa Hai,’ the track is a chill, party anthem that captures the fun and cheeky spirit of the show.
Featuring Lakshya, Sahher Bambba, and Raghav Juyal, the song blends easygoing rhythms with a playful groove, giving audiences an early glimpse into the vibrant world crafted by Aryan Khan.
Composed by Anirudh Ravichander, penned by Kumaar, and sung by Arijit Singh and Amira Gill, ‘Badli Si Hawa Hai’ marks the first track from the series’ album under the T-Series label. The choreography by Mudassar Khan, highlighted with a catchy hook step, enhances the song’s youthful and celebratory feel.
The Ba**ds of Bollywood* will premiere on Netflix on September 18 and is produced by Red Chillies Entertainment Pvt. Ltd. The series is created and directed by Aryan Khan, with Bilal Siddiqi and Manav Chauhan as co-creators and co-writers. Set in a stylised yet chaotic world, the show weaves together humour, ambition, and raw storytelling.
The series features Bobby Deol, Lakshya, Sahher Bambba, Manoj Pahwa, Mona Singh, Manish Chaudhari, Raghav Juyal, Anya Singh, Vijayant Kohli, Gautami Kapoor, and Rajat Bedi, bringing to life a story that is bold, witty, and refreshingly original.
With ‘Badli Si Hawa Hai’ setting the stage, the album is expected to capture and enhance the energy and tone of this unapologetic series.
Also Read : Shah Rukh Khan introduces Aryan Khan at The Ba***ds Of Bollywood preview launch, the latter says, “Aaj main bohat nervous hoon kyunki…”; watch video
read moreDivya Khosla transforms into Sitara in Jatadhara, first look out
Presenters Zee Studios, Umesh Kumar Bansal and Prerna Arora proudly unveil the first look of Divya Khosla as Sitara, offering audiences a glimpse into the magic that awaits on the big screen.
Jatadhara is an upcoming epic adventure inspired by Indian mythology, presented with a cinematic vision designed for a global audience. With a strong cast, striking visuals, and a high-concept storyline, the film is shaping up to be one of the most anticipated releases of the year.
The newly released teaser has already made a strong impact, crossing 50 million views and receiving widespread appreciation. It offers a glimpse into a grand world filled with mystique, power, and mythology. Sudheer Babu brings intensity to his role, while Sonakshi Sinha impresses with a striking, never-seen-before avatar.
The film seamlessly blends cultural heritage with innovation, promising an immersive big-screen experience.
Divya Khossla stated, “Jatadhara is not just a film it’s an experience rooted in our mythology yet told with such scale and vision that it feels truly global. Playing Sitara has been deeply fulfilling, and I truly admire Prerna Arora as a filmmaker who consistently brings larger-than-life stories to cinema. Her ability to blend grandeur with emotion is inspiring, and I feel proud to be part of this powerful journey.”
Also Read : Divya Khossla shares her experience preparing for Ek Chatur Naar: “I lived in a slum in Lucknow to understand the life of slum dwellers”
read moreSidharth Malhotra on teaming up with Janhvi Kapoor in Param Sundari, “More than just relying on the script, she brings instinct to her performance”
Janhvi Kapoor continues to cement her place as one of the brightest talents in Indian cinema. In just seven years, she has explored a diverse range of genres, earning both audience love and critical acclaim. Now, she aims to charm the audience once again with her much-awaited release Param Sundari, arriving in theatres this Friday.
From the captivating trailer to its soulful music, Janhvi has already sparked curiosity with her transformation into a character written as half Tamil and half Malayali — a first in her career.
During the Delhi promotions of Param Sundari, her co-star Sidharth Malhotra couldn’t stop praising Janhvi’s dedication and natural flair. “I had a wonderful time working with Janhvi,” Sidharth shared. “Her work ethic is something I absolutely love, especially in a genre like this. More than just relying on the script, she brings instinct to her performance, reacts in the moment, and creates that magic every actor looks for. And Janhvi has that instinct in abundance.”
Highlighting her collaborative spirit, he added: “She’s always forthcoming when it comes to trying new things and improvising. You can already see glimpses of that magic in the trailer.”
Sidharth fondly recalled one of his favourite scenes, where Janhvi’s Kerala-born character schools his North Indian boy about India’s linguistic diversity. “One of my most favourite scenes of hers is when she channels her inner Malayalam force and schools us North Indian boys about the different languages in our country,” he said with a smile.
As for what’s next, Janhvi has a packed line-up — sharing screen space with Varun Dhawan in Karan Johar’s Sunny Sanskari Ki Tulsi Kumari and stepping into her first big Pan-India outing Peddi opposite Ram Charan.
Also Read: Malayali creators slam Param Sundari for stereotypes, makers accused of silencing dissent
read moreKaranvir Sharma recalls first scene with Kajol in The Trial Season 2; says, “She is so grounded and humble”
Actor Karanvir Sharma returns to OTT with a notable presence in the newly released trailer of The Trial: Season 2. Last seen in a legal drama with A Thursday, he joined Kajol and the rest of the cast at today’s trailer launch event, where his performance in the promo drew attention.
Karanvir Sharma takes on the role of Param Munjal, a sharp and ambitious new partner at the law firm where Kajol’s character, Noyonika, works. In the trailer, he comes across as a charismatic figure whose entry is set to change dynamics, spark conflicts, and influence the balance of power in the story. He is first introduced to Noyonika at a party, before crossing paths with her again in an office setting to discuss a case.
