Bollywood
Pragya Kapoor and Abhishek Kapoor celebrate 10 years of marriage with heartwarming glimpses of their journey
On May 4, filmmakers Pragya Kapoor and Abhishek Kapoor marked their 10th wedding anniversary. To mark the occasion, they shared a few moments from their journey together on social media.
The couple shared a collection of beautiful photos that spanned their relationship, from their wedding day to intimate travel snapshots and fun celebrations over the years. Their social media post featured images capturing joyous moments, including serene vacations, cozy family gatherings, and glimpses of their professional lives together.
Sharing the photos on their socials, their caption read, “Happy 10th my forever. #weddinganniversary #happyanniversarytous.”
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A post shared by Pragya Kapoor (@pragyakapoor_)
As soon as they shared the clips online, their fans were quick to comment on the post. While many dropped hearts for the duo, others extended anniversary wishes.
Pragya Kapoor and Abhishek Kapoor’s bond is close-knit in both personal and professional spaces. Together, they have etched a mark in the space of Indian cinema and have shaped the shifting narratives by creating unconventional films like Kedarnath, Chandigarh Kare Aashiqui, and others.
Their 10 years together have been filled with growth, challenges, and cherished memories, making this anniversary a particularly special one. Fans flooded the couple’s comments section with well-wishes, celebrating the love and commitment that the couple has shown to each other over the years.
As they continue their journey together, it’s clear that their bond, both personally and professionally, remains as strong as ever.
Also Read : Kedarnath producer Pragya Kapoor emphasises the need for conscious living on World Earth Day, says “The need of the hour is to be responsible”
read moreKabir Khan on why he knew Salman Khan would back Bajrangi Bhaijaan despite no action: “Salman is a LIVING example of the secular culture of this country”; also reveals why Salman feared studios might have REJECTED the film
In the fifth episode of The Filmy Hustle, hosted by distributor-exhibitor Akshaye Rathi, Kabir Khan opened up on his journey and what went behind the making of his memorable films. He admitted that it took a while to lock Bajrangi Bhaijaan (2015) as his second outing with Salman Khan after the blockbuster, Ek Tha Tiger (2012).
Kabir Khan added, “After Ek Tha Tiger, a lot of offers started pouring in for similar kinds of films and from different actors. I realized I’d get bored. Salman asked me what I wanted to do next. He even shared some of the ideas that he had. But the voice within me was not convinced. I asked Salman to give me some time, so that I could come up with something that would resonate with both of us.”
He continued, “Six months later, K V Vijayendra Prasad sir got in touch with me and gave me a two-line idea. In those two lines, I could visualize the film in my mind. Bajrangi Bhaijaan was one such idea. I asked myself, ‘It’s so up my street and so simple. Why didn’t I think about it?’.”
He further said, “Something told me that Salman would love the idea. Yes, it had no action; it was there only for 15 seconds at the brothel. In fact, he gets slapped, that too, by the Pakistani cop; that’s like a taboo! Yet, I knew that he’d react to it positively because Salman identifies very strongly with the politics of Bajrangi Bhaijaan. He is a living example of the secular culture of this country and so is his family. He truly believes in friendship among the neighbourhood.”
Kabir then stated, “Salman started levitating when he heard the story. By the time I finished the narration, he was like, ‘Yeh kya kahaani hai yaar’. He also said, ‘Yeh hum produce karenge’ because somewhere, he realized that since it was a Salman Khan film about a little girl with no action and little romance, studios (might not back it).”
Also Read: Bajrangi Bhaijaan turns 9: BTS video shows Salman Khan hugging Kareena Kapoor, Nawazuddin Siddiqui flaunting off-screen antics, and Harshali Malhotra watching her scenes on monitor
read more17 years of Shaurya: Director Samar Khan says, “Maybe in today’s day and age, it would have been difficult to imagine the film and its relevance”
Filmmaker Samar Khan’s Shaurya completed 17 years today. The film was a courtroom drama starring Rahul Bose, Kay Kay Menon, Deepak Dobriyal and Minissha Lamba. Samar looks back at the film on its anniversary in an interview with us.
How do you look back on Shaurya? I think Shaurya, for me, has been a life- defining film. It’s amazing that even after 17 years, the film has a life of its own, and is interpreted in many ways by people who watch the film. I would have never imagined that the film would have become such an integral part of public discourse and people’s memories.
Some of Kay Kay Menon’s dialogues are being given a new interpretation after the Pahalgam incident I don’t think anyone ever imagines how the dialogues of their film would be interpreted or how much of an impact they would make. When we shot the scene with Kay Kay, we were all aware that he has given an outstanding performance and that the lines would have an impact. But how lines are used in a political context, well no one ever imagines that.
Do you think Shaurya would have a bigger impact if released today? I think the film released at the right time and maybe in today’s day and age, it would have been difficult to imagine the film and its relevance.
The film was compared with A Few Good Men I don’t even mind the comparison because somewhere A Few Good Men remains one of my favourite films and yes, the climax of the film and Kay Kay’s character took inspiration from that film. I always wanted to tell the story through a courtroom drama and A Few Good Men was one of the very few films that had used a courtroom drama in its storytelling. So, yes the comparisons were obvious.
Tell me about the cast I was always very sure about Kay Kay Menon, and the rest of the cast fell in place organically. Every film has its own destiny and I was lucky that I got Rahul Bose, Javed Jaaferi bhai, Minissha and Deepak Dobriyal and even Pankaj Tripathi for the film.
Shah Rukh Khan recited a poem SRK has always been someone very very close to me and has always encouraged me in whatever I have done… So, when I told him about the film and about the poem, he immediately agreed as he knew how important the story was to me personally... I would always be grateful to him because today the poem is played out in so many army regiment centres and other places … and has added so much to the film and its life.
Closing thoughts? I am very proud of Shaurya. Today also I meet so many army officers who speak so highly about the film. Yes, sometimes if saddens me that Kay Kay’s dialogues are taken out of context in a political debate. But for a vast majority, it’s not the same.
Also Read: EXCLUSIVE: Shaurya’s director Samar Khan BREAKS silence on Kay Kay Menon’s scene going viral after Pahalgam terror attack: “Even Shah Rukh Khan’s Darr character is seen as hero by some people; once you take a scene out of context, anybody can seem like a hero or a villain”
read moreMira Rajput reveals the struggles of vacation planning with husband Shahid Kapoor and kids: “We can’t make them do things… they will say it’s boring”
Mira Rajput openly discussed the challenges of planning a family vacation with her actor-husband Shahid Kapoor and their two children, Misha and Zain. Speaking to Naina Bhan and Sakshi Shivdasani on their YouTube channel, Moment of Silence, Mira shared how chaotic vacation planning can be, as each family member has their own unique needs and preferences to consider.
Mira Rajput shared how chaotic vacation planning becomes when she's organizing a trip with the kids. She explained, “We are right now in the middle of planning vacations. Clearly, we all have different agendas. In groups. Shahid and I want to chill and do nothing. Then me and the kids… I want to educate them and take them sightseeing and see things so that they can have something to say when they go back to school. He [Shahid] wants to do activities with them, like kayaking, trekking, paddle-boarding and whatever. The kids themselves just want to eat and go to the waterpark.”
Mira continued, “So now we are trying to plan out how we can include all of this. They could not care less, and at the end of the day, it needs to be the iPad! So now we are thinking, how are we getting all of these things together, which is chill, sightseeing, water park, give them the iPad and somewhere to stay a bit sane and not get exhausted when you come back, because the whole point of the holiday is to come back refreshed. So it’s really not going anywhere because the kids are older now. Now we can’t tell them this is what we are doing. They have opinions. We can’t make them do things… they will say it’s boring.”
Shahid and Mira entered into an arranged marriage in 2015. They met through their shared spiritual beliefs. The couple has two children—daughter Misha and son Zain. Recently, Mira co-founded a skincare brand called Akind Beauty, in collaboration with Tira Beauty.
Also Read : Mira Rajput drops a love-filled post for Shahid Kapoor’s 43rd birthday; watch
read moreSaif Ali Khan clears the air on apologizing to son Taimur while watching Adipurush; says, “I apologised for being evil, not for the film”
Saif Ali Khan has set the record straight after a clip from a recent Netflix India video sparked chatter about him apologising to his son Taimur for making him watch Adipurush. In the segment, Saif was seen speaking to his Jewel Thief co-star Jaideep Ahlawat, where he mentioned Taimur giving him a look during the film. While it led many to believe the young boy had seen the movie and didn’t enjoy it, Saif now offers the full story.
“I apologised to Tim for being the evil villain in the film. I was growling and smashing everyone in sight! He said next time you should play the hero. I stand by all my films, and this one too.”
Adipurush, a modern retelling of the ancient Indian epic Ramayana, featured Saif in the role of Lankesh, a character based on the demon king Ravana. In contrast, Prabhas played the heroic Ram. Saif's portrayal of the antagonist drew mixed reactions from audiences, but he remains confident about his performance.
The actor’s clarification has put an end to the rumors, reinforcing his pride in his body of work. It seems that while Taimur may have had a playful critique of his dad's villainous role, Saif’s commitment to his craft remains unwavering. The candid moment between father and son has only added to the buzz surrounding Saif’s latest project.
Also Read : EXCLUSIVE: Akshay Kumar to play villain opposite Saif Ali Khan in Priyadarshan’s Oppam remake
read moreWAVES 2025: Aamir Khan says that he was STUNNED when Darsheel Safary confessed that he had NEVER cried in his life; reveals how he SMARTLY filmed bathroom crying scene in Taare Zameen Par: “You’ll feel ki woh ro ro roke behaal ho raha hai. But in reality, he WASN’T crying at all”
On Day 3 of WAVES 2025, Aamir Khan conducted a one-hour-plus-long masterclass on ‘The Art of Acting’. It got an incredible response and many aspiring actors learned how to be a better actor, that too from the perfectionist himself. Aamir also made it interesting by sharing anecdotes from his memorable films. The audience was left stunned with his trivia on his directorial venture, Taare Zameen Par (2007).
He said, “We had shot 40-50% of Taare Zameen Par. One day, we were going to shoot a scene where Ishaan (Darsheel Safary) has been dropped in the boarding school. The shot was of Ishaan who is crying profusely in the dormitory bathroom. Then, he opens the tap and washes his face.”
Aamir continued, “Darsheel came to me and said, ‘Aamir uncle, I don’t know to cry’. This is normal. When you tell actors to cry, toh woh thoda sa ghabra jaate hai. I assured him that we would manage. He told him, ‘Actually, I have never cried in my life’! I was puzzled and asked, ‘What do you mean? You must have fallen down, got hurt or your mother must have slapped you. Kabhi toh tum roye honge’. He maintained, ‘Main life mein roya hi nahin hoon’!”
Aamir Khan added, “I cross-checked with her mother, ‘He claims that he has never cried in his life’. She said, ‘That’s true. Yeh aaj tak roya hi nahin hai’. I was stunned. Nevertheless, I had to accept that he had never cried before. Now, how do I make him cry? I can’t slap or pinch him to make him cry. Some filmmakers do that and that's wrong. That should never be done.”
He then revealed, “Finally, I got the idea. I told him, ‘You don’t cry. Aap tension hi mat lo. Can you copy me?’. He replied, ‘Yes, I can’. I told him to copy my breathing. I took a deep breath and exhaled; he followed suit. Then I changed my breathing to broken breathing. When you cry, your breathing breaks.”
Aamir Khan demonstrated it and it led to claps in the hall. He remarked, “As you can see, I am not crying. I am only showing your broken breathing.”
He then added, “Darsheel began to do broken breathing. Now, I told him, ‘Imagine your stomach is aching a lot. Now, how will your expressions be?’. I instructed him, ‘Bas tu broken breathing de and imagine ki tere pet mein dard ho raha hai. That is crying in a simple way’!”
He ended his answer by saying, “In the film, you’ll feel ki woh ro ro roke behaal ho raha hai. But in reality, he wasn’t crying at all!”
Also Read: WAVES 2025: Aamir Khan reveals his father stopped him from playing tennis despite being state topper; adds why he told Shabana Azmi not to inform his dad about his acting talent: “I told her, ‘If you tell him, I won’t be ALIVE to be an actor’”
read more7 years of Omerta: Hansal Mehta admits, “Maybe today I wouldn’t be allowed to release it; maybe I’d be labelled, boycotted, dissected on prime-time panels”
Filmmaker Hansal Mehta’s Omerta completed seven years today. The film starred Rajkummar Rao in the role of the terrorist Ahmed Omar Sheikh and it received a lot of acclaim world over. Hansal got talking about the film in an interview with us.
Hansal, seven years of your most controversial film Yes, it’s been seven years since Omertà, and strangely, the film feels more urgent now than it did back then. That’s the thing about cautionary tales: we don’t always listen when they’re told. They often get drowned out in the noise of outrage, moral grandstanding, or easy ideological binaries. But the truth lingers. And eventually, reality catches up with fiction.
Would you say, Omerta is your most provocative film? I didn’t set out to make Omertà to provoke. I made it because I was disturbed—by how evil can be so mundane, how radicalisation isn’t always loud, and how systems—ours included—enable monsters under the guise of politics, diplomacy, or silence.
Wasn’t it risky to show the terrorist urinating while the National anthem is playing and that savage all-nude love-making scene with Rajkummar Rao? The film was risky, yes. There were severe objections—the anthem scene, the intimacy, the very idea of telling the story of Omar Sheikh without handholding the audience with disclaimers. But cinema can’t always be comfortable. It has to unsettle, or it’s just noise.
Would you be able to make Omertà today? I don’t know. Maybe, I wouldn’t be allowed to release it. Maybe I’d be labelled, boycotted, dissected on prime-time panels. But I do know this: it’s precisely because it’s become harder to make such films, that we must keep trying.
Do you object to films being censored beyond a point? Censorship isn’t just what’s done by the state. It’s also what we do to ourselves when we surrender to fear, applause, or ideology. Omertà was my attempt to resist that. It still is.
Also Read: Hansal Mehta curates IMDb lists featuring his favourite actors across generations
read moreAftab Shivdasani on 6 years of Setters, “There was this genuine attempt to expose education mafia that is prevalent even today”
Filmmaker Ashwini Chaudhary’s Setters turned six yesterday. The film, which was based on education mafia, starred Aftab Shivdasani, Shreyas Talpade, Sonnalli Seygall and Vijay Raaz. Aftab got talking about the film in an interview with us.
One of your neglected films is 6 now Setters was indeed a very interesting and a special film. I remember getting a call from Jogiji, who was the casting director. He called me one day and he said that, if you're free, Ashwini Choudharyji would like to meet you. So, I went across to the office and I met Ashwini ji along with the producer. And he narrated the idea of Setters to me, which was, he said a two hero film. One is a cop and the other is a setter, an examination setter. And it's basically a cat and mouse game between the both of them. Because this deals with the education mafia in the country.
You were hooked? This is a topic that's not really being discussed or spoken about or really portrayed on screen before. And they wanted to make a very gritty, a very realistic film. Portraying the characters very realistically. And I was very taken in by that. Because I had never done something on a social cause. Or something on a hard hitting subject like exam fixing.
So you said yes? I was game. And I said yes. The director did mention that Shreyas Talpade would be playing the other part. And I said that's great because I have a lot of respect and love for Shreyas. And then we started work on it. It was very interesting. It was shot in Delhi and Banaras. And that was the first time I was getting to shoot in Banaras, which made the experience even more special.
Varanasi won you over? Needless to say, what an incredible and mystical city Banaras is. And to shoot there and to shoot actually on the ghats was indeed a very very special experience. We had, in fact, filmed an action chase where I'm chasing Shreyas in the ghats. And yeah it was shot with a hidden camera. And people were stunned to see us. By the time they saw us, we had already disappeared from there. Because it was basically like guerrilla shooting.
Closing thoughts? I mean a very interesting film. A film that had a lot of truth to it. And I felt that it was appreciated at the time. But unfortunately I guess the box office numbers didn't match up to people's expectations. But a film that is made very well. It had one very lovely song. Which I think was sung by Sukhwinder paaji. It is a film that I think can be watched during any era and appreciated. Very interesting subject.
Also, the subject of proxy examinees is still very relevant Looking back at the experience, I really feel that there was this genuine attempt to expose a certain education mafia that is prevalent even today. I mean we get to see all these exams and papers being rigged. So, something that I felt was the need of the hour at that time. And I think would be appreciated even at this time.
Also Read: Aftab Shivdasani is playing a cop for just the second time in 20 years with Setters
read moreWAVES 2025: Aamir Khan reveals his father stopped him from playing tennis despite being state topper; adds why he told Shabana Azmi not to inform his dad about his acting talent: “I told her, ‘If you tell him, I won’t be ALIVE to be an actor’”
On Day 3 of WAVES 2025, Aamir Khan conducted a one-hour-plus-long masterclass on ‘The Art of Acting’. It got an incredible response and many aspiring actors learned how to be a better actor, that too from the perfectionist himself. Aamir revealed that though his family were in the film business, his father Tahir Hussain was clear that he didn’t want the superstar to be a part of it.
Aamir Khan said, “I was the number one Tennis player in the Maharashtra sub-junior category. I used to practice 5-6 hours. Once, I failed in a couple of subjects by 2-3 marks. He got angry and stopped my tennis practice. Main top pe tha aur mera agle din se tennis bandh ho gaya tha. I was dealing with a father who was very strict and if he knew that I wanted to enter films, woh toh meri jaan hi le lete!”
He added, “My classmate was Aditya Bhattacharya, Basu Bhattacharya’s son. He was quite interested in filmmaking. He made a short film named Paranoia. He asked me to help him. I agreed. I was not just an actor in the film but also the production manager, assistant, etc.”
Aamir Khan continued, “Aditya’s mother Rinki aunty was good friends with Shabana Azmi. This is how a screening was held for Shabana ji at Dimple Preview Theatre, owned by Rajender Kumar. After the screening, Shabana ji confessed that she didn’t understand the film! However, she asked about the actor. Aditya told her that the actor was present in the hall. I stood up. She asked me my name. I said, ‘I am Aamir’. She told me, ‘You’re a very good actor. You should be acting. Where are you from?’. This is when Rinki aunty told Shabana ji, ‘Yeh toh Tahir saab ka beta hai’.”
He also said, “Shabana ji was working with my father at that time for Khoon Ki Pukaar (1978). Since she knew my father very well, she said, ‘I must tell Tahir Saab (that she loved my acting)’. I replied, ‘No, ma’am. If you tell him, I won’t be alive to be an actor’ (laughs). My father was so famous for being short-tempered that everyone in the industry knew how he was. He had shouted at Shabana ji as well 3-4 times. Hence, she understood immediately.”
Also Read: Aamir Khan admits he HATED Dil marriage-with-no-witness scene, until Gaiety-Galaxy went WILD: “Indra Kumar told me, ‘Audience logic nahin sochne waali’; mujhe poora yakeen tha ki log uss scene pe thukenge humpe…”
read moreWAVES 2025: Aamir Khan on the memorable Rang De Basanti scene that fans love and he secretly HATES: “That day, I learned that when you are ready for that magical moment, don’t spoil it, no matter how impractical it is”
On Day 3 of WAVES 2025, Aamir Khan conducted a one-hour-plus-long masterclass on ‘The Art of Acting’. It got an incredible response and many aspiring actors learned how to be a better actor, that too from the perfectionist himself. Aamir also made it interesting by sharing anecdotes from his memorable films.
In the beginning, Aamir Khan said, “There’s a scene in Rang De Basanti (2006) after the lathi charge episode. DJ (Aamir) and Sue (Alice Patten) are together. DJ’s clothes are drenched in blood. DJ is having dinner and suddenly he breaks down. That scene was a challenging one and I prepared for it a lot. Before sleeping, I used to wonder, ‘How I would perform the scene’. I was able to get into a nice space and I knew how I’d act.”
He added, “I told Mehra (director Rakeysh Omprakash Mehra) to shoot in one flow with multiple cameras. I told him, ‘Shayad yeh baar baar main nahin kar paaunga’. The shoot was taking place in Film City. I also suggested that we should go to the set a day before for camera placements so that we can avoid those discussions while filming.”
Aamir Khan continued, “We went to the set a day before. Mehra suggested keeping the food aside. He asked me, ‘Tu khaate khaate kaise royega?’. I said, ‘Nahin. Main khaate khaate hi rounga (laughs). After all, DJ has no idea he is about to cry’. We rehearsed 3-4 times. Maine emotionally apne aap ko chhoda just to test the waters. I realized that I was on the right track. I stopped myself as ek baar mujhse woh emotion nikal gaya toh mujhe darr rehta hai ki main wapis nikaal paaunga ya nahin. This shouldn’t happen with an actor ideally. So, I am exposing my weakness to you all (smiles).”
Aamir Khan then revealed, “The next day, I was getting ready when I realized that there was no blood on my clothes. I asked Mehra about it. He told me, ‘The DOP noted that since the dinner breakdown scene is a night sequence, we’ll suffer the loss of 1 ½ days if we shoot it first’. I had been an assistant before an actor and I knew that he was speaking practically. Hence, I agreed though inside, I was quite disappointed.”
He further stated, “Then, we filmed other scenes and after 2-3 scenes, we filmed the crying scene. Woh scene jaise maine imagine kiya tha, main waise kar hi nahin paaya! Meri timing miss ho gayi. That day I learned that when you are ready for something creatively, then you should not bother about practicalities. Woh dedh din kuch nahin the. When you are ready for that magical moment, don’t spoil it, no matter how impractical it is.”
He raised laughs as he confessed, “When people tell me that they loved my breakdown scene in Rang De Basanti, I feel a lot of irritation (laughs). That’s because I feel woh scene bahut bura hua hai. What I had set out to do, I couldn’t.”
Also Read: Aamir Khan admits he HATED Dil marriage-with-no-witness scene, until Gaiety-Galaxy went WILD: “Indra Kumar told me, ‘Audience logic nahin sochne waali’; mujhe poora yakeen tha ki log uss scene pe thukenge humpe…”
read moreAamir Khan admits he HATED Dil marriage-with-no-witness scene, until Gaiety-Galaxy went WILD: “Indra Kumar told me, ‘Audience logic nahin sochne waali’; mujhe poora yakeen tha ki log uss scene pe thukenge humpe…”
On Day 3 of WAVES 2025, Aamir Khan conducted a one-hour-plus-long masterclass on ‘The Art of Acting’. It got an incredible response and many aspiring actors learned how to be a better actor, that too from the perfectionist himself. Aamir also made it interesting by sharing anecdotes from his memorable films. One of the memorable moments was when he spoke about his much-loved film, Dil (1990).
Aamir said, “In Dil, my father’s name in the film is Hazari Prasad, played by Anupam Kher. In the climax, my character learns that his father did bad stuff for money. My character has to scold his father, saying, ‘Yeh kaunsi bhookh hai Hazari Prasad?’. My upbringing is such that I have never angrily addressed my father angrily as ‘Tahir Hussain’ (laughs). We were never taught to speak to our parents in such a manner. Aapka tone ek level ke oopar nahin ja sakta. Even if I am angry with my father, I’ll stay silent. But in the film, I have to scold and even challenge him.”
Aamir Khan continued, “I told Indu (Indra Kumar) about it. I asked, ‘I’ll call him Papa or Daddy. Why would I address him as Hazari Prasad?’. This was difficult for me to understand but it was the requirement of mainstream cinema. Somehow, I did the shoot. Maine bahut bura kiya hai scene (smiles).”
He added, “When I was new, my sensibility was different. And the sensibility of mainstream cinema was such that I was not ready for it. I was too raw and I didn’t know how to navigate. I learned a lot from that process. As an actor, when you feel discomforted and you have no choice but to go for it, it can disturb you. However, that process of doing something which you don’t believe in teaches you a lot actually.”
Aamir Khan also said, “There was another scene in Dil where I arrive at Madhuri Dixit’s place, enter her room and lock it from inside, Saeed Jaffrey, who is Madhuri’s father, is standing outside while I break a chair, set it on fire aur Madhuri aur main agni ke saat chakkar lete hai. This is how I get married while the father stands outside helpless.”
Aamir raised laughs as he exulted, “I have a very logical mind. I asked Indu, ‘Agreed that he took seven pheras. But there are no witnesses to it. And why is Saeed Jaffrey panicking? He knows that ultimately darwaza toh kholne hi waale hai. He can always say that he wouldn’t accept the marriage’. Indu took 3-4 hours to convince me. He told me, ‘Audience logic nahin sochne waali’. I was like, ‘Why wouldn’t they? They are quite smart’!”
Aamir confessed, “Nevertheless, I shot for it. Then, I went to witness the audience reaction in Gaiety-Galaxy after the film was released. I was shocked to see people going crazy and whistling on that scene! Mujhe poora yakeen tha ki log uss scene pe thukenge humpe. They’d say, ‘Tum log kuch bhi illogical cheez dikha rahe ho’. That day, I learned that technical and legal logic is on one side and emotional logic on the other; the latter goes above everyone else. If you are able to take the audience on an emotional journey, then they react emotionally to your scenes.”
Also Read: WAVES 2025: Aamir Khan shares his MASSIVE vision – An Indo-China film starring an Indian star and Chinese star: “It will appeal to HALF the population on Earth”
read moreRadhikka Madan turns 30 with a splashy pool party and a style statement, watch
Radhikka Madan, one of the most substantial actresses of Indian cinema, recently celebrated her birthday on May 1. She has now taken to her social media to offer a peek into her birthday bash, loaded with a fun pool party, laughter-filled moments with family and friends, scrumptious cake, and an unmissable blooper! Besides this, you wouldn’t want to miss out on Radhikka’s red-hot birthday outfit!
The actress donned a sleeveless red mini dress, featuring a netted effect at the waistline, and a knotted detail just below that. She elevated the outfit’s appeal by topping it off with a rose choker piece, throwing sass like confetti! Sharing the video, Radhikka Madan captioned her post, “Not sure if I got wiser, but I definitely got better at throwing parties. Thank you for all the lovely wishes.”
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Meanwhile, on the work front, Radhikka Madan has made some of the most unconventional choices throughout her filmography. The actress has delivered genre-defying roles in films like Pataakha, Angrezi Medium, Shiddat, and more, proving to be a standout among her contemporaries. Now, her fans are eager to see what she has in store for her future endeavours.
Also Read: Happy Birthday Radhikka Madan: 5 saree looks that blend tradition with modern elegance
read moreShreya Ghoshal’s sold-out Mumbai concert gets extra seats; deets inside!
Music lovers, rejoice! Following an extraordinary wave of love and an overwhelming response from fans, extra tickets have been released for the much-awaited All Hearts Tour by India’s biggest female singer of this generation, Shreya Ghoshal. The Mumbai concert, scheduled for 10th May, is already creating waves, with fans across the city and beyond eager to experience her soulful voice live.
The announcement came directly from the artist’s official social media handles with a heartfelt message: "Exciting news, Mumbai! Due to your incredible love and demand, we've added extra tickets for the All Hearts Tour on 10th May! Can't wait to sing with you all – let's make it a night to remember."
Shreya Ghoshal, known for her impeccable vocal range, deep emotional connection with her audience, and a repertoire that spans over two decades, continues to reign as one of the most beloved voices of the Indian music industry. From soulful ballads to energetic chartbusters, her live performances are nothing short of magical.
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The Mumbai leg of the tour promises to be a musical spectacle — a night brimming with melody, nostalgia, and collective celebration. With the additional seats now available, fans have a renewed chance to be part of this unforgettable evening. This is more than just a concert; it’s a celebration of music, emotion, and the timeless voice that unites hearts.
Also Read: Shreya Ghoshal to grace inaugural stage of WAVE Summit with Bengali tribute
read moreShah Rukh Khan quietly lands in New York amid rumours of Met Gala debut
The anticipation for the 2025 Met Gala, set to unfold on May 5 at New York’s Metropolitan Museum of Art, has reached fever pitch with the arrival of Bollywood superstar Shah Rukh Khan in the city. Known as “King Khan” to millions of fans worldwide, the actor’s low-key entrance at John F. Kennedy International Airport has sparked widespread excitement, fueling speculation about his much-anticipated debut at the prestigious fashion event. Social media platforms are abuzz with photos and videos capturing the moment, showcasing Khan’s signature humility and charm.