Speaking about stepping into the series at the launch, Karanvir said, “This role gave me a chance to step into uncharted territory as an actor, and that’s always exciting. Param Munjal is layered, ambitious, and someone who thrives in grey areas, which makes him fascinating to play. It was challenging to bring out those complexities, but under the direction of Umesh Bisht sir, I found the right rhythm. I’m really looking forward to how audiences will respond to this fresh dynamic in fresh season of The Trial.”
Karanvir is all praise for the show’s leading Kajol and recalled his first scene with him, “Kajol made it so comfortable for me. I had my first scene with her and I didn’t had any interaction with her before that I want to thank Kajol for that because after so many years of super stardom and being such a phenomenal actor she is so grounded, humble and the kind of compassion she had is something that is infectious I love it.”
With the trailer already generating buzz, Karanvir’s entry is set to add a new layer to the narrative — from power dynamics within the firm to unexpected developments in Noyonika’s professional and personal journey.
With a strong ensemble cast and gripping drama, The Trial: Season 2 is shaping up to be among the most anticipated OTT releases of the year, with Karanvir Sharma’s performance already standing out as a key highlight.
This marks Karanvir’s fourth collaboration with Hotstar, following his work in Girl in the City, Shaurya Aur Anokhi Ki Kahaani, and A Thursday.
Also Read : Karanvir Sharma joins Kajol starrer The Trial Season 2, promising new twists and drama
read moreNora Fatehi unveils first look of Uff Yeh Siyapaa: “We shot it with no dialogues, it’s very expressive”
The first look of global star Nora Fatehi from Uff Yeh Siyapaa has been revealed, showcasing her in a vibrant and striking avatar as Kamini. The poster sets the tone for a film that aims to be both unique and entertaining. Produced under the banner of Luv Ranjan Films, the reveal was shared on social media with the caption: “Meet our silent heroes. #SiyapaaSquad.”
Speaking about the project recently on her social media, Nora expressed her excitement, stating, “I woke up to the announcement of 'UFF', a film that I worked on almost towards the end of the pandemic. So it's been a while. And it's an interesting film. It definitely is. I'm actually excited to see how it's come out because when we shot it, we shot it with no dialogues. So it's a very highly expressive film. And it's got an incredible cast, some really great actors.” She further added, “I had a good time shooting it. It’s a funny film. And you know me in comedy. I’m really into it right now. And I have a very cool role in the film. I need to see it because I’m super excited. Have you guys marked a date?”
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The actress also highlighted what makes Uff even more special., “Must I add a very, very crucial and exciting point—A.R. Rahman, the legend, the icon, did the background score and the music for the film. And that is what’s going to drive the entire storytelling and screenplay of this movie. So that I think is gonna be so cool. And of course, you know, he’s definitely gonna sprinkle his magic on that.”
As Uff Yeh Siyapaa approaches its release, Nora Fatehi’s career momentum continues. She is also headlining the upcoming horror-comedy Kanchana 4, and with several projects in the pipeline, her presence in the industry is set to grow even stronger.
Also Read : Nora Fatehi on bagging Kanchana 4: “I immediately felt it was the right project to step into Tamil cinema”
read moreEXCLUSIVE: Deepak Tijori on Bollywood’s OTT crisis: “Humne ek dinosaur khada kar diya hai; now we don’t know how to feed it”; hails Aamir Khan for releasing Sitaare Zameen Par on YouTube: “I wish it does DHAMAKEDAAR business, so that it gives us an opportunity”
Deepak Tijori is on cloud nine as he has been nominated for the Best Actor award at the Independent Short Awards, Los Angeles, USA for his role in the short film Echoes Of Us. Bollywood Hungama exclusively spoke with him last month on this honour when he also opened up on his 2024 directorial Tipppsy. The film is yet to be released on an OTT platform.
When asked whether it’s been a struggle to get a streaming partner, Deepak Tijori confessed, “Yes, it is a struggle. This is despite the fact that we have an 8.2 rating on IMDb. Many gave us 3, 3.5 and even 4 stars. We didn’t have the money to buy ratings or self-buy tickets (laughs). This means that the film was liked organically and this should have been considered.”
Deepak Tijori continued, “I don’t have access to these people and the same goes for Raju ji (producer Raju Chadha). Earlier, he made Torbaaz (2020), which was released directly on Netflix. But those who managed on his behalf have left his company. He left it on me and I don’t know anyone in the studios. I also don’t know the marketing agencies. But I hope that someday some miracle happens and we can show the film to a large number of people.”
Recently, Aamir Khan took the path-breaking step of releasing his film Sitaare Zameen Par directly on YouTube. What are Deepak Tijori’s thoughts on this move? He replied, “It’s a very good thing and it’s also something that Aamir can do. He has been gutsy with regard to his choices. That is a bold step and I wish him best of luck. I am very happy to know that his film has done very well in cinemas. Hence, he has proved that if there’s good content, then audiences would flock to the theatres. I wish that it does dhamakedaar business on YouTube, so that it gives us an opportunity.”
Deepak Tijori confessed that he also had the desire to release Tipppsy on a pay-per-view model on YouTube, “I told Raju ji and whether we should also plan the same strategy. He told me, ‘Woh Aamir Khan hai. Woh kar sakte hai. How will we recover?’. I agreed with him.”
Nevertheless, Aamir’s bold step can give a lot of hope to many, feels Deepak Tijori, “It’s a start. Every producer I meet today is suffering immensely. They tell us, ‘Humne ek dinosaur khada kar diya. Now we don’t know how to feed that dinosaur’. There has to be some way to get out of this mess.”
Also Read: Deepak Tijori proposes Jo Jeeta Wohi Sikandar sequel: “Aamir Khan and I can play headmasters of rival schools”; FULLY supports Deepika Padukone’s eight-hour demand: “She shouldn’t suffer because she is a mother”
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