Shah Rukh Khan’s Subtle Arrival in New York Amid Rumours of Making Debut at Met Gala 2025 Unlike the typical fanfare that accompanies global icons, Shah Rukh Khan’s arrival in New York was strikingly understated. Accompanied solely by his longtime manager, Pooja Dadlani, Khan was spotted exiting the airport terminal dressed in a casual yet stylish ensemble—a white T-shirt, grey hoodie, and baggy cargo jeans. Carrying his own luggage, the actor’s grounded demeanor stood in stark contrast to the larger-than-life persona that has made him one of the world’s most recognized celebrities.
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For the unversed, Shah Rukh Khan’s rumored appearance at the Met Gala 2025 marks a significant milestone, as he is poised to become the first Indian male actor to walk the event’s iconic red carpet. The speculation began when Pooja Dadlani liked an Instagram post by Diet Sabya hinting at Khan’s participation, describing a collaboration between “the greatest Bollywood superstar” and “the biggest designer of our generation.” Reports suggest Khan will don a custom-designed ensemble by celebrated Indian couturier Sabyasachi, a pairing that promises to blend cinematic charisma with high fashion.
Also Read: WAVES 2025: Exhibitor Sushil Chaudhary responds to Shah Rukh Khan, Aamir Khan’s call for cheaper cinemas; speaks about Pathaan, Gadar 2, and Jawan’s success in remote regions
read moreSanjay Dutt pays emotional tribute to mother Nargis on her 44th death anniversary
On the 44th death anniversary of legendary actress Nargis Dutt, her son, Bollywood actor Sanjay Dutt, shared a heartfelt tribute that resonated deeply with fans and admirers across the globe. Taking to Instagram, Sanjay posted a series of monochrome photographs capturing cherished moments from his childhood with his parents, Nargis and Sunil Dutt, accompanied by an emotional message: “You may not be here, but your love never left, Miss you everyday Maa.”
The poignant post featured tender glimpses of a young Sanjay with his iconic family, including a radiant Nargis holding books and smiling brightly, and a family portrait with Sunil Dutt carrying their toddler son. The images evoked nostalgia, reflecting the warmth and love that defined the Dutt household. Fans flooded the comments section with love and admiration, with Sanjay’s daughter Trishala Dutt leaving pink heart emojis. One fan wrote, “Legends in one frame,” while another hailed the “legendary Dutt saab and family.”
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Nargis Dutt, revered as one of Indian cinema’s finest actresses, passed away on May 3, 1981, at the age of 51, just three days before the release of Sanjay’s debut film, Rocky. Her death from pancreatic cancer was a profound loss, not only for her family but for the entire film industry. The timing added a bittersweet note to Sanjay’s entry into Bollywood, with a seat kept vacant for Nargis at the Rocky premiere as a tribute to her enduring presence.
On the professional front, Sanjay Dutt is currently seen in his latest release, The Bhootnii. The horror-comedy, directed by Siddhant Sachdev, hit theatres on May 1, 2025. The film features Sanjay as a quirky ghost hunter alongside Palak Tiwari, Mouni Roy, and Sunny Singh. Sanjay is also gearing up for Housefull 5, set to release on June 6, 2025, and Baaghi 4 with Tiger Shroff.
Also Read: Ameesha Patel on Sanjay Dutt’s special gift to her, “The Dutts gifted us the Gita and the Quran after their children were born”
read more30,000+ Fans, Goosebumps Galore: Rockstar-Dil Se reunion creates a FRENZY at A R Rahman’s ‘The Wonderment Tour’; Dhanush’s SUDDEN, surprise entry and performance leaves fans amazed
As part of WAVES 2025, A R Rahman kicked off his stunning music concert called ‘The Wonderment Tour’ on May 3 at D Y Patil Stadium near Mumbai. More than 30,000 to 35,000 fans were present and were mesmerized by the performances and songs belted out by A R Rahman, Jonita Gandhi, Neeti Mohan and others. Bollywood Hungama was present at the concert and in this article, we shall give readers an overview of what happened at this memorable music show.
A R Rahman appeared on stage at around 6:50 pm and began the show by performing on ‘Jai Ho’ from Slumdog Millionaire. Soon, Jonita joined her on stage and they performed on ‘Muqabla’ (Humse Hai Muqabala; 1994). Rahman also performed solo on ‘Urvasi’, which is also from the same film. Some of the other songs sung by the team were ‘Tere Bina’ and ‘Barso Re’ (Guru; 2007), ‘Enna Sona’ (OK Jaanu; 2017), ‘Vida Karo’ (Amar Singh Chamkila; 2024), ‘Rehna Tu’ (Delhi-6; 2009), ‘Kahin Aag Lage’ (Taal; 1999), ‘Satrangi Re’ and ‘Dil Se Re’ (Dil Se; 1998), etc. During the performance of ‘Tu Hi Re’ (Bombay; 1994), fans were encouraged to switch on their flashlights.
Zanai Bhosle came on stage and an audio of her legendary grandmother Asha Bhosle was played. In the voice note, Asha Bhosle requested fans to give the same amount of love to her granddaughter that has been showered on her. She performed on ‘Rangeela Re’ (Rangeela; 1995) and got a lot of appreciation.
A R Rahman’s The Wonderment Tour concert: Zanai Bhosle introduced on stage with an audio recording of her legendary grandmother @ashabhosle @ZanaiBhosle @arrahman pic.twitter.com/6yq2DbuEcd — Fenil Seta (@fenil_seta) May 4, 2025
A R Rahman then introduced Sukhwinder Singh, calling him a legend. Sukhwinder, in return, said, “A R Rahman is not my Godfather. He is my ‘God friend’!” There was a frenzy as spectators knew that the energy levels would now go high. And as expected, the singer set the stage on fire as he sang ‘Ramta Jogi’ (Taal). Both the legends performed on the song ‘Jinguchaa’ from Mani Ratnam’s upcoming film Thug Life. The excitement dipped as many were not aware of the track. Nevertheless, fans continued to enjoy the experience.
A surprise entry was that of Mohit Chauhan. He sang ‘Sadda Haq’ from Rockstar (2011) and also joined A R Rahman in performing on the crowd favourite, ‘Kun Faya Kun’ from the same film. Mohit also crooned ‘Ishq Mitaaye’ from Amar Singh Chamkila.
The crowd then couldn’t believe their eyes when none other than Dhanush suddenly walked onto the stage. He and A R Rahman then sang ‘Adangaatha Asuran’ from Raayan. It was the only non-Hindi track sung by the artists at the concert and it got a fine response.
Crowd goes crazy during A R Rahman’s ‘The Wonderment Tour’ concert as @arrahman and #SukhwinderSingh sing 'Chaiyya Chaiyya' from #DilSe pic.twitter.com/2xhcX0RQo2 — Fenil Seta (@fenil_seta) May 4, 2025
Throughout the concert, fans kept demanding for ‘Chaiyya Chaiyya’ and A R Rahman saved the best from the last. The moment a female singer began by singing ‘Jinke sar ho ishq ki chaao’, the craze was seen to be believed. Sukhwinder Singh once again came on stage and rocked the show with his performance.
And that’s not all. The Oscar-winning music maestro ended the show on a patriotic note by singing ‘Vande Mataram’. It was truly a goosebumps experience for every spectator present in the stadium.
A R Rahman’s ‘The Wonderment Tour’ concert: @arrahman ends his UNFORGETTABLE show with 'Vande Mataram'; goosebumps galore... pic.twitter.com/ljskOqFEXR — Fenil Seta (@fenil_seta) May 4, 2025
The concert was not without its share of blemishes. The graphics on the screen, during some songs, were like a 90s wedding video. Some also complained that A R Rahman’s mic quality was not up to the mark. Hence, whenever he spoke to the fans, a few of his words were not entirely audible. Thankfully, these were minor complaints and overall, the experience was truly fantastic.
Also Read: Did A R Rahman take a dig at Ranveer Allahbadia’s controversy at Chhaava music launch? Music composer quips, “In the past week, we saw what all happened when the mouth opened”
read moreWAVES 2025: Siddharth Roy Kapur says, "Entertainment can contribute far more to India’s GDP than it already has"
Ace producer Siddharth Roy Kapur recently participated in the WAVES 2025, a landmark initiative by the Ministry of Information and Broadcasting that brought together key voices from across the Indian and global entertainment landscape.
At the summit, an impactful panel discussion unfolded around the theme of storytelling in a digital-first world. The panel featured some of the industry’s most influential names, including Tanya Bami (Series Head, Netflix India), Guneet Monga Kapoor (Producer, Sikhya Entertainment), Ruchikaa Kapoor Sheikh (Director, Original Films, Netflix India), Michael Lehmann (international film and TV director, screenwriter, and producer), Siddharth Roy Kapur (Founder, Roy Kapur Films), and Supriya Yarlagadda (CEO & Executive Director, Annapurna Studios).
The conversation explored how streaming platforms have disrupted traditional storytelling, allowing creators to break free from long-held conventions. From experimenting with new genres to telling hyper-local stories with global resonance, the panelists emphasized how today’s content is increasingly being shaped by bold, distinct voices.
Speaking about the significance of the WAVES initiative, Siddharth Roy Kapur shared, "I think it’s really wonderful that the government has thought of doing this because it’s so important for the entertainment industry to have a platform like this—to showcase what we’re capable of. Like the Prime Minister said yesterday, the idea is for entertainment to contribute much more than we already have to the GDP of our country, and we’re hoping that WAVES gives us that platform. I think it’s a wonderful initiative, and I’m hoping that from this year onward, we build on it year after year."
Siddharth Roy Kapur's words struck a chord with many in the room, reinforcing the vital role entertainment can play not just culturally, but also economically. With forums like WAVES, the industry seems poised to step into its next era of global influence and innovation.
Also Read: WAVES 2025: Maharashtra CM Devendra Fadnavis lauds Ranbir Kapoor-Sai Pallavi’s Ramayana for its “quality”
read moreWAVES 2025: Maharashtra CM Devendra Fadnavis lauds Ranbir Kapoor-Sai Pallavi’s Ramayana for its “quality”
Maharashtra Chief Minister Devendra Fadnavis has expressed his admiration for the upcoming cinematic adaptation of Ramayana, starring Ranbir Kapoor and Sai Pallavi. Speaking at the ongoing WAVES 2025 event in Mumbai, Fadnavis praised the film’s exceptional quality, as highlighted in a viral video circulating on social media. The chief minister’s endorsement has added to the growing anticipation for the two-part epic, directed by Nitesh Tiwari, set to release during Diwali 2026 and 2027 respectively.
In the video, Fadnavis is seen engaging in a conversation with writer-producer Namit Malhotra, a key figure behind the project through Prime Focus Studios. “I was amazed to see the quality of Ramayana which was being created,” Fadnavis remarked. He emphasized the film’s potential to blend India’s ancient storytelling traditions with cutting-edge technology, stating, “Our art, drama, and music are very old, and we only wanted to couple it up with the latest technology, and I think that’s what you are doing.”
Ramayana, one of the most ambitious projects in Indian cinema, boasts a stellar cast, with Ranbir Kapoor portraying Lord Ram, Sai Pallavi as Sita, Yash as Raavan, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. The film, backed by a reported budget of Rs. 835 crores for its first part, aims to deliver a visually spectacular retelling of the Hindu epic. The production has garnered attention for its meticulous approach, with 600 days dedicated to post-production to ensure unparalleled visuals.
The Chief Minister’s praise comes at a time when Ramayana is generating significant buzz. Recently, Prime Minister Narendra Modi also viewed a glimpse of the film and expressed amazement at its visual quality, further elevating its profile. However, the project has faced challenges, including concerns about audience fatigue with Ramayana-based films following the critical and commercial underperformance of movies like Adipurush and Singham Again. Industry analysts suggest that Tiwari’s adaptation must resonate deeply with audiences to overcome this hurdle.
Directed by Nitesh Tiwari, known for hits like Dangal, Ramayana is envisioned as a global spectacle. Producer Namit Malhotra, whose credits include Hollywood blockbusters like Dune and Inception, has stated the film’s mission to present an authentic and culturally resonant adaptation. “More than a decade ago, I embarked on a noble quest to bring this epic that has ruled billions of hearts for over 5,000 years to the big screen,” Malhotra said in a statement.
The film’s first poster, unveiled in November 2024, confirmed its release timeline, with Ramayana: Part 1 slated for Diwali 2026 and Ramayana: Part 2 for Diwali 2027. Despite earlier leaks of set photos featuring Ranbir and Sai Pallavi, the makers have since tightened security.
Also Read: WAVES 2025: Bhumi Pednekar hopes that Ranbir Kapoor-Sai Pallavi-Yash starrer Ramayana can be a game-changer: “It’ll be a visual spectacle; will bring a lot of business to our country”
read moreWAVES 2025: Ektaa R Kapoor unveils Madhya Pradesh 2.0 Film Policy; draws parrelles with Spain
Emmy-winning producer and content pioneer Ektaa R Kapoor launched the revamped Madhya Pradesh 2.0 Film Policy at the prestigious WAVES 2025, reinforcing the state's commitment to becoming a premier shooting destination in India.
Speaking at the summit, Kapoor praised Madhya Pradesh’s cinematic potential, stating, "From what we could see, Madhya Pradesh is the visuals, the heritage, the legacy — sorted." She highlighted the need for financial facilitation to attract large-scale productions, adding, "They've just launched a great policy. What they would need now is some kind of financial ease to the makers so they can support large-scale productions, which will not only boost the state’s economy but also make it easier for filmmakers to shoot there."
Drawing parallels with international shooting hubs, Kapoor cited Spain’s dominance due to attractive rebates and ease of work. “Spain has taken over most of the shooting, because of the ease of working and the rebates offered. So, these would be the two things: a one-stop-shop policy and, of course, financial help in the form of a rebate," she said.
The new policies aim to position Madhya Pradesh as a hub not just for traditional filmmaking, but also for emerging sectors like gaming, animation, and VFX — industries that are rapidly expanding and contributing to India's digital economy.
With its architectural richness, historical significance, and now a forward-looking production policy, Madhya Pradesh 2.0 is poised to be a major player on both the Indian and global entertainment maps.
Also Read: WAVES 2025: Exhibitor Sushil Chaudhary responds to Shah Rukh Khan, Aamir Khan’s call for cheaper cinemas; speaks about Pathaan, Gadar 2, and Jawan’s success in remote regions
read moreEXCLUSIVE: “Mawra Hocane used to cry at any given cue during Sanam Teri Kasam shoot,” reveals Shaan Groverr
Shaan Groverr was recently seen in the third season of his web show Dus June Ki Raat, which also starred Tusshar Kapoor. Last week, Bollywood Hungama was the first to report that Harman Baweja’s next web project Jagdalpur will also star him. But despite being an actor, Shaan was once thinking of becoming a director. In fact, he was the AD (assistant director) on the sets of Radhika Rao and Vinay Sapru’s much loved Sanam Teri Kasam, which starred Harshvardhan Rane and Mawra Hocane.
“It was one of the best experiences of my life,” said Shaan in an exclusive chat with Bollywood Hungama. “I was just 19 years old. To be honest, I was at a stage where I didn’t know what to do with my life. I was studying Econimics, I was a theatre kid. I was also a filmi kid but never really knew what to do. I also used to get thoughts about becoming a filmmaker but I didn’t know how to go about it.”
He added, “I took Sanam Teri Kasam as a learning experience. I understood that I can spend my entire life on a film set. What if I didn’t like the experience? I was open to going back to Delhi and starting my own business or something. But it was only after this experience that I realized that I should stay here all my life, no matter how much time does it take for me to become a great filmmaker or a great actor.”
It was during his stint with Sanam Teri Kasam that people advised him to become an actor. “Whether it’s Harsh bhai or Mawra or director or Shanoo ma’am (Shanoo Sharma, casting director), etc. Some really great people came into my life and they told me that you are not a director, you are an actor. So, I thought let’s try acting. I never thought of becoming an actor,” he said.
Shaan was impressed with Harshvardhan’s commitment towards fitness during the shoot. “I saw him work so hard every day,” he said. “He used to work out, he had dumbbells. Every time he was free between shots, he would do crunches. I would just be in awe that how could he be working so hard on his physique, which is so important as an actor.”
As far as Mawra is concerned, Shaan was stunned to see her natural acting abilities. “The way she used to (naturally) cry during the scenes was also something I was really in awe of. She was so good as an actor that she used to cry at any cue given at any time, which is so great. More often than not, I always say that the film was all about her character. Apart from chit-chatting with Mawra, I also used to have lunch with her on most days. She used to see me running all around and she used to offer me dry fruits. That’s a vivid memory that I have. I really shared a great bond with them. I think I was the only AD they were comfortable and open with,” he said.
Sanam Teri Kasam re-released earlier this year and became a runaway success. “I don’t think anybody would have expected this, to be honest,” said Shaan. “We knew that the movie is re-releasing like every other film. But its music, the cult status that it got played its magic, I feel. Every couple, every girl must have gone for the film because of that.”
Also Read: Hania Aamir, Mawra Hocane, Farhan Saeed and other Pakistani artists express condolences for Pahalgam victims
read moreWAVES 2025: Exhibitor Sushil Chaudhary responds to Shah Rukh Khan, Aamir Khan's call for cheaper cinemas; speaks about Pathaan, Gadar 2, and Jawan's success in remote regions
Days after superstars Shah Rukh Khan and Aamir Khan suggested building more theatres and offering cheaper ticket rates to the audience, new age exhibitor Sushil Chaudhary says the Indian theatrical ecosystem can be revived by focusing on making cinemas more "accessible and affordable," like what he does with his mobile digital movie theatre company, PictureTime. At the ongoing WAVES 2025, Chaudhary was part of the panel discussion 'Decline in the Theatrical Industry and Sparse Cinema Distribution', where he reflected on the need to mount more cinemas and how he runs a model of setting up inflatable theatres in remote regions, where people have no access to movies.
"I was happy to hear what Shah Rukh said regarding the need for more cinemas and cheaper tickets. Cinema is all about affordability, accessibility, and entertainment. After roti, kapda, makaan, cinema is the basic need. When we build our cinema, the focus is on keeping the capital cost under RS 1 crore and operational cost under RS 2 lakhs," Chaudhary, founder & CEO of Picturetime, said.
Chaudhary revealed how he innovatively screened Kabir Khan's 83 in Ladakh during the pandemic, drawing audiences despite 50% occupancy limits. Similarly, in Bommidi, a small town in Tamil Nadu, he set up a screen showcasing Vikram's Veera Dheera Sooran, which now boasts over 56% occupancy, highlighting the enduring appeal of cinema.
"Movies like Pathaan, Gadar 2 and Jawan did very well on our screens in remote regions. Especially Gadar 2, which wasn't promoted that much, but we had more than Rs 5 lakh collection every week from a 140-seater screen. The audience is willing to come. Like in Telangana's Asifabad, which didn't have a cinema hall for over three decades, we installed one during SS Rajamouli's RRR, and today the average occupancy there is 30 percent. As Shah Rukh said, we need cheaper cinemas so that people can access our films. Disruption can happen then," he added.
During the panel discussion, which was hosted by actor-filmmaker Vivek Vaswani, Chaudhary also highlighted the need for "clever programming" and answered why exhibitors often screen old films or are eager to showcase a re-release movie.
"The reason cinema hall owners like us screen old films is that the current distribution system is dated. We are forced to run one movie under multiple conditions, even if the film is not attracting the audience. So, clever programming is an answer. We re-release old films to optimise revenue. In interiors, I have seen that viewers watch a film as many as 40 times. Are we catering to them?
"Between 80s and 90s, we had 18,000 cinema screens and 21,000 were running licenses, but then there was a decline. Filmmakers also need to address how to avoid piracy, because every year we lose 3 billion dollars due to piracy. The big issues remain accessibility, affordability and outreach," he added.
Also Read: WAVES 2025: Ektaa R Kapoor talks about the balance of culture and universal appeal in Indian content: “The more rooted you are, the more relatability”
read moreNawazuddin Siddiqui DEFENDS Salman Khan over Sikandar's underwhelming box office performance: “If the directors don’t work properly, we can’t blame the superstars”
While promoting his upcoming film Costao on Lallantop’s YouTube channel, actor Nawazuddin Siddiqui offered a strong defense of Salman Khan amid conversations around the underwhelming performance of Sikandar at the box office. Nawazuddin, who has worked with Salman in Bajrangi Bhaijaan, suggested that box office success or failure cannot be pinned on the lead actor alone, and stressed the importance of collective effort in filmmaking.
“The onus should not solely fall on Bhai (Salman Khan); the makers should work harder to give the film that essence and quality,” Nawazuddin stated during the interview. “He is putting everything on the plate for you, but if the directors don’t work properly, we can’t put the entire blame on the superstars. It is a collaborative art, not a painting that you make alone at home.”
The actor acknowledged the unique position that superstars like Salman occupy in the industry, noting that their presence adds immense value to a film. “The specialty of a superstar lies in their ability to turn a normal film into a big attraction, whether it has that essence or not. When someone like Salman Khan signs up to do a movie, the director’s responsibility increases because he is bringing you all these fans on a platter,” he said.
Reflecting on his own experience working with the superstar, Nawaz spoke fondly about their time on Bajrangi Bhaijaan. Calling Salman a “faraakh-dil” (large-hearted) person, he praised the actor for being generous and collaborative on set. “I have always enjoyed working with him because he is very passionate about his work and is also a very giving actor. During Bajrangi Bhaijaan, he used to give me his line during the scene and say, ‘Tu bol yeh dialogue,’ and this is not just something he did for me, but he is like this for everyone.”
Coming back to the work front, as mentioned above, Nawaz is currently busy promoting Costao, which started streaming on Zee5 from May 1.
Also Read: EXCLUSIVE: Nawazuddin Siddiqui spent time with real Costao Fernandes to prepare for his role in Costao: “He made it a point to meet him just before shooting”
read moreRhea Chakraborty launches Freedom campaign for her brand Chapter 2: "Wearing our scars proudly we walk into the sunset"
Rhea Chakraborty is embracing a fresh start—one filled with purpose, creativity, and personal expression. Marking a new beginning in her journey, she recently launched her own clothing brand called Chapter 2. The brand represents a story of renewal and reinvention, where fashion meets meaning. With this venture, Rhea is carving out a space that celebrates individuality, authenticity, and the beauty of starting over.
She recently took to Instagram to share a campaign image alongside her brother, Showik Chakraborty, for Chapter 2’s latest drop titled Freedom. The caption read, “There is a crack, a crack, in everything. That’s how the light gets in. Rebuilding with you by my side has been everything. You make the darkest days feel like sunshine. Wearing our scars proudly we walk into the sunset! @showikk let’s do this #chapter2.” The campaign highlights the bond between the siblings and the message of standing strong together while embracing one’s journey.
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The post continued, “Freedom by @chapter2drip is an initiative for everyone to define their own freedom. Coming soon… My freedom looks like this … What’s yours? Let me know in comments below.” With Chapter 2, Rhea is not only stepping into the world of fashion but also encouraging others to own their stories, express themselves freely, and define what freedom means to them. The brand is a celebration of individuality and the courage to begin again.
Also Read: Rhea Chakraborty celebrates fresh start with brother in uplifting post: “Chapter2 begins now”
read moreWAVES 2025: Ektaa R Kapoor talks about the balance of culture and universal appeal in Indian content: “The more rooted you are, the more relatability”
Producer Ektaa R Kapoor spoke at the Waves Summit 2025 this weekend, discussing the changing landscape of Indian storytelling and its growing global reach.
During a chat, Ektaa was asked how Indian stories are striking a balance between being deeply rooted in culture and universally relatable—especially in a world where content crosses borders with a click. The moderator also referenced her earlier views, noting, “You used to say earlier that if it crosses your rover…”
Kapoor, known for revolutionizing Indian television and pushing the envelope in digital storytelling, responded with her trademark clarity. “I think it's all about rootedness, because the more rooted you are, the more relatability.”
She elaborated on how stories across the globe—whether a Korean drama, a Hollywood blockbuster, or a Marvel epic—are ultimately watched because they connect on an emotional level.
She elaborated on how stories across the globe—whether a Korean drama, a Hollywood blockbuster, or a Marvel epic—are ultimately watched because they connect on an emotional level. “You won’t watch something if it’s not relatable to you,” she added. “No one is going to the theatre or opening an app just like that—you’re either paying money or giving your time. It has to be worth it. And that worth comes from relatability.”
Kapoor emphasized that emotions are the great equalizer across cultures. “Euphoria, tragedy, love, romance, pain, passion—these are universal. We are more like each other than different, because we all are human. And the more you humanize your content, the more it resonates. That’s how stories travel.”
The audience, comprising creators, technologists, and cultural thought leaders, responded with applause to Kapoor’s view that the Indian storytelling DNA need not dilute its identity to appeal globally—in fact, its strength lies in its authenticity.
From the streets of small-town India to international streaming charts, Ektaa R Kapoor’s career has been a testament to that very idea.
Also Read : Ektaa R Kapoor highlights the power of global storytelling at WAVES 2025; says, “People do not see language as a barrier”
read moreViineet Kumar Siingh on 12 years of Bombay Talkies, “That story was very useful to me as an actor”
The anthology Bombay Talkies completed 12 years today. The film had four short segments out of which one was Murabba. Directed by Anurag Kashyap, it starred Viineet Kumar Siingh in the lead. On the film’s anniversary, Viineet spoke about the film in an interview with us.
Bombay Talkies has completed 12 years. Your performance in the omnibus is still talked about
I am so happy. I did not even realize that 12 years have gone by. It was a very good experience in Bombay Talkies. The story in which I worked was Murabba. The character's name was Vijay and it was amazing. It was about the task given by the father of that character played by Sudhir Pandeyji, ‘You go and feed the murabba to the superstar of the century Amitabh Bachchan sir and then my health will be fine.’ That boy, my character Vijay comes to Mumbai from Prayagraj to feed the jam to Amitabh Bachchan sir with his own hands.
Your character had a brilliant graph
Yes, in that whole process the way a character evolves in Mumbai, from coming to feeding the jam and back… In the journey between leaving and reaching his father back home, he understands life. He understands that he was living in some other world and perhaps this was his father's intention that his son should evolve and understand life on his own. So, in the whole effort and struggle to feed Bachchan saab a murabba, he saw and lived so much of life that it would be useful to him throughout his life.
Did the story help you evolve?
That story was very useful to me as an actor. I had a lot of fun and I consider myself fortunate because I was part of film for the celebration and tribute to 100 years of Indian cinema. Bombay Talkies was made for this purpose and four very good directors directed four stories - Karan Johar sir, Zoya Akhtar, Dibakar Banerjee and Anurag Kashyap sir. I got to work with Anurag sir. This character Vijay was something new for me, sir. It was something that I am not in my personal life and most of the scenes were improvised, meaning they were hardly written in four pages.
You shot most of the film outside Mr Bachchan’s bungalow
It literally used to happen impromptu. The guards outside Bachchan sahab's bungalow were also not informed and I was left alone to behave like a fan. A random talk would start, then the guards would be told about the purpose of my visit. It seemed as if someone has actually come who insists on feeding Bachchan sir jam, so that entire scene is the first take, so even the guards did not know that this was going to happen and it was planned, so that the scene kept getting improvised and all the scenes that came after that also kept being improvised, talking to a random taxi driver, talking to a random stranger, asking him, so there are a lot of moments like this in that film.
So much improvisation must have helped you evolve as an actor
It helped me a lot as an actor; now improvising feels like it makes the process of acting beautiful, that some things are planned and some things are unplanned. And when both are mixed it becomes beautiful. So, it was a very good experience and that story is liked and even now people send its clips, some of its clips keep going viral every now and then, so I am so happy today. 12 years have been completed and thank you so much sir. Thank you, it is a big thing that you remembered me for this thing. It is a big thing for an artist to do some work and if the connoisseurs remember that character, then it is a happiness which lasts a lifetime. The money that we earn while working gets spent but this appreciation keeps increasing with time, so that's the beauty of good work. Thank you so much sir. I want to share one more thing.
Tell me?
Working with Amitabh Bachchan sir, sharing the screen is in itself every actor's dream. Before that, before Bombay Talkies, in 2005, I had done Viruddh as an assistant director, so I was on the floor with Bachchan sir for about 55-60 days. I was an AD, so after some eight years, when the time for screen sharing with him came, it seemed that whatever happens in life, it's happening for a reason. One more thing was special for me: Rajeev Ravi who is the cameraman, this was my second film with Rajiv sir. Before this, I had worked with Rajiv sir in Gangs of Wasseypur. Murabba was shot in a different way, mostly as I told you, things were being improvised, random things were happening. I did not even know from where the camera would capture me. All this was a lot of new learning experience for me.
Also Read: Dibakar Banerjee on 12 Years of Bombay Talkies, “It all started with my hero Satyajit Ray”
read moreAnushka Sen makes her comeback with Hai Junoon after Kill Dill, trailer out now
Anushka Sen is steadily building a presence not just in India but on the global stage. She recently earned praise for her performance in Kill Dill, and now she's gearing up for her next project, Hai Junoon. The trailer has just been released, offering a glimpse of an intense dance drama with high energy and emotional stakes.
Taking to her social media, Anushka Sen shared the trailer of Hai Junoon. While announcing it, the actress wrote the caption, “While Natasha gears up to join Andersons next year...here's your exclusive sneak peek into all the madness already unfolding on campus! The Hai Junoon trailer is OUT NOW - and trust us, this is just the beginning.”
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Moreover, Anushka Sen commands an impressive digital presence, with a following of over 50 million across various social media platforms — a testament to her widespread popularity and strong connection with fans. Her journey is marked by notable achievements that underscore her versatility and dedication as a performer. While she continues to be a household name in India, Anushka is also making significant strides internationally.
She is currently representing India in the ambitious Korean project Asia, as well as its spin-off series Crush. Her involvement in these projects not only highlights her growing global appeal but also reflects the increasing recognition of Indian talent on international platforms.
Also Read : Anushka Sen channels K-Drama vibes in dreamy South Korea photoshoot; watch
read moreWAVES 2025: Vikrant Massey credits state subsidies, audience relatability for surge in small-town films; says, “What was alternative 15 years ago is mainstream today”
Vikrant Massey was part of a panel discussion titled The Changing Face of Indian Cinema at the ongoing WAVES 2025 in Mumbai. Sharing the stage with filmmaker Om Raut, actress Sonali Kulkarni, and actor Ravi Mohan, Massey offered a grounded perspective on why small-town narratives are resonating more deeply with audiences today.
Reflecting on the shift in storytelling patterns within Hindi cinema, the 12th Fail actor pointed to changing audience preferences, exposure to global content, and a move toward realism. “Cinema, a few years ago, was an experience for a layman—to see machismo, larger than life, one man beating up 20 people. We all have grown up watching it, and we still watch it. But a large chunk also goes to our exposure to international cinema and a certain sense of pragmatism even in storytelling,” he said.
Massey credited earlier films like Dum Laga Ke Haisha for paving the way, while acknowledging how the so-called "alternative" genre has now entered the mainstream. “Today, what I feel is that what was alternative 15 years ago is mainstream today. I can never imagine a film like 12th Fail or Trapped to be commercially successful back then,” he noted. He also highlighted how relatability plays a key role in the rise of such narratives. “Most of the people I have met here have told me ‘Thank you for 12th Fail, this is our story.’ When they see themselves or someone alike on the screens, there is a sense of hope which is still there within us,” he said.
In addition to audience-driven change, Massey brought attention to the practical aspects that encourage filmmakers to explore small-town settings—particularly government incentives. “Why are most of us also moving to smaller towns? Because of subsidies. Very straightforward answer this is! Jo state sarkaar hame achchi subsidy deti hai, achcha infrastructure deti hai, hum wahin jaate hai,” he said candidly. The actor cited Uttar Pradesh as an example, where the film policy provides a single-window clearance system and strong logistical support.
He added that cities like Delhi are now developing their own ecosystems: “Earlier, there was only one industry in Mumbai; now even Delhi has an industry. You will get all the equipment in Delhi, and overnight it will reach Lucknow.”
Quoting Prime Minister Narendra Modi's recent statement at the summit, Massey concluded, “In a nation of more than 140 crore, we have more than 100 crore stories, and we are tapping into those smaller stories, bigger stories, larger-than-life stories. I think it is just the beginning.”
Vikrant Massey is now gearing up for the release of Aankhon Ki Gustaakhiyan, which also marks the debut of Shanaya Kapoor. The film is slated to release in July this year.
Also Read: WAVES 2025: Kareena Kapoor Khan recalls Steven Spielberg recognising her from 3 Idiots; says, “I didn’t need to act in an English film for him to see me”
read moreHoney Singh drops high-energy party anthem ‘Laal Pari’ from Housefull 5; watch
After the teaser of Housefull 5 generated early buzz, producer Sajid Nadiadwala has released the film’s first song — “Laal Pari.” Set on a luxurious cruise, this upbeat party track adds to the film’s lively vibe.
Sung by the ever-popular Yo Yo Honey Singh and the dynamic Simar Kaur, ‘Laal Pari’ is composed by Honey Singh himself, with lyrics penned by him and Alfaaz. True to Honey Singh’s signature style, the track blends infectious beats with slick vocals, making it a guaranteed chartbuster and a must-add to your party playlist. The music is presented by T-Series.
The song brings back the iconic collaboration of Honey Singh and Akshay Kumar, amplified by stunning choreography from the ace Remo D’Souza. With a hookstep that’s already catching fire on social media, this track is poised to go viral.
Laal Pari showcases the sparkling chemistry of the film’s massive ensemble cast — Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chitrangada Singh, Chunky Pandey, Johnny Lever, Shreyas Talpade, Soundarya Sharma, Nikitin Dheer, and Akashdeep Sabir — making it a true visual and musical treat for fans.
Only a producer like Sajid Nadiadwala could unite such a massive and star-packed cast, pulling off a lineup this grand is no small feat today. Directed by Tarun Mansukhani, Housefull 5 takes audiences aboard a glamorous cruise for a laughter-packed ride filled with unexpected twists, rib-tickling comedy, and foot-tapping music.
Produced by Sajid Nadiadwala under the banner of Nadiadwala Grandson Entertainment, Housefull 5 hits cinemas worldwide on 6th June 2025.
Also Read : Raid 2 ‘Money Money’ song launch: Yo Yo Honey Singh reveals he made Ajay Devgn wait for 4 hours on sets of ‘Aata Majhi Satakli’: “Mujhe laga mujhe maar padne waali hai!”
read moreChaluve Gowda reveals Hombale Films' Oscar strategy for Kantara Chapter 1 at WAVES 2025
Chaluve Gowda, Co-founder of Hombale Films, attended the WAVES Summit 2025 (World Audio Visual & Entertainment Summit) in Mumbai. Organized by the Ministry of Information and Broadcasting, the event was inaugurated by Prime Minister Narendra Modi and focused on the growth, innovation, and international opportunities in India’s media and entertainment industry.
During a panel discussion with editor A. Sreekar Prasad (RRR) and Oscar committee member Ujwal Nirgudkar, Chaluve Gowda spoke about Hombale Films’ plans for international outreach. He shared that Kantara Chapter 1 is being developed with the Oscars in mind, signalling a step forward for the Kannada film industry in reaching global audiences.
He also emphasized the need for greater awareness and education around Oscar submissions, stating, “There’s clear gap in understanding the Oscar application and campaigning process. Workshops could empower more Indian creators to aim globally.”
Hombale Films, the powerhouse behind KGF, Kantara, and Salaar, also served as Associate partner for the WAVES Bazaar, a vibrant marketplace connecting global buyers and sellers at the summit. The initiative has emerged as one of the summit’s most successful platforms, encouraging valuable cross-border collaborations.
Also Read : WAVES 2025: Kareena Kapoor reveals why Jab We Met is one film she wants the world to watch; says, “I believe it will continue to connect with people worldwide”
read moreWAVES 2025: Kareena Kapoor Khan recalls Steven Spielberg recognising her from 3 Idiots; says, “I didn’t need to act in an English film for him to see me”
At the ongoing World Audio Visual and Entertainment Summit (WAVES) 2025 in Mumbai, actress Kareena Kapoor Khan opened up about her views on international stardom and why she never actively pursued Hollywood projects, unlike many of her contemporaries. Speaking at a panel titled Cinema – The Soft Power, moderated by filmmaker Karan Johar and featuring actor Vijay Deverakonda, Kareena reflected on the evolving landscape of Indian cinema and its growing global reach. When Johar asked why she hadn’t chased opportunities in the West, Kareena offered a characteristically candid response: “Chasing is not a part of my personality. If it has to happen, it will happen.”
The actress then recounted a personal encounter with legendary filmmaker Steven Spielberg that reinforced her confidence in the global appeal of Indian films — particularly 3 Idiots, in which she starred opposite Aamir Khan. “I was actually in a restaurant, I am travelling somewhere. Steven Spielberg was eating at the same restaurant,” she recalled. “This was many moons ago, when 3 Idiots had just released. He actually came up to me and told me, ‘Are you that girl who was in that very famous Indian film about three students?’ I said, ‘Yes, that's me.’ He said, ‘My god. I loved that movie.’ I didn’t need to act in an English film for him to see me.”
The anecdote drew attention to how Indian cinema, especially Hindi films, has found viewers across continents without the need for linguistic or geographic crossover. Kareena acknowledged that times are changing, and the possibility of working in an international project isn't entirely off the table: “Who knows, a Hindi-English film will happen. Even Steven Spielberg is watching our Hindi films. So, you never know.”
The WAVES 2025 Summit, jointly organised by the Information & Broadcasting Ministry and the Maharashtra government, aims to spotlight the cultural and economic significance of media and entertainment. The summit has drawn notable figures from across the country, including Rajinikanth, Shah Rukh Khan, Aamir Khan, Mohanlal, Chiranjeevi, Allu Arjun, and more!
Also Read: WAVES 2025: Kareena Kapoor reveals why Jab We Met is one film she wants the world to watch; says, “I believe it will continue to connect with people worldwide”
read moreDibakar Banerjee on 12 Years of Bombay Talkies, “It all started with my hero Satyajit Ray”
The anthology Bombay Talkies was released exactly 12 years ago on May 3, 2013, which marked 100 years of Indian Cinema. The film was an anthology of four short films, out of which Dibakar Banerjee made the segment Star starring Nawazuddin Siddiqui and Sadashiv Amrapurkar. On the film’s 12th anniversary, Banerjee spoke about the experience of being a part of the anthology in an interview with us.
Your segment entitled Star of the omnibus Bombay Talkies is recalled with much fondness I absolutely loved working with Nawazuddin, Shubhangi Bhujbal and all the other amazing Marathi stage and screen actors for this. That little girl must have grown up now! Also, Samreen Farooqi and Shabani Hassanwalia, my co-creators were the research and ideological force behind the story! I remember the amazing time I had with flautist Rakesh Chaurasia on the music.
What prompted you tackle this quirky story? It was based on a Satyajit Ray story. It all started with my hero Satyajit Ray. It paved the way for two three more such short films, all lots of fun.
I believe this was Sadashiv Amrapurkar’s last film? Working with him was beyond great. The chats we had, they had me in splits. He’d regale us with one funny story after another. The insights into the world of acting, Mumbai’s urban history and the role of theatre in it, informed the actual confrontation he and Nawaz had in the pre-climax. It was so elevating.
What attracted you the most to the story? The fascination of the quiet everyday man for the world of films and acting and Bollywood. And it’s connection to the repressed emotions that we all want to exhibit in front of the camera. Or use it to tell a story to our kid at bed time. We are the stories we tell.
Why don’t segmented stories work? I think segmented films are exceptions and will stay that way. The mainstream is one continuous narrative. Both are needed.
I think Star was your best work after Love Sex Dokha 1 No, my best work after LSD 1 is LSD 2. Then Tees. Then both my segments in Lust Stories and Ghost Stories portray a new style of storytelling and concerns. I think I’ve moved ahead from Star, thankfully!
Your next? I can’t reveal. NDAs (Non-Disclosure Agreements) signed.
read moreVijay Varma reflects on wrapping Matka King with emotional post: “Never been so immersed in a story”
Actor Vijay Varma has completed shooting for his upcoming series Matka King. He shared a post on Instagram with photos from the final day on set, reflecting on his experience and the bond he formed with the project.
“Matka King wrapped! Never been so immersed in a story/character for this long. It's been a great journey... You'll all get to witness it when it releases on @primevideoin. Big love to the entire crew. Missed you on the last day @nagraj_manjule sir,” wrote Vijay.
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Directed by the visionary Nagraj Manjule, Matka King explores the rise of a gambler in post-independence Mumbai and promises an intense, rooted narrative. Known for pushing boundaries with every project, Vijay’s portrayal is expected to bring both grit and soul to the screen.
From his breakout role in Gully Boy to notable performances in Darlings, Mirzapur, KaalKoot, and IC814, Vijay Varma has built a reputation for portraying diverse and well-crafted characters. His work across different genres has established him as a versatile actor in the industry.
Audiences have seen Vijay Varma take on a range of roles, from charming to unsettling. Whether it’s the complex Hamza in Darlings or the morally ambiguous characters he has portrayed in various projects, his performances often leave a lasting impression and generate discussion.
With Matka King and the romantic drama Gustaakh Ishq coming up, Vijay Varma is stepping into a new phase of his career, balancing wider audience appeal with strong storytelling.
Also Read : Vijay Varma and Radhika Apte’s LEAKED on-set video sparks buzz about upcoming project
read moreWAVES 2025: Kareena Kapoor reveals why Jab We Met is one film she wants the world to watch; says, “I believe it will continue to connect with people worldwide”
Jab We Met, starring Kareena Kapoor Khan and Shahid Kapoor, continues to be one of the most cherished films, capturing our hearts with its portrayal of romance and celebrating love in its purest form.
Even though years have passed since the film's release, the iconic characters of Kareena Kapoor’s Geet and Shahid Kapoor’s Aditya Kashyap continue to remain etched in the hearts and minds of Bollywood fans.
During a panel moderated by filmmaker Karan Johar at the ongoing WAVES 2025, Kareena discussed the enduring impact of Jab We Met and explained how the film beautifully captures the essence of a lively Punjabi girl.
She revealed the one film she would like the global audience to watch, saying, “I would say Jab We Met because somewhere it embodies the spirit of a young Indian girl, a young Punjabi girl, and every girl has this spark in her, that dream in her eyes. Also, the freedom to choose what she wanted…she has the right to… feel love, just as she wanted. I think it connected with everyone for a reason, and I believe it will continue to connect with people worldwide.”
The 2007 film, written and directed by Imtiaz Ali, tells the story of Aditya Kashyap (Shahid Kapoor), a heartbroken businessman who boards a train aimlessly after attending his ex-girlfriend's wedding. On the train, he encounters Geet Dhillon (Kareena Kapoor), a lively and impulsive girl who is planning to elope with her lover. As Aditya is drawn into her whirlwind life, he gradually falls in love with her, discovering a more joyful and adventurous way of living through her.
Geet was a bubbly, talkative, and free-spirited young woman, while Aditya was her complete opposite, quiet and reserved. The well-known saying "Opposites attract" perfectly fit their dynamic, adding depth to the plot. The film’s soundtrack was a major hit, with songs like ‘Ye Ishq Hai’, ‘Mauja Hi Mauja’, ‘Tum Se Hi’, and ‘Aaoge Jab Tum’ weaving their own magic. Over the years, Jab We Met has earned a cult status, beloved by audiences for its charm and unforgettable music.
Kareena also spoke about the possibility of working in Hollywood, saying, “I think it just organically did not happen. Films are my passion--they run in my veins. I was born into this family. Times are changing, and you never know. Chasing something has never been a part of my personality, but if it's meant to happen, maybe a Hindi-English film will come along. After all, even Spielberg is watching our movies!”
Also Read : BREAKING: What to expect at WAVES Summit 2025 – Shah Rukh Khan to open up on his ‘outsider to ruler’ journey, Indian Cinema’s BIGGEST reunion featuring Amitabh Bachchan, Hema Malini, Mithun Chakraborty, Rajinikanth, Mohanlal, Chiranjeevi, Akshay Kumar; Kareena Kapoor-Aishwarya Rai Bachchan to make a RARE joint appearance
read moreEXCLUSIVE: Kavita Seth, Kanishk Seth WOWED by picturization of Kesari Chapter 2 song ‘Khumaari’: “Fascinating that the ghazal was interpreted in such a manner”; Kavita expresses her desire to sing for Cocktail 2: “If they invite me, we’ll give them something BETTER than ‘Tumhi Ho Bandhu’”
Kavita Seth fans were in for a treat last month as her song ‘Khumaari’ from Kesari Chapter 2 was released. Sung by Kavita and composed by both Kavita and her son Kanishk Seth, the song, featuring Masaba Gupta, has been picturized aesthetically. In an exclusive interview with Bollywood Hungama, Kavita Seth and Kanishk Seth spoke about the song and a lot more.
When I heard ‘Khumaari’, I had no idea that it would be filmed in such a manner. Did that surprise you and what reaction have you received for this number? Kavita Seth: The reaction has been great. And even we were shocked when we saw the visuals. We liked the fact that this ghazal was interpreted in such a manner! It didn’t look odd as well. It was beautiful. It made it clear that art can’t be confined to a boundary. Usko kaise bhi socha ja sakta hai. Hence, it was a beautiful experience. With the visuals, the charm of the song was enhanced manifold.
Tell us about the idea behind the composition of the song… Kavita Seth: For ‘Khumaari’, I have used the Darbari Raag. It’s a raag which is usually sung by males. I don’t know why but I felt that it would suit this song. The beauty of the Ragas is that unke jo sur hai, woh vayu mandal mein chaaro taraf hai. If you come across it, you are bound to like it. Hence, I feel that Raga-based songs have a long shelf life.
Was this song composed earlier or did you guys compose it specially for this film? Kanishk Seth: We had composed it before. Mom was composing it and when I heard it, I realized that this was an amazing song which I’d like to produce in a jazz style. I did that and meanwhile, the team at Dharma loved it. Much later, we got to know that it was being used in Kesari Chapter 2. When they told me that they were going to add a Burlesque kind of visual to it, I was wowed. I was wondering how would it look on the song. When we finally saw the video, we were really impressed with how things shaped up.
How did the song land in Kesari Chapter 2? Kanishk Seth: Dharma has a big team and one of the departments is the music supervision, headed by Azeem Dayani. During JugJugg Jeeyo (2022), we had worked together. At that time, he had heard this song and had expressed the desire to use it in a film.
Akshay Kumar has a good ear for music. Did he talk to you both about the song? Kanishk Seth: No, I didn’t but I got to know from Azeem that he really loved it. He also wanted the song in the film.
We see you have been working repeatedly in films of Dharma Productions, be it Kesari Chapter 2, JugJugg Jeeyo, Mr & Mrs Mahi (2024) and of course Wake Up Sid (2009)…
Kavita Seth: (Laughs) Kuch karmic connection zaroor hai! I guess we have bonded well. They liked my taste. We also enjoy working with them and vice versa. We enjoy each other’s company too.
As an independent artist, how much will you push a song? But through a film, a song can simply take off, especially if it’s complemented by nice visuals and has been promoted well. Even if the promotion has not happened, a greater number of people will check out the song as it’s a part of a film. And if it’s a good production house, toh fir tension nahin rehti hai. Things are clear. It’s a win-win situation. We are benefiting aur unko bhi acche songs mil rahe hai (laughs)!
Social media has also contributed to the popularity of your songs and it’s also strange to see how it works. Your song ‘Rangisari’ was released in 2020 but it became famous much later… Kanishk Seth: This is happening everywhere. It just didn’t happen with us. When it happened with us, we were wondering, ‘The song has been out for 1 ½ years and it’s trending now’. I guess every song has its destiny. I was recently listening to a song by Surinder Kaur. She composed songs years ago and her tracks were trending on Instagram. It’s a matter of 1-2 Reels and how your song is used in those videos.
Kavita Seth: Acchi cheezon ka rang dikhta hi logon ko; if not today, it’ll happen after a few years. You don’t need to work hard. Kar ke chhod do, bas! Let the Universe do the needful. Your song will end up reaching people. ‘Rangisari’ is an example of it. We did nothing and look how it exploded. Once it became a part of a film (it was recreated in JugJugg Jeeyo), its popularity increased manifold. Similarly, ‘Khumaari’ will also have its journey.
Kavita ji, your song ‘Tumhi Ho Bandhu’ from Cocktail (2012) is unforgettable. Now, Cocktail 2 is being made. Can we expect one more gem from you in the second part? Kavita Seth: (Smiles) If they invite me, we’ll give them something better than ‘Tumhi Ho Bandhu’! It was a huge hit. It is often said now that songs don’t have a shelf life. But take any song of mine. ‘Iktara’ (from Wake Up Sid) was released way back in 2009. Kids who were in Class 1 then have now passed college and they are listening to it (laughs)!
What next? Kanishk Seth: We have a song in Suswagatam Khusamdeed. Then, I have a song in the upcoming Netflix show, The Royals. We also have a song in Daring Partners, made by Dharmatic Entertainment. Moreover, we have composed an album for meditation purposes. It's on chakra healing.
Kavita Seth: I’ll be performing at a show called Only Nazms on May 11. The idea is that I want good poems to reach out to the audience. I also have an IP called Main Kavita Hoon. I talk about famous poets in this two-hour programme. It is my passion and also my weakness.
Your name is also poetic… Kavita Seth: (Smiles) Indeed. I guess that’s why my parents named me Kavita. Bas ek gadbad kar di bhagwan ne. Main kavita likh nahin paati hoon. Bas apna naam ‘Kavita’ likh paati hoon; baaki kuchh nahin (laughs)!
read moreRasha Thadani recreates mother Raveena Tandon's iconic track in new ad with Vedang Raina, gets ‘Heroine No.1’ title from Veer Pahariya
Fresh pairings often generate interest in Bollywood, and there's growing curiosity around newcomers Vedang Raina, Veer Pahariya, and Rasha Thadani as they take their first steps in the industry. Recently, Vedang Raina and Rasha Thadani appeared together in a skincare advertisement, drawing attention for their on-screen chemistry and dance moves. Their performance on a recreated version of the song ‘Chalo Ishq Ladaye’ sparked buzz online, and Veer Pahariya also reacted to their collaboration.
In the comment section, Veer Pahariya called Rasha Thadani ‘Heroine No.1’, expressing admiration towards the newcomer’s screen presence and fluid dance moves. Now that the audience has seen Vedang and Rasha’s team up over an advertisement, they desire to watch Veer Pahariya and Rasha Thadani collaborate for a film, whether rom-com or thriller or comedy, and ignite the screens with their chemistry and believability as fresh faces. Veer and Rasha could make for one adorable on-screen jodi that could easily pull the crowd to the theatres!
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While Rasha Thadani made her way into Bollywood with Azaad, Veer Pahariya won hearts with Sky Force, an unconventional choice for a debutant. Picking a patriotic role for a first film seems an uneasy task, however, Veer Pahariya’s passion and hard work made it believable and sincere. The positive reviews and word of mouth further establish the fact that he’s here to stay!
Fans eager to see more of Veer Pahariya can look forward to some upcoming projects, along with a few musical releases he has in the pipeline.
Also Read : Rasha Thadani reveals her deepest beliefs: “I don’t ask for anything, just thank God”
read moreMika Singh criticizes Filmfare for favouring Ayushmann Khurrana over Sonu Nigam; says, “If you’re not going to respect them, then don’t even invite them”
Despite having over twenty years of experience in the industry, singer Mika Singh has avoided attending award shows. He explains that he doesn’t grasp the logic behind these events, especially when an artist with a better song is overlooked in favor of another. In a conversation with host Subhankar Mishra on his YouTube channel, Mika shared an example from the Filmfare Awards, where Sonu Nigam lost to Ayushmann Khurrana.
In the conversation, Mika spoke candidly about his views on award shows in the industry. He revealed, “I have given numerous hit songs but have never received a nomination. The reason is that years ago, around 2011, I had shared the message that whichever song might be a hit… kindly do not keep it for a nomination. It hurts when a song which has not been such a hit ends up winning.”
Mika then recalled a specific example and shared, “For instance, Sonu Nigam’s song was really great ‘Abhi Mujhe Main Kahin.’ On the other hand, my younger brother Ayushmann Khurrana had ‘Paani Da’ out. So, that Filmfare award went to Ayushmann. Now, what is this? Is it because of the audience, or is it something that’s been sold or bought? I don't understand. But Sonu Nigam truly deserved it. Award shows should recognize that while a few songs may be hits, they must always show respect to the legends. If you're not going to respect them, then don’t even invite them. It’s better not to invite them at all than to bring them in just to humiliate them.”
Sonu Nigam was nominated at the 2013 Filmfare Awards for his song ‘Abhi Mujh Mein Kahin’ from the film Agneepath. However, he lost the award to Ayushmann Khurrana, who won for his song ‘Paani Da’ from Vicky Donor.
Mika then shared that he had just one request for Sonu Nigam regarding the situation. He suggested that Sonu should focus solely on singing at these shows and earn as much as he can, without worrying about the awards.
Also Read : Mika Singh recalls Bipasha Basu and Karan Singh Grover demanded separate rooms while shooting Dangerous: “They were a married couple”
read moreWAVES 2025: “Adipurush’s Telugu market rights were pre-sold for Rs. 120 cr; Hindi films earn Rs. 4-5 cr in Andhra-Telangana but Tanhaji: The Unsung Warrior collected Rs. 14 cr” – Om Raut
Filmmaker Om Raut and actors Vikrant Massey, Sonali Kulkarni and Ravi Mohan attended a session named 'The Changing Face of Indian Cinema' on day 2 of WAVES 2025. Om Raut raised some interesting points about the box office performance of his films.
Om Raut began by saying, “The most successful verse that has happened to date is the Marvel Cinematic Universe. Because of Marvel, Disney at their peak time contributed to 23% of the global box office. (In other words), 23% of tickets sold were for a Marvel film or Disney film. This means that a kid in Nebraska is watching the same content as Vikrant and his team in Mumbai. Virat Kohli, similarly, is popular in all parts of India.”
He added, “Since the same kind of content is consumed globally. What if we modify our content a little bit; it will then be accessible to a global audience. After all, the hunger of an artist is to reach a greater number of people.”
Om Raut continued, “The reason I am quoting numbers is because it gives an idea about the number of eyeballs it has grabbed. My first film was in Marathi, titled Lokmanya: Ek Yugpurush (2015); it collected Rs. 14 crores in Maharashtra. A limited number of non-Marathi-speaking people saw the film. It did some box office in Bengaluru, Indore and Delhi. I realized that there was some demand for niche cinema made in my language to reach that audience. I was happy that a kid from South Mumbai made a Marathi film and it was consumed in Bengaluru. It was very satisfying.”
Om Raut then exulted, “Tanhaji: The Unsung Warrior (2020) collected Rs. 300 crores out of which it earned Rs. 14 crores from the Telugu-speaking states of Andhra Pradesh-Telangana. Hindi films normally don’t earn so much there. A Hindi film usually earns Rs. 4-5 crores there but our film collected a whopping Rs. 14 crores.”
He stated, “Then I made my third film, Adipurush (2023). It was shot simultaneously in Hindi and Telugu. Before we even released the film, the Telugu market rights were sold for Rs. 120 crores. This means that so many people actually saw that film. My distributor is somewhere here. Maybe, he can (correct me if I am wrong).”
Om Raut summed up his answer by saying, “The need for an artist is to reach a wider audience. If we can make our local stories strong and tell them with all our heart, it’ll resonate across the world.”
Also Read: WAVES 2025: Bhumi Pednekar hopes that Ranbir Kapoor-Sai Pallavi-Yash starrer Ramayana can be a game-changer: “It’ll be a visual spectacle; will bring a lot of business to our country”
read moreBoney Kapoor pens touching farewell to mother Nirmal Kapoor: “She will remain in our hearts--forever cherished”
The Kapoor family released an official statement following the passing of Nirmal Kapoor, the mother of Boney Kapoor, Anil Kapoor, and Sanjay Kapoor, at Mumbai’s Kokilaben Ambani Hospital on Friday. Boney Kapoor, along with his children Arjun Kapoor and Anshula Kapoor, posted the statement on Instagram. Nirmal Kapoor was 90 years old.
The statement read, “Passed away peacefully on the 2nd of May, 2025, surrounded by her beloved family. She lived a full and joyful life, leaving behind four devoted children, loving daughters-in-law, a caring son-in-law, eleven grandchildren, four great-grandchildren, and a lifetime of treasured memories.”
He added, “Her generous spirit and boundless love touched all who knew her. She will remain in our hearts--forever cherished, forever missed. Boney, Anil, Reena, Sanjay, Sunita, Sandeep, Maheep, Mohit, Akshay, Sonam, Arjun, Rhea, Harshvarrdhan, Anshula, Janhvi, Shanaya, Khushi, Jahaan, Antara, Anand, Aashita, Karan Thea, Vayu, Ayra, Yuvaan.” He captioned, “Maa.”
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Earlier, numerous celebrities visited Boney Kapoor’s home to pay their respects to the family. Rani Mukerji, Ananya Panday, Raveena Tandon, her daughter Rasha Thadani, and Suhana Khan were spotted arriving at Boney's residence. Sonam Kapoor and her brother Harsh Varrdhan Kapoor were also seen outside their uncle's house.
According to a report by news agency ANI, Dr. Santosh Shetty, CEO and Executive Director of Kokilaben Ambani Hospital, confirmed that Nirmal Kapoor passed away “peacefully at the hospital around 5:25 pm today.” Following the news, Boney Kapoor arrived at his mother's residence shortly after.
In September of last year, the family came together to celebrate Nirmal Kapoor's 90th birthday. Anil Kapoor shared a few photos with his mother to wish her on the occasion. His post was captioned, “90 years of love, strength, and endless sacrifices. Your presence fills our lives with joy and positivity every day.”
Nirmal was the wife of the late film producer Surinder Kapoor and the mother of four children: Boney, Anil, Sanjay, and Reena Kapoor Marwah. She was also the grandmother of several well-known celebrities, including Arjun Kapoor, Sonam Kapoor, Rhea Kapoor, Harsh Vardhan Kapoor, Janhvi Kapoor, Anshula Kapoor, Khushi Kapoor, and Mohit Marwah.
Also Read : Nirmal Kapoor, mother of Boney, Anil, and Sanjay Kapoor, passes away
read moreWAVES 2025: Bhumi Pednekar hopes that Ranbir Kapoor-Sai Pallavi-Yash starrer Ramayana can be a game-changer: “It’ll be a visual spectacle; will bring a lot of business to our country”
Bhumi Pednekar raised some interesting points during the ‘Lights, Camera, Destination! Branding India Through Films’ session on day 2 of WAVES 2025. Mugdha Sinha, MD ITDC, Government of India, Nitin Tej Ahuja CEO, Producers Guild of India and IAS officer Rajender Kumar were also present in this session along with the actress. Bhumi made some interesting observations and also remarked that the Ranbir Kapoor-Sai Pallavi-Yash starrer Ramayana, produced by Namit Malhotra’s Prime Focus, can be a game changer.
Bhumi Pednekar said, “The kind of breakthrough that’s happening in the field of technology in India is incredible. We are about to produce one of our most expensive films, Ramayana, which is also going to be a visual spectacle. It is going to bring a lot of business to our country.”
She added, “India truly is brilliant with VFX. Unfortunately, most of it is done for international projects and not for our films. But I feel that if something happens like what happened with Baahubali, it’ll be incredible.”
Bhumi Pednekar revealed, “A few days ago, I interacted with somebody in the Japanese government. The first thing he told me was, ‘I loved RRR’! He asked me, ‘The iconic fight scene at the beginning of the film; was it shot in Film City?’. I replied, ‘No, that was not Mumbai. It was shot in Hyderabad’. Hence, that impact does exist and it is very, very deep!”
She stated, “When sarso ke khet is shown in Dilwale Dulhania Le Jayenge (1995), there are enough people coming to India to get pictures clicked (at that place); social media is a great example to see that happening. Even when we travel abroad, we go to places like the Harry Potter attractions. A lot of these theme parks are also being introduced to India. Merchandising is also a great way of taking a bit of that country’s cinema back and creating that fan base and fandom.”
She ended her answer by remarking, “What’s incredible is that people want to click pictures even outside the houses of Shah Rukh Khan and Amitabh Bachchan. This is a soft power that we have as an industry and even India has.”
Also Read: BREAKING: Move over dubbing and subtitles; Ranbir Kapoor-Yash’s Ramayana to feature lip-synced English, Spanish, Japanese versions via cutting-edge AI – Namit Malhotra makes a FASCINATING revelation!
read moreWAVES 2025: Aamir Khan shares his MASSIVE vision – An Indo-China film starring an Indian star and Chinese star: "It will appeal to HALF the population on Earth"
Superstar Aamir Khan, Hong Kong filmmaker Peter Ho-Sun Chan, Hong Kong director Stanley Tong and producer Prasad Shetty graced a panel discussion named ‘Indian Cinema, Oriental Look’ on day 2 of WAVES 2025. Aamir Khan has a fan base in China, thanks to the super-success of his films like Dangal (2016) and Secret Superstar (2017). He proposed that an Indo-China film, if planned well, has the potential to be a huge blockbuster in both countries.
Aamir Khan said, “I have had the opportunity to visit China a number of times in the last 10 years. I feel that the audience in China, their cultural favour and emotions are very similar to the emotions of Indians. So, the Chinese audience reacts in a very similar way to the content that Indians do. This is what my experience was when I was watching my films in the theatres in China. The way they reacted to Dangal, for instance, there was no difference.”
He added, “Hence, I feel that there is a lot of scope and potential for a number of reasons. India has a very vibrant, creative community and so does China. China has amazing creative people. I have been to China a number of times. I have seen their live events and movies. The standard of their work is truly world-class. That itself is a great opportunity for India and China to work together. Whether creatively, emotionally or from a business perspective, I think it is only a win-win situation if we collaborate with China.”
He continued, “I have been in discussions with my friend from China. We have often explored the possibility. WAVES will give a further push towards the goal. Suppose there’s an Indo-Chinese film. If it has a star from China and a star from India, (the film will appeal to) roughly half the population on Earth (smiles). Hence, you have a huge audience already over there. I really look forward to a collaboration with a talent from China.”
Aamir Khan, however, also cautioned, “It’s always the story and script that excites a creative person. It can come from a Chinese or Indian writer. On a very surface level, you can say, ‘Let’s make a big action film with stars’. One can go that route and it might even work but that doesn’t excite me. You can’t force anything. It has to come organically.”
Peter Ho-Sun Chan of Perhaps Love (2005), The Warlords (2007) and Soul Mate (2016) fame revealed, “My only association with Indian Cinema was Shashi Kapoor when I was a boy in the 70s. I grew up in Thailand. Half of my classmates were Indians. I’d be eating aloo paratha from their lunch boxes! Whenever I come to India, I keep asking for it.”
He further stated, “My assistant asked me to watch 3 Idiots (2009). For the first 50 minutes, I couldn’t get involved with the film as it was very different from my style of filmmaking! It took me 3 to 4 attempts to watch the whole film. Then, I watched it 5 times with my daughter, my wife and my three different groups of friends, that too in cinemas! That sucked me into the world of Indian cinema.”
Also Read: Aamir Khan calls for more theatres to unlock India’s film industry potential; says, “There are regions and large areas across the country that lack even a single theatre”
read moreEktaa R Kapoor explains TVF’s success at WAVES 2025: “It's the characterization and nostalgia that connect”
TVF (The Viral Fever) has built a reputation for creating relatable shows. Over the years, it has become a well-known production house with a strong understanding of its audience. At WAVES 2025, its show Panchayat was highlighted as a notable example of grassroots storytelling. Producer Ektaa R Kapoor, who was also present at the event, mentioned Panchayat while discussing the global potential of rural content.
At WAVES 2025, When Ektaa R Kapoor was seen speaking about TVF and how they are able to make stories and characters that everyone has been able to resonate with and be nostalgic with. She said, “When you see a story, you resonate with the story. A lot of us watching Panchayat have not really seen villages and some of us haven't even lived in a village. It's the characterization, it's the way stories are told, it's the way you connect to the fact that you have landed up in the city or a smaller town which has simplicity attached to it. It's like going back to older times. It gives you a touch of nostalgia. All these are again emotional connect to the story of a small town or village. At the end of the day, it really doesn't matter and therefore it can travel.”
Ektaa R Kapoor is a well-established producer in the Indian entertainment industry. Often referred to as the “Content Czarina,” she has had a strong presence across television, film, and digital platforms. Her television work includes popular shows like Kyunki Saas Bhi Kabhi Bahu Thi, Kahaani Ghar Ghar Kii, and Kasautii Zindagii Kay. In cinema, she has backed notable films such as Shootout at Lokhandwala, Once Upon a Time in Mumbaai, The Dirty Picture, Udta Punjab, and Dream Girl. On OTT, she’s produced shows like Lock Upp, known for pushing boundaries. In 2023, she received the International Emmy Directorate Award at the 51st International Emmy Awards.
TVF’s Panchayat has resonated with a wide range of Indian viewers and has steadily grown in popularity. Season 2 was recognized with the Best Web Series OTT Award at the 54th International Film Festival of India (IFFI), a notable achievement given the limited recognition web series have received at national-level events. This marked the first time IFFI presented an award in this category, reflecting the growing significance of OTT content in India. Over time, Panchayat has become one of the more prominent web series in the country, with each season drawing increased audience appreciation.
TVF has steadily grown into one of India’s leading content creators. In 2024, it delivered a strong lineup of shows including Sapne Vs Everyone, Very Parivarik, Panchayat Season 3, Kota Factory Season 3, Gullak Season 4, and Arranged Couple. These series have been well-received and reflect TVF’s continued ability to connect with a broad audience across the country.
Also Read : Shraddha Kapoor bags Rs. 17 crore remuneration plus profit share for Ekta Kapoor’s next with Rahi Anil Barve
read moreL'Oréal Paris marks 28 years at Cannes with Alia Bhatt’s debut as global ambassador
L'Oréal Paris returns as the official beauty partner of the Festival de Cannes, which will be held from 13th to 24th May 2025. This marks the brand’s 28th consecutive year at the festival, where it will highlight the theme “Lights, Beauty and Action”—reflecting ideas of confidence, self-worth, and inclusivity.
This year also marks Alia Bhatt’s debut at the Festival de Cannes as a Global Ambassador for L’Oréal Paris. She will be joined by longtime brand ambassador Aishwarya Rai Bachchan, highlighting the continued presence of Indian cinema on the global stage. Their participation reflects L’Oréal Paris’s focus on representing diverse voices and promoting inclusivity in beauty.
Sharing her thoughts ahead of her Cannes debut, Indian actor, producer and entrepreneur Alia Bhatt said, “There’s something absolutely special about firsts — and I’m so excited to make my Festival de Cannes debut this year, an iconic celebration of cinema and self-expression. It is such an honour to represent L’Oréal Paris at the Festival with this year’s theme, ‘Lights, Beauty and Action’.
To me, beauty is about celebrating individuality, confidence and self worth. It’s limitless, it’s unique. I'm proud to stand with a brand that celebrates every woman’s journey and empowers them to shine in their own light.”
Dario Zizzi, General Manager, L'Oréal Paris - India, elaborated on the significance of the event,
“The Festival de Cannes has always been a powerful platform for storytelling, creativity, and cultural dialogue—values that deeply resonate with L'Oréal Paris. As we mark 28 years as the Official Makeup Partner, we are especially proud to welcome Alia Bhatt to the global stage alongside Aishwarya Rai Bachchan whose presence we’ve cherished for over two decades. Alia’s debut not only reflects the rising influence of Indian cinema but also our brand’s enduring commitment to celebrating diverse beauty and empowering women across the world.”
As part of a strategic collaboration, L’Oréal Paris has partnered with the Indian beauty e-commerce platform Nykaa as its “Beauty Partner” in India this year. Through this partnership, Nykaa is bringing the glamour of Cannes to the Indian consumers by offering exclusive access to iconic Cannes red carpet looks. The viral L'Oréal Paris Plump Ambition Lip Oil exclusively available on Nykaa from 1st May, during the entire Cannes film festival.
Anchit Nayar, Executive Director and CEO, Nykaa Beauty, said, “For nearly 30 years, L’Oréal Paris at Cannes has celebrated beauty on a global stage. As their Official Beauty Partner in India, Nykaa is proud to bring this collaboration closer to its 40+ million consumers and 200+ stores—honouring Indian beauty’s global rise and championing every individual who believes they are worth it.”
In addition to its strong Indian representation, L'Oréal Paris will be joined on the red carpet by a distinguished roster of global ambassadors including Eva Longoria, Viola Davis, Jane Fonda, Aja Naomi King, Andie MacDowell, Simone Ashley, Elle Fanning, Bebe Vio, and Yseult, all of whom embody the brand’s commitment to celebrating, authentic beauty.
Reinforcing its dedication to advancing women in film, L'Oréal Paris will once again present the Lights On Women’s Worth Award, an initiative designed to spotlight and support promising female filmmakers. This award continues to serve as a platform to amplify women’s voices and accelerate their professional journeys within the cinematic industry.
Throughout the festival, the brand will unveil the latest season of beauty at Cannes, led by Harold James, L'Oréal Paris’ newly appointed Global Makeup Creative Director. Alongside a team of 30 internationally renowned beauty artists, James will introduce cutting-edge trends and innovations that define the future of beauty on this global stage.
Also Read : Alia Bhatt, Ranbir Kapoor shoot intense night scenes for Sanjay Leela Bhansali’s Love & War: Report
read moreKiara Advani chooses Indian designer Gaurav Gupta for her Met Gala debut
Kiara Advani is set to make her debut at the 2025 Met Gala, wearing a custom outfit designed by Indian couturier Gaurav Gupta.
In a year where the Met Gala’s theme, “Superfine: Tailoring Black Style”, pays homage to the cultural legacy and artistic depth of Black identity through tailoring, Kiara’s appearance signals a powerful moment of intersection between Indian craftsmanship and global fashion. The official dress code, “Tailored by You,” invites a deeply personal narrative—and Kiara is embracing that call in her own unmistakable style.
Currently expecting her first child, Kiara’s red carpet appearance reflects not just a fashion statement but a larger celebration of womanhood, identity, and evolving influence. It marks a milestone not only for the actress but also for Indian fashion as it continues to find prominence on global platforms.
Her creative partner for the night, Gaurav Gupta, is no stranger to international acclaim. Known for his sculptural, avant-garde silhouettes, Gupta’s designs have graced red carpets from Cannes to the Oscars. This collaboration with Kiara is a natural fit—merging her elegance with his architectural aesthetic to create a look poised to capture headlines.
With this debut, Kiara Advani joins the ranks of Indian icons who have represented the country at the Met Gala, bringing a uniquely Indian voice to one of fashion’s most iconic stages.
Also Read : Kiara Advani soaks up the sun on a relaxing vacation with husband Sidharth Malhotra, radiates pregnancy glow; watch
read moreNamit Malhotra postpones Ramayana first glimpse at WAVES 2025 due to Pahalgam attack
Namit Malhotra, the producer behind the much-anticipated Ramayana, announced today that the planned unveiling of the film’s first glimpse at WAVES 2025 has been postponed due to the ongoing situation in Pahalgam after the terror attack.
The film, starring Ranbir Kapoor, Sai Pallavi, and Yash, was set to launch its first asset at the event today. He said, “We planned to launch Ramayana glimpse today at Waves 2025, but postponed it due to Pahalgam.”
Malhotra expressed immense satisfaction with the Nitesh Tiwari-directed film, which is soon set to begin filming its second part. The film is being developed using advanced VFX and real-time AI lip-sync technology. “Ramayana is a story meant for the world,” Malhotra stated while speaking to the press in Mumbai. He added, “We are leveraging cutting-edge technology to make it truly global, not just through dubbing or subtitles, but by achieving authentic lip-sync in multiple languages. Our aim is to make audiences across the globe feel as though it was made in their own language.”
Malhotra emphasized that the team aims to honor the spirit of the epic while using modern tools to connect with audiences worldwide. He added, “Ramayana deserves to be localized — to be told in every tongue, in every corner of the world.”
Last year, Malhotra, who has previously worked on several high-profile Hollywood projects such as Dune and Inception, revealed that the film would be released in two parts. The epic saga will feature Bollywood star Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, and Yash as Ravana. The first instalment is slated for release in 2026, with the second part set to release in 2027.
In a heartfelt message accompanying the film's first poster, Malhotra shared, “More than a decade ago, I embarked on a noble quest to bring this epic that has ruled billions of hearts for over 5000 years to the big screen. And today, I am thrilled to see it taking shape beautifully as our teams work tirelessly with only one purpose: to present the most authentic, sacred, and visually stunning adaptation of our history, our truth, and our culture - our RAMAYANA--for people across the world.”
Nitesh Tiwari, known for his acclaimed work on Dangal and Chhichhore, is directing the epic saga.
Also Read : BREAKING: Move over dubbing and subtitles; Ranbir Kapoor-Yash’s Ramayana to feature lip-synced English, Spanish, Japanese versions via cutting-edge AI – Namit Malhotra makes a FASCINATING revelation!
read moreDeepika Padukone applauds WAVES 2025 for positioning India at the global centre of entertainment: “This is the right time in the way that India is positioned today”
Deepika Padukone is one of the most prominent female actors in Indian cinema, with a career spanning nearly two decades. Over the years, she has seen the industry evolve and has been part of its growth both at home and internationally. Recently, she attended the 2025 WAVES Summit held at the Jio World Convention Centre in Mumbai.
The summit, inaugurated by Prime Minister Narendra Modi, brought together key voices from the media and entertainment industry. Alongside Shah Rukh Khan, Deepika Padukone spoke at the event, which focused on India's entertainment industry and its global impact. Their panel titled, “The Journey: From Outsider To Ruler” became the momentous sight as the ultimate Bollywood royalty on and off screen shared their insights on Day 1 of the summit.
Most recently, she attended and spoke at the WAVES Summit (World Audio Visual & Entertainment) 2025, where she hailed the event as a timely and much-needed syposium in Indian media and entertainment landscape, highlighting its potential for global impact and growth.
When asked about her thoughts, Deepika shared, “I think very very timely! I feel like something like this, coming together of various mediums… we have different film festivals, we have something for AI, we have something else happening for different industries but I think in a way of coming together… it was high time and, India really being the centre of it. I feel like this is the right time in the way that we (India) are positioned today.”
She further added, “I just think that its the right time its the coming together of tech, AI, Audio, Visual, film, entertainment, storytelling all of that coming together. This is probably first in the world." Deepika also pointed out the fragmented nature of India’s creative ecosystem, where cinema, OTT, animation, immersive tech, and AI often function in silos. She emphasized that WAVES 2025 could bring these elements into a cohesive framework.
Also Read : Deepika Padukone and Ranveer Singh host Instagram head Adam Mosseri for dinner in Mumbai
read moreKing and Alan Walker ignite the stage with exclusive performance of ‘Story of A Bird’ at WAVES 2025
Singer King and Alan Walker lit up the stage on the first day at WAVES 2025 in Mumbai. Performing during the YouTube Music Night, the two artists came together for their first-ever live performance. They kicked off their set with their unreleased single Story of a Bird, performing it exclusively for the first time.
Alan’s atmospheric beats layered seamlessly with King’s heartfelt delivery, from the get-go, the audience was hooked from the get-go , phones up, hands in the air, and not missing a beat. The vibe inside the venue was electric, and fans were clearly loving every second of it.
As they wrapped up their set, King and Alan Walker shared a quick hug on stage, smiling as they took in the response. “Story of a Bird is dropping soon,” they told the crowd, drawing another round of cheers. They also gave a shoutout to WAVES for the warm welcome. The track is all set to release on May 9th and will be available on all major streaming platforms.
This marked the first time the two artists have performed together live, making it a historic night not just for WAVES, but for fans of both artists. The debut sets the stage for what’s shaping up to be an unforgettable edition of the festival.
Also Read : Kartik Aaryan surprises fans as he attends Grammy award-winning Alan Walker’s show in Mumbai to promote Bhool Bhulaiyaa 3
read moreRanveer Singh, Arjun Kapoor to Avinash Tiwary: B-town men who pulled off monochrome outfits
Men fashion has evolved big time, and many of our Bollywood actors are staying close to classy monochrome looks. It's defining, it's signature, and rides high on 'less is more'. Here's looking at the top 6 actors who've stepped up with their fashion game with monochrome ensembles.
Ranveer Singh: Known for his fashion flamboyancy, Ranveer Singh defines alpha male character energy in a solid black monochrome suit with structured patterns throughout his coat. With this dominant outing, the 'Padmaavat' actor proved that he can ace signature styles with equal flair as vibrant ones!
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Arjun Kapoor: Arjun Kapoor created a funky blend of modern and class by pairing black pants with a white undershirt, and topped it off with a black blazer, featuring a one-sided broad white pattern stretched horizontally. He completed the look with black shoes and accessorised it with Prada shades, and a sleek neck chain.
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Avinash Tiwary: Avinash Tiwary redefined signature class in a full-black suit by Lubin. With this classic outing, Avinash proved that black is always an extraordinary choice to stand apart from the crowd. And can we also talk about how sleek it is ??
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Varun Dhawan: We're of the opinion that nobody does monochrome casual chic as smoothly as Varun Dhawan. The actor sported a classic white shirt, and paired it with a black suit. He added a touch of male elegance with a white bow, glossy black shoes, and a messy hairdo.
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Aditya Roy Kapur: Aditya Roy Kapur is the stylish boy next door, and he rightfully owns the tag! The actor donned a casual white T-shirt and tucked it under loose-fit black pants, and he served a major casual-comfy look in monochrome!
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Shahid Kapoor: Not everybody can pull off an old-school casual monochrome look, but if there's anyone who can ace it, it's definitely Shahid Kapoor. Give this man black pants and a metal buttoned-down jacket with dramatic collars, and he will rock it to a whole new level!
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These actors do monochromes so effortlessly, and have served looks in the most handsome of outfits! Men, take cues!
Also Read: Shahid Kapoor, Ishaan Khatter, Ibrahim Ali Khan, Sooraj Pancholi, Siddhant Chaturvedi: Bollywood men show how to suit up for summer
read moreMouni Roy on her friendship with Disha Patani, "Two heroines can definitely be friends, sisterhood is very important to me"
The once-popular belief that two leading actresses can’t be friends is now a thing of the past in today’s film industry. From Raashii Khanna and Vaani Kapoor, Kareena Kapoor Khan, Amrita Arora, and Malaika Arora, to Alia Bhatt and Akansha Ranjan Kapoor, and Sonakshi Sinha and Huma Qureshi, strong female friendships have increasingly become a visible and celebrated trend in the industry.
Mouni Roy, who is currently promoting her upcoming film The Bhootnii, was recently asked about her friendship with Disha Patani. The two have been frequently seen together at dinners and luxury vacations. They also support each other on social media, regularly sharing pictures.
In her response, Mouni Roy told News18, “Two heroines can definitely be friends. It has got nothing to do with the profession that you’re in. You could be a doctor, an engineer, or a builder and still find friends. I truly believe that your vibe catches your tribe.”
“You’re operating on a certain energy level and if you find somebody matching that same energy, you'll bond. It has got nothing to do with the profession. There's nothing like women friendship. Sisterhood is very important to me. Having a group of women who're your thick friends is like your entire family. You can find a mother, a father, a brother, and a sister in them”, she added.
Mouni will star alongside Palak Tiwari in The Bhootnii. Previously, Palak had praised Mouni for being a wonderful co-star and highlighted the joy of having a strong bond with her female co-stars.
In response, Mouni said, “If there’s any unpleasantry, a negative vibe or you not getting along with your female co-actor, it gets very difficult to work and say the dialogues with that person. And in that process, the honesty of the craft gets lost. I’m glad we met each other through the making of this project. We genuinely like each other and each other’s company. We gave one another the space when necessary but at the same time, we could come together, sit down and joke around.”
The Bhootnii hit theatres on May 1, 2025.
Also Read: Mouni Roy addresses trolling over botox rumours, “Seeing my face distorted on others’ bodies is disgusting”
read moreNora Fatehi and Ishaan Khatter bring spark to ‘Adayein Teri’ song from The Royals
The makers of the upcoming rom-com series The Royals have unveiled its latest track, ‘Adayein Teri’, and it’s already making a strong impression online. Featuring Nora Fatehi and Ishaan Khatter, the song combines elegance, chemistry, and a striking visual aesthetic, setting the tone for what audiences can expect from the show.
Shot in a lavish palace setting, ‘Adayein Teri’ blends romantic choreography with regal visuals. Nora Fatehi appears in a bold red ensemble, performing with her signature poise and flair. Alongside her, Ishaan Khatter complements the performance with well-matched choreography and an easy screen presence. The duo’s synchronised movements and on-screen chemistry have quickly become a talking point across social media platforms.
The response to the song has been enthusiastic. Viewers have shared reactions ranging from excitement over the pairing to appreciation for the choreography and styling. One social media user wrote, “Omg the pairing is so good! Ishaan and Nora together, it's serving ROYAL.” Another commented, “Oh my god, Nora smashed it! — Loved the choreography and the looks! Srsly can’t wait to see The Royals!” The visuals, especially Fatehi’s styling and presentation, have drawn particular praise.
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‘Adayein Teri’ serves as a major promotional milestone for The Royals, a series that has already generated considerable buzz for its mix of romance and drama set against a royal backdrop. The track adds to the show's growing hype, offering a glimpse into its high-production values and stylised storytelling. With ‘Adayein Teri’, Nora Fatehi and Ishaan Khatter add fresh momentum to The Royals, giving audiences a taste of the series' tone and style ahead of its premiere.
The Netflix series also features Bhumi Pednekar as the leading lady along with Zeenat Aman, Sakshi Tanwar, Vihaan Samat, Dino Morea, Milind Soman, among others and it is slated to premiere on May 9. Meanwhile, Nora Fatehi, on the acting front, is set to appear next in Kanchana 4.
Also Read: Ishaan Khatter calls Zeenat Aman ‘Gen Zee’ and ‘Crown Jewel’ of The Royals in heartfelt tribute
read moreTom Cruise reveals power breakfast behind extreme stunts in Mission: Impossible – The Final Reckoning
In his eighth and possibly final outing as Ethan Hunt, Mission: Impossible – The Final Reckoning, Tom Cruise takes action to new heights — quite literally. In one of the film’s most daring stunts, Cruise is seen hanging from and crawling along the wings of a 1940s-era biplane zooming above South Africa’s Drakensberg mountains.
“I remember seeing old footage of wing-walking,” says Cruise of a stunt he’s envisioned trying since he was a kid. “Those aircraft were only traveling at, I don’t know, 40, 50 miles an hour. This aircraft is up to over 120 miles an hour. Going out there, I was realizing that it takes your breath away.”
But how does the actor actually fuel up for stunts of this intensity? With breakfast, he says — and not just any breakfast. “I actually eat a massive breakfast,” reveals Cruise. “The amount of energy it takes — I train so hard for that wing-walking. I’ll eat, like, sausage and almost a dozen eggs and bacon and toast and coffee and fluids. Oh, I’m eating! Picture: It’s cold up there. We’re at high altitude. My body is burning a lot.”
Even after decades of redefining action cinema, Cruise’s passion remains sky-high, fueled by intensity, gratitude, and apparently, a powerhouse breakfast.
Buckle up for the final mission! Mission: Impossible - The Final Reckoning to make way into cinemas across India on Saturday, May 17, 2025 in English, Hindi, Tamil & Telugu only in 4Dx and IMAX. Experience the ultimate adventure one last time!
Also Read: Tom Cruise’s most memorable dialogues from the Mission: Impossible franchise that still give us chills!
